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Uyat and the Culture of Shame in Central Asia, Helene Thibault, Jean-Franзois Caron


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Автор: Helene Thibault, Jean-Franзois Caron   (Хелен Тилбо)
Название:  Uyat and the Culture of Shame in Central Asia
Перевод названия: Хелен Тилбо: Уят и культура стыда в Центральной Азии
ISBN: 9789811943270
Издательство: Springer
Классификация:


ISBN-10: 9811943273
Обложка/Формат: Hardback
Страницы: 176
Вес: 0.38 кг.
Дата издания: 17.09.2022
Серия: The Steppe and Beyond: Studies on Central Asia
Язык: English
Издание: 1st ed. 2022
Иллюстрации: 13 illustrations, color; 6 illustrations, black and white; xii, 176 p. 19 illus., 13 illus. in color.; 13 illustrations, color; 6 illustrations, black
Размер: 153 x 216 x 19
Читательская аудитория: Professional & vocational
Основная тема: Social Sciences
Ссылка на Издательство: Link
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Поставляется из: Германии
Описание: This book proposes an interdisciplinary look at the culture of shame in Central Asia and evaluates its role in the regulation of social and political interactions in the region.

Culture and customs of the central asian republics

Автор: Abazov, Rafis
Название: Culture and customs of the central asian republics
ISBN: 0313336563 ISBN-13(EAN): 9780313336560
Издательство: Bloomsbury
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Цена: 63360.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Central Asian Republics of Kazakhstan, Kyrgyzstan, Turkmenistan, Tajikistan, and Uzbekistan won their independence from the Soviet Union in 1991. The modern culture and customs of the various peoples in these geopolitical hotspots, straddling the far reaches of Europe into Asia, are revealed to a general audience for the first time.

Congo Love Song: African American Culture and the Crisis of the Colonial State

Автор: Dworkin Ira
Название: Congo Love Song: African American Culture and the Crisis of the Colonial State
ISBN: 1469632713 ISBN-13(EAN): 9781469632711
Издательство: Mare Nostrum (Eurospan)
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Цена: 31350.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In his 1903 hit ""Congo Love Song,"" James Weldon Johnson recounts a sweet if seemingly generic romance between two young Africans. While the song's title may appear consistent with that narrative, it also invokes the site of King Leopold II of Belgium's brutal colonial regime at a time when African Americans were playing a central role in a growing Congo reform movement. In an era when popular vaudeville music frequently trafficked in racist language and imagery, ""Congo Love Song"" emerges as one example of the many ways that African American activists, intellectuals, and artists called attention to colonialism in Africa.

In this book, Ira Dworkin examines black Americans' long cultural and political engagement with the Congo and its people. Through studies of George Washington Williams, Booker T. Washington, Pauline Hopkins, Langston Hughes, Malcolm X, and other figures, he brings to light a long-standing relationship that challenges familiar presumptions about African American commitments to Africa. Dworkin offers compelling new ways to understand how African American involvement in the Congo has helped shape anticolonialism, black aesthetics, and modern black nationalism.

Fat Shame: Stigma and the Fat Body in American Culture

Автор: Farrell Amy Erdman
Название: Fat Shame: Stigma and the Fat Body in American Culture
ISBN: 0814727689 ISBN-13(EAN): 9780814727683
Издательство: Wiley EDC
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Цена: 84650.00 T
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One of Choice's Significant University Press Titles for Undergraduates, 2010-2011
A necessary cultural and historical discussion on the stigma of fatness
To be fat hasn’t always occasioned the level of hysteria that this condition receives today and indeed was once considered an admirable trait. Fat Shame: Stigma and the Fat Body in American Culture explores this arc, from veneration to shame, examining the historic roots of our contemporary anxiety about fatness. Tracing the cultural denigration of fatness to the mid 19th century, Amy Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Firmly in place by the time the diet industry began to flourish in the 1920s, the development of fat stigma was related not only to cultural anxieties that emerged during the modern period related to consumer excess, but, even more profoundly, to prevailing ideas about race, civilization and evolution. For 19th and early 20th century thinkers, fatness was a key marker of inferiority, of an uncivilized, barbaric, and primitive body. This idea—that fatness is a sign of a primitive person—endures today, fueling both our $60 billion “war on fat” and our cultural distress over the “obesity epidemic.”
Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physicians’ manuals, to explore the link between our historic denigration of fatness and our contemporary concern over obesity. Her work sheds particular light on feminisms’ fraught relationship to fatness. From the white suffragists of the early 20th century to contemporary public figures like Oprah Winfrey, Monica Lewinsky, and even the Obama family, Farrell explores the ways that those who seek to shed stigmatized identities—whether of gender, race, ethnicity or class—often take part in weight reduction schemes and fat mockery in order to validate themselves as “civilized.” In sharp contrast to these narratives of fat shame are the ideas of contemporary fat activists, whose articulation of a new vision of the body Farrell explores in depth. This book is significant for anyone concerned about the contemporary “war on fat” and the ways that notions of the “civilized body” continue to legitimate discrimination and cultural oppression.


