The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, Alicia Kozma
Автор: Brown, Blain Название: The Basics of Filmmaking ISBN: 0367026066 ISBN-13(EAN): 9780367026066 Издательство: Taylor&Francis Рейтинг: Цена: 38780.00 T Наличие на складе: Есть Описание: This is an introductory textbook tailored to the needs of beginning and intermediate film students and independent filmmakers that expertly guides you through the entirety of the craft, from screenwriting all the way through to editing, with details chapters covering each department involved in the filmmaking process.
Автор: Marcus, Millicent Название: Filmmaking by the Book : Italian Cinema and Literary Adaptation ISBN: 080184455X ISBN-13(EAN): 9780801844553 Издательство: Wiley Рейтинг: Цена: 29040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Each of the filmmakers studied here define their own authorial task in relation to that of the literary precursor, and insert "umbilicalscenes or "allegories of adaptationto teach viewers how to read their cinematic rewriting of literary sources.
Автор: Claudia Springer, Julie Levinson Название: Acting: Behind the Silver Screen: A Modern History of Filmmaking ISBN: 1784534021 ISBN-13(EAN): 9781784534028 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Невозможна поставка. Описание: How Hollywood has shaped acting, from vaudeville to CGI
Автор: Alicia Kozma Название: The Cinema of Stephanie Rothman: Radical Acts in Filmmaking ISBN: 1496840992 ISBN-13(EAN): 9781496840998 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The rare woman director working in second-wave exploitation, Stephanie Rothman (b. 1936) directed seven successful feature films, served as the vice president of an independent film company, and was the first woman to win the Directors Guild of America’s student filmmaking prize. Despite these career accomplishments, Rothman retired into relative obscurity. In The Cinema of Stephanie Rothman: Radical Acts in Filmmaking, author Alicia Kozma uses Rothman’s career as an in-depth case study, intertwining historical, archival, industrial, and filmic analysis to grapple with the past, present, and future of women’s filmmaking labor in Hollywood. Understanding second wave exploitation filmmaking as a transitory space for the industrial development of contemporary Hollywood that also opened up opportunities for women practitioners, Kozma argues that understudied film production cycles provide untapped spaces for discovering women’s directorial work. The professional career and filmography of Rothman exemplify this claim. Rothman also serves as an apt example for connecting the structure of film histories to the persistent strictures of rhetorical language used to mark women filmmakers and their labor. Kozma traces these imbrications across historical archives. Adopting a diverse methodological approach, The Cinema of Stephanie Rothman shines a needed spotlight on the problems and successes of the memorialization of women’s directorial labor, connecting historical and contemporary patterns of gendered labor disparity in the film industry. This book is simultaneously the first in-depth scholarly consideration of Rothman, the debut of the most substantive archival materials collected on Rothman, and a feminist political intervention into the construction of film histories.
Автор: Barry Monahan Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy ISBN: 1501316117 ISBN-13(EAN): 9781501316111 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film - 3 Joes - and his little-seen student film Mendel.
As the first sustained study of Abrahamson's engaging and cinematically rich work, Barry Monahan's book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects' socio-cultural background, to his own influences in modern cinema - going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurism ki among others - and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.
Автор: Lisa Jarvinen Название: The Rise of Spanish-Language Filmmaking: Out from Hollywood`s Shadow, 1929-1939 ISBN: 0813552869 ISBN-13(EAN): 9780813552866 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 27720.00 T Наличие на складе: Невозможна поставка. Описание: Focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. It examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the US, Spain, and Mexico, this shows how language led to new expectations from audiences and new possibilities for film producers.
Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan) ISBN: 1501362232 ISBN-13(EAN): 9781501362231 Издательство: Bloomsbury Academic Рейтинг: Цена: 34840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.
