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Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing, Susan Harrow


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Автор: Susan Harrow
Название:  Colourworks: Chromatic Innovation in Modern French Poetry and Art Writing
ISBN: 9781526637758
Издательство: Bloomsbury Academic
Классификация:

ISBN-10: 1526637758
Обложка/Формат: Paperback
Страницы: 256
Вес: 0.55 кг.
Дата издания: 23.03.2023
Язык: English
Иллюстрации: 32 colour illus
Размер: 156 x 234 x 24
Читательская аудитория: Tertiary education (us: college)
Ключевые слова: Literary studies: poetry & poets,Theory of art, ART / Criticism & Theory,ART / European,LITERARY CRITICISM / European / French,LITERARY CRITICISM / Poetry
Подзаголовок: Chromatic innovation in modern french poetry and art writing
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Поставляется из: Англии
Описание: As joint winner of the Gapper Book Prize, 2021, this new edition of Susan Harrows award-winning study of modern French poetry and art writing offers a bold approach to studying the relationship between text and image. Exploring key questions such as how modern writers write colour, and to what extent critical thought on colour in visual media can illuminate the textual life of colour, Susan Harrow argues that colour is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority in painting and poetry.The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a ‘colour turn’ in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stephane Mallarme, Paul Valery and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications—conceptual, methodological, and practical—for the study of visuality in humanities research, from literature studies to material and visual culture studies.

Colourworks

Автор: Harrow, Professor Susan (university Of Bristol, Uk)
Название: Colourworks
ISBN: 1350182206 ISBN-13(EAN): 9781350182202
Издательство: Bloomsbury Academic
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Цена: 100320.00 T
Наличие на складе: Нет в наличии.
Описание: How do modern writers write colour? How do today’s readers respond to the invitation to ‘think colour’ as they read poetry and art writing, and explore paintings? To what extent can critical thought on colour in visual media illuminate the textual life of colour? These are some of the lines of enquiry pursued in this bold new study of modern poetry and art writing in French, where colour, Susan Harrow argues, is integral to the exploration of ethics, ekphrasis, objects, bodies, landscape and interiority. The question of colour, in a variety of disciplines and media, has provoked debate from Aristotle to Goethe, and from Baudelaire to Derek Jarman. If the past twenty years have witnessed a ‘colour turn’ in contemporary cultural studies and screen research, colour values in literary and textual media are often elided or, simply, overlooked. Colourworks tackles this lacuna in the study of modern poetry and art writing in French, revealing the integral role of colour in the work of three iconic French writers in the modern tradition: Stephane Mallarme, Paul Valery and Yves Bonnefoy. This book spans the broad modern period from the 1860s to the early twenty-first century in taking an exploratory approach to the visuality of the verbal medium through an adventurous reading of text and image. Harrow uncovers how colour moves and morphs in texts as it challenges the traditionalist containments of chromatic symbolism. Beyond its primary area of investigation in modern poetry and art writing in French, this richly colour-illustrated study has significant interdisciplinary implications—conceptual, methodological, and practical—for the study of visuality in humanities research, from literature studies to material and visual culture studies.


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