Fat Shame: Stigma and the Fat Body in American Culture

Автор: Farrell Amy Erdman
Название: Fat Shame: Stigma and the Fat Body in American Culture
ISBN: 0814727697 ISBN-13(EAN): 9780814727690
Издательство: Wiley EDC
Рейтинг:
Цена: 30870.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

One of Choice's Significant University Press Titles for Undergraduates, 2010-2011
A necessary cultural and historical discussion on the stigma of fatness
To be fat hasn’t always occasioned the level of hysteria that this condition receives today and indeed was once considered an admirable trait. Fat Shame: Stigma and the Fat Body in American Culture explores this arc, from veneration to shame, examining the historic roots of our contemporary anxiety about fatness. Tracing the cultural denigration of fatness to the mid 19th century, Amy Farrell argues that the stigma associated with a fat body preceded any health concerns about a large body size. Firmly in place by the time the diet industry began to flourish in the 1920s, the development of fat stigma was related not only to cultural anxieties that emerged during the modern period related to consumer excess, but, even more profoundly, to prevailing ideas about race, civilization and evolution. For 19th and early 20th century thinkers, fatness was a key marker of inferiority, of an uncivilized, barbaric, and primitive body. This idea—that fatness is a sign of a primitive person—endures today, fueling both our $60 billion “war on fat” and our cultural distress over the “obesity epidemic.”
Farrell draws on a wide array of sources, including political cartoons, popular literature, postcards, advertisements, and physicians’ manuals, to explore the link between our historic denigration of fatness and our contemporary concern over obesity. Her work sheds particular light on feminisms’ fraught relationship to fatness. From the white suffragists of the early 20th century to contemporary public figures like Oprah Winfrey, Monica Lewinsky, and even the Obama family, Farrell explores the ways that those who seek to shed stigmatized identities—whether of gender, race, ethnicity or class—often take part in weight reduction schemes and fat mockery in order to validate themselves as “civilized.” In sharp contrast to these narratives of fat shame are the ideas of contemporary fat activists, whose articulation of a new vision of the body Farrell explores in depth. This book is significant for anyone concerned about the contemporary “war on fat” and the ways that notions of the “civilized body” continue to legitimate discrimination and cultural oppression.


Creating Culture in (Post) Socialist Central Asia

Автор: Breed Ananda, Dubuisson Eva-Marie, Iğmen Ali
Название: Creating Culture in (Post) Socialist Central Asia
ISBN: 3030586847 ISBN-13(EAN): 9783030586843
Издательство: Springer
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Цена: 46570.00 T
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Описание: This book brings together historical and ethnographic research from Kyrgyzstan, Kazakhstan, and Xinjiang, in order to explore how individuals and communities work to create and maintain forms of `culture` in contexts of ideological repression and erasure.

Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia

Автор: Isaacs Rico
Название: Film and Identity in Kazakhstan: Soviet and Post-Soviet Culture in Central Asia
ISBN: 1350252298 ISBN-13(EAN): 9781350252295
Издательство: Bloomsbury Academic
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Цена: 62760.00 T
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Описание:

Cinema and nationalism are two fundamentally modern phenomena, but how have films shaped our understanding of the creation -the 'imagining' - of Central-Asian nations? Here, Rico Isaacs uses cinema as an analytical lens to explore how the Kazakh national identity has been constructed and contested. Drawing on an analysis of Kazakh films from the last century, and featuring new interviews with directors and critics involved in the Central Asian film industry, his book traces the construction of nationalism within Kazakh cinema from the country's inception as a Soviet Republic to a modern independent nation.Isaacs identifies four narratives since the collapse of the Soviet Union: a warrior-like 'ethnic' narrative rooted in the 18th Century struggles against the Mongolian Oirat tribes; a 'civic' inspired narrative cemented in the Stalinist deportations of the 1930s and 40s; a religious narrative founded within the mystic and philosophical religion of Tengrism and the cult of the Sky God; and a socio-economic narrative which roots Kazakh nationhood and identity in contemporary social divisions, the lived day-to-day experiences of ordinary citizens and the struggles they face with authority.
These last two tropes demonstrate how cinema has emerged as a site of dissent against the country's authoritarian regime under President Nazarbayev. Film and Identity in Kazakhstan advances our understanding of Kazakhstan and nationalism by demonstrating the multiple and inessential character of each, and illustrates the important role of cinema in contesting political power in the post-Soviet space.


The Aztecs at Independence: Nahua Culture Makers in Central Mexico, 1799–1832

Автор: Miriam Melton-Villanueva
Название: The Aztecs at Independence: Nahua Culture Makers in Central Mexico, 1799–1832
ISBN: 0816546975 ISBN-13(EAN): 9780816546978
Издательство: Mare Nostrum (Eurospan)
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Цена: 42510.00 T
Наличие на складе: Нет в наличии.
Описание: Nahuatl-speaking women and men left last wills in their own tongue during an era when the written tradition of their language was generally assumed to have ended. Describing their world in testaments clustered around epidemic cycles, they responded to profound changes in population, land use, and local governance with astonishing vibrancy.

The Aztecs at Independence offers the first internal ethnographic view of these central Mexican indigenous communities in the critical transitional time of Independence. Miriam Melton-Villanueva uses previously unknown Nahuatl-language sources—primarily last wills and testaments—to provide a comprehensive understanding of indigenous societies during the transition from colonial to postcolonial times. The book describes the cultural life of people now called Nahuas or Mexicas in the nineteenth century—based on their own words, their own written records. The book uses previously unknown, unstudied, and untranslated indigenous texts to bring Nahua society into history, fleshing out glimpses of daily life in the early nineteenth century. Thus, The Aztecs at Independence describes life at the most local level: Nahua lineages of ritual and writing, guilds and societies, the people that take turns administering festivals and attending to the last wishes of the dying.

Interwoven with personal stories and memory, The Aztecs at Independence invites a general audience along on a scholarly journey, where readers are asked to imagine Nahua concepts and their contemporary meanings that give light to modern problems.

Les fondements de la culture, le pouvoir de l`art: Les soixante premieres annees du Conseil des arts du Canada

Автор: Monica Gattinger
Название: Les fondements de la culture, le pouvoir de l`art: Les soixante premieres annees du Conseil des arts du Canada
ISBN: 077355162X ISBN-13(EAN): 9780773551626
Издательство: Marston Book Services
Рейтинг:
Цена: 47520.00 T
Наличие на складе: Невозможна поставка.
Описание: The Canada Council for the Arts is the country`s largest provider of grants for artists and arts organizations, benefiting not only writers, visual artists, performers, and musicians but Canadian culture as a whole. In The Roots of Culture, the Power of Art Monica Gattinger outlines the history of the Canada Council, the impetus for its foundation, and the ongoing debate about its goals and impact. Tracing the Council`s gradual shift from focusing on artistic supply and building the roots of Canadian arts and culture in its early years to its expanded focus on the power of the arts in society over time, Gattinger describes how leaders have navigated core tensions inherent in the Council`s activities. She examines the arguments for and against "art for art`s sake" and pursuing broader social and economic aims through the arts, as well as the inherent political conflicts between serving the needs of the artistic community and the needs of Canadian society, between leadership and followership, between autonomy and collaboration, and between emerging and established artistic practices. Combining lively storytelling with insightful analysis, and beautifully produced with dozens of photos of the art, people, and events that have shaped the organization through the years, The Roots of Culture, the Power of Art is essential reading for those with an interest in Canadian arts and culture and cultural policy.

