Campus Cinephilia in Neoliberal South Korea, Sohn

Автор: Valck, Dr. Marijke De
Название: Film festivals
ISBN: 9053562168 ISBN-13(EAN): 9789053562161
Издательство: NBN International
Рейтинг:
Цена: 135170.00 T
Наличие на складе: Нет в наличии.
Описание: The first comprehensive study of film festivals that marks key historical moments and offers surprising insights into the workings of a highly influentiual cultural network

Автор: Lucy Mazdon, Catherine Wheatley
Название: French Film in Britain: Sex, Art and Cinephilia
ISBN: 0857453505 ISBN-13(EAN): 9780857453501
Издательство: Berghahn
Рейтинг:
Цена: 113250.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In a market long dominated by Hollywood, French films are consistently the most widely distributed non-English language works. French cinema, however, appears to undergo a transformation as it reaches Britain, becoming something quite different to that experienced by audiences at home. Drawing on extensive archival research the authors examine in detail the discourses, debates and decisions which have determined the place accorded to French cinema in British film culture. In so doing they provide a fascinating account of this particular instance of transnational cinematic traffic while simultaneously shedding new light on British film history. From the early days of the Film Society, via the advent of the X certificate to the new possibilities of video and DVD, this book reveals the complex and detailed history of the distribution, exhibition, marketing and reception of French cinema in Britain.

Автор: Girish Shambu
Название: The New Cinephilia
ISBN: 0991830180 ISBN-13(EAN): 9780991830183
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 12010.00 T
Наличие на складе: Невозможна поставка.
Описание: Cinephilia has recently experienced a powerful resurgence, one enabled by new media technologies of the digital age. Today's 'new cinephilia' shares with the cinephilia of the 1950s a robust sociability which these new technologies have facilitated. Cinephilic practice today—viewing, thinking, reading and writing about films—is marked by an unprecedented amount of social interaction, made possible by dramatically lower economic barriers to publication through the internet, giving rise to new hybrid forms and outlets of cinephilic writing that draw freely from scholarly, journalistic and literary models.