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Making Waves: Traveling Musics in Hawaii, Asia, and the Pacific, Andrew N. Weintraub, Christine R. Yano, David D. Harnish, Deborah Wong, Frederick Lau, Henry Spiller, Kati Szego, R. Anderson Sutton, Ricardo D. Trimi


: 23410.00T
-:
  
:


  
  

: Andrew N. Weintraub, Christine R. Yano, David D. Harnish, Deborah Wong, Frederick Lau, Henry Spiller, Kati Szego, R. Anderson Sutton, Ricardo D. Trimi
 Making Waves: Traveling Musics in Hawaii, Asia, and the Pacific
ISBN: 9780824892555
: Mare Nostrum (Eurospan)
:



ISBN-10: 0824892550
/: Paperback
: 228
: 0.36 .
: 30.09.2021
: Music and performing arts of asia and the pacific
: English
: 226 x 152 x 18
: Australasian & Pacific history,History of art / art & design styles,Indigenous peoples,Theory of music & musicology, ART / Asian,HISTORY / Oceania,MUSIC / Ethnomusicology,SOCIAL SCIENCE / Indigenous Studies
: Traveling musics in hawai␘i, asia, and the pacific
:
:
: Musical sounds are some of the most mobile human elements, crossing national, cultural, and regional boundaries at an ever-increasing pace in the twentieth and twenty-first centuries. Whole musical products travel easily, though not necessarily intact, via musicians, CDs (and earlier, cassettes), satellite broadcasting, digital downloads, and streaming. The introductory chapter by the volume editors develops two framing metaphors: traveling musics and making waves. The wave-making metaphor illuminates the ways that traveling musics traverse flows of globalization and migration, initiating change, and generating energy of their own. Each of the nine contributors further examines musicits songs, makers, instruments, aurality, aesthetics, and imagesas it crosses oceans, continents, and islands. In the process of landing in new homes, music interacts with older established cultural environments, sometimes in