Banning transgender conversion practices

Автор: Ashley, Florence
Название: Banning transgender conversion practices
ISBN: 0774866926 ISBN-13(EAN): 9780774866927
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 75200.00 T
Наличие на складе: Нет в наличии.
Описание:

Survivors of conversion practices – interventions meant to stop gender transition – have likened the process to torture. Florence Ashley rethinks and pushes forward the banning of these practices by surveying these bans in different jurisdictions, and addressing key issues around their legal regulation. Ashley also investigates the advantages and disadvantages of legislative approaches to regulating conversion therapies, and provides guidance for how prohibitions can be improved. Finally, Ashley offers a carefully annotated model law that provides detailed guidance for legislatures and policymakers. Most importantly, this book centres the experiences of trans people themselves in its analysis and recommendations.


Re-Imagining Black Women: A Critique of Post-Feminist and Post-Racial Melodrama in Culture and Politics

Автор: Alexander-Floyd Nikol G.
Название: Re-Imagining Black Women: A Critique of Post-Feminist and Post-Racial Melodrama in Culture and Politics
ISBN: 1479855855 ISBN-13(EAN): 9781479855858
Издательство: Mare Nostrum (Eurospan)
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Цена: 78590.00 T
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Описание:

WINNER OF THE W.E.B. DUBOIS DISTINGUISHED BOOK AWARD, GIVEN BY THE NATIONAL CONFERENCE OF BLACK POLITICAL SCIENTISTS
A wide-ranging Black feminist interrogation, reaching from the #MeToo movement to the legacy of gender-based violence against Black women
From Michelle Obama to Condoleezza Rice, Black women are uniquely scrutinized in the public eye. In Re-Imagining Black Women, Nikol G. Alexander-Floyd explores how Black women—and Blackness more broadly—are understood in our political imagination and often become the subjects of public controversy.
Drawing on politics, popular culture, psychoanalysis, and more, Alexander-Floyd examines our conflicting ideas, opinions, and narratives about Black women, showing how they are equally revered and reviled as an embodiment of good and evil, cast either as victims or villains, citizens or outsiders.
Ultimately, Alexander-Floyd showcases the complex experiences of Black women as political subjects. At a time of extreme racial tension, Re-Imagining Black Women provides insight into the parts that Black women play, and are expected to play, in politics and popular culture.


Modernity at Gunpoint: Firearms, Politics, and Culture in Mexico and Central America

Автор: Sophie Esch
Название: Modernity at Gunpoint: Firearms, Politics, and Culture in Mexico and Central America
ISBN: 0822965380 ISBN-13(EAN): 9780822965381
Издательство: Mare Nostrum (Eurospan)
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Цена: 32340.00 T
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Описание: Modernity at Gunpoint provides the first study of the political and cultural significance of weaponry in the context of major armed conflicts in Mexico and Central America.

Borderland on the Isthmus: Race, Culture, and the Struggle for the Canal Zone

Автор: Donoghue Michael E.
Название: Borderland on the Isthmus: Race, Culture, and the Struggle for the Canal Zone
ISBN: 082235666X ISBN-13(EAN): 9780822356660
Издательство: Wiley EDC
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Цена: 101810.00 T
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Описание:

The construction, maintenance, and defense of the Panama Canal brought Panamanians, U.S. soldiers and civilians, West Indians, Asians, and Latin Americans into close, even intimate, contact. In this lively and provocative social history, Michael E. Donoghue positions the Panama Canal Zone as an imperial borderland where U.S. power, culture, and ideology were projected and contested. Highlighting race as both an overt and underlying force that shaped life in and beyond the Zone, Donoghue details how local traditions and colonial policies interacted and frequently clashed. Panamanians responded to U.S. occupation with proclamations, protests, and everyday forms of resistance and acquiescence. Although U.S. "Zonians" and military personnel stigmatized Panamanians as racial inferiors, they also sought them out for service labor, contraband, sexual pleasure, and marriage. The Canal Zone, he concludes, reproduced classic colonial hierarchies of race, national identity, and gender, establishing a model for other U.S. bases and imperial outposts around the globe.


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