Автор: Spingarn Adena Название: Uncle Tom: From Martyr to Traitor ISBN: 0804799156 ISBN-13(EAN): 9780804799157 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33440.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Uncle Tom charts the dramatic cultural transformation of perhaps the most controversial literary character in American history. From his origins as the heroic, Christ-like protagonist of Harriet Beecher Stowe's anti-slavery novel, the best-selling book of the nineteenth century after the Bible, Uncle Tom has become a widely recognized epithet for a black person deemed so subservient to whites that he betrays his race. Readers have long noted that Stowe's character is not the traitorous sycophant that his name connotes today. Adena Spingarn traces his evolution in the American imagination, offering the first comprehensive account of a figure central to American conversations about race and racial representation from 1852 to the present. We learn of the radical political potential of the novel's many theatrical spinoffs even in the Jim Crow era, Uncle Tom's breezy disavowal by prominent voices of the Harlem Renaissance, and a developing critique of "Uncle Tom roles" in Hollywood. Within the stubborn American binary of black and white, citizens have used this rhetorical figure to debate the boundaries of racial difference and the legacy of slavery. Through Uncle Tom, black Americans have disputed various strategies for racial progress and defined the most desirable and harmful images of black personhood in literature and popular culture.
Автор: Ronell, Avital Название: Crack wars ISBN: 0252071905 ISBN-13(EAN): 9780252071904 Издательство: Wiley EDC Рейтинг: Цена: 19430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Avital Ronell asks why "there is no culture without drug culture." She deals with the usual drugs and alcohol (and their celebrities: Freud's cocaine, Baudelaire's hashish, the Victorians' laudanum), and moves beyond them to addictions that are culturally accepted--an insatiable appetite for romance novels, for instance, and romance itself.
It is a commonplace of modern culture to presume that there is a subculture or counterculture deeply saturated with drugs, but such modern cultures need subcultures, and need drugs on every level. Culture defines itself, its classes, its power structures, and its economy in terms of how it allows and encourages drugs to circulate. If drugs are dangerous, that danger seems to increase their appeal for millions. If drugs are unnatural and addictive, gasoline is a drug. What is art but a kind of drug, and what is art criticism but a kind of criticism of drugs and drug-induced states?
Gustave Flaubert's Madame Bovary takes up the problems of drugs and addiction in numerous ways, which Ronnell unpacks and presents as examples of the safe and unsafe. From Emma Bovary's romantic hallucinations to her suicide by arsenic, she moves through this realistic novel constantly reaching for the unreal. For Ronell, Emma Bovary represents the first addict, embodying a yearning that calls from the bottom of her humanity, and which it seems can only be satisfied by some sort of drug.
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