Transatlantic Transformations of Romanticism: Aesthetics, Subjectivity and the Environment, Mark Sandy

Автор: Tovey Paige
Название: Transatlantic Eco-Romanticism of Gary Snyder
ISBN: 1137340142 ISBN-13(EAN): 9781137340146
Издательство: Springer
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Цена: 74530.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Tracing connections between Gary Snyder and his Romantic and Transcendentalist predecessors - Wordsworth, Blake, Emerson, Whitman, and Thoreau - this study explores the tension between urbanization and overindustrialization. The dialectical relationship between Snyder and his predecessors reminds readers that nature is never a simple concept.

Автор: Cristina Delgado-Garc?­a
Название: Rethinking Character in Contemporary British Theatre: Aesthetics, Politics, Subjectivity
ISBN: 3110403900 ISBN-13(EAN): 9783110403909
Издательство: Walter de Gruyter
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Цена: 99110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The category of theatrical character has been swiftly dismissed in the academic reception of no-longer-dramatic texts and performances. However, claims on the dissolution of character narrowly demarcate what a subject is and how it may appear. This volume unmoors theatre scholarship from the regulatory ideals of liberal humanism, stretching the notion of character to encompass and illuminate otherwise unaccounted-for subjects, aesthetic strategies and political gestures in recent theatre works. To this aim, contemporary philosophical theories of subjectivation, European theatre studies, and experimental, script-led work produced in Britain since the late 1990s are mobilised as discussants on the question of subjectivity. Four contemporary playtexts and their performances are examined in depth: Sarah Kane’s Crave and 4.48 Psychosis, Ed Thomas’s Stone City Blue and Tim Crouch’s ENGLAND. Through these case studies, Delgado-Garcia demonstrates alternative ways of engaging theoretically with character, and elucidating a range of subjective figures beyond identity and individuality. Alongside these analyses, the book traces a large body of work that has experimented with speech attribution since the early twentieth-century. This is a timely contribution to contemporary theatre scholarship, which demonstrates that character remains a malleable and politically-salient notion in which understandings of subjectivity are still being negotiated.