Автор: Tricart Celine Название: 3D Filmmaking ISBN: 1138847895 ISBN-13(EAN): 9781138847897 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Нет в наличии. Описание:
A visual book for the visual artist, 3D Filmmaking: Techniques and Best Practices for Stereoscopic Filmmakers provides a comprehensive overview of the theory, language, and methods behind stereoscopic 3D filmmaking, all in one package. Celebrated 3D filmmaker Celine Tricart explores every facet of the art, from the technical to the practical, including:
3D vision
History of 3D cinema
Stereoscopic basics and techniques
How to shoot in 3D
3D VFXs, animation in 3D, and 2D to 3D conversion
Live broadcast in 3D
3D viewing and projection
3D as a storytelling tool
Screenwriting for 3D
Working with a stereographer
3D storyboarding and previz
3D postproduction
Sound design in-depth
A must-read for any 3D filmmaker, producer, writer, or technician interested in the third dimension, 3D Filmmaking covers the history of the form, defines key 3D terms and places them into context, and offers lessons on using the medium as a visual storytelling tool, creating a perfect blend of concepts, practice, and history. Full color throughout, the book also includes a pair of 3D glasses for you to view the 3D images within, and each chapter features detailed color diagrams and examples in anaglyph 3D, as well as interviews with 3D visionaries like Jean Pierre Jeunet (Director, Amelie, Alien 4), Chris Sanders (Director, How to Train Your Dragon, The Croods), Demetri Portelli (Stereographer, Hugo), Phil McNally (Stereoscopic Supervisor, How to Train Your Dragon, Madagascar 4), Tim Webber (VFX supervisor, Gravity), Scott Farrar (VFX supervisor, the Transformers franchise), and Victoria Alonso (Stereoscopic Supervisor, Marvel Studios).
A companion website (www.routledge.com/cw/tricart) features links to useful resources and footage from 3D films.
Автор: Craig Erpelding Название: Filmmaking with Intention: A Comprehensive Guide to Creating Engaging Motion Pictures ISBN: 1793521093 ISBN-13(EAN): 9781793521095 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 95260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Filmmaking with Intention: A Comprehensive Guide to Creating Engaging Motion Pictures helps readers better understand and further their passion for cinematic storytelling while discovering tried and true techniques for creating movies that intentionally impact an audience.Opening chapters discuss where cinematic stories come from, how filmmakers enhance their personal connection to the films they wish to make, how filmmakers use metaphor and symbolism as external expressions of a character, how to write great dialogue rooted in character motivations, and how to best use conventions, clich?s, and tropes. This book overviews the history of cinema and editing, different methods of cutting footage together, basic composition rules and camera techniques, creating a meaningful sequence of shots, and how color can affect an audience. Closing chapters underscore the importance of selecting the right camera, identify ways to mitigate issues on a production, showcase how filmmakers can create impactful cinematic moments through the edit, and how authentic sound and score can take a project to new heights.Enlightening and essential, Filmmaking with Intention is an exemplary resource for filmmakers and a great foundation for courses and programs in cinema and film.
Автор: Dudenhoeffer Larrie Название: Walls Without Cinema: State Security and Subjective Embodiment in Twenty-First-Century Us Filmmaking ISBN: 1501370979 ISBN-13(EAN): 9781501370977 Издательство: Bloomsbury Academic Рейтинг: Цена: 62760.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume closely examines the near-ubiquitous images of state security walls, domes, and other such defense enclosures flashing across movie screens since 2006, the year of the ratification of George W. Bush’s Secure Fence Act. This study shows that many of the films of this era enable us to imaginatively test the effects of these security mechanisms on citizens, immigrants, refugees, and other sovereign states, challenging our commitment to constructing them, maintaining them, staffing them, and subsidizing their enormous overheads.
With case studies ranging from Atomic Blonde and Ready Player One to Black Panther and Elysium;Walls without Cinema serves as a timely counterpoint to the xenophobic rhetoric and abusive, carceral security conditions that characterize the Trump administration’s management of the Mexico-U.S. border situation.
Автор: Carrie Tarr, Brigitte Rollet Название: Cinema and the Second Sex: Women`s Filmmaking in France in the 1980s and 1990s ISBN: 1474290779 ISBN-13(EAN): 9781474290777 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Women's filmmaking in France has been a source of both delight and despair. On the one hand, the numbers are impressive – over 250 feature-length films were made by over 100 women directors in France in the 1980s and 1990s. On the other hand, despite the heritage of French feminism, French women directors characteristically disclaim their gender as a significant factor in their filmmaking. This incisive study provides an informative, critical guide to this major body of work, exploring the boundaries between personal films (intimate psychological dramas relating to key stages in life) and genre films (which demonstrate women's ability to appropriate and rework popular genres). It analyzes the effects of postfeminism, women's desire to enter the mainstream, and the impact of a new generation of filmmakers, enabling readers to take stock of the wealth and diversity of women's contribution to French cinema during the 1980s and 1990s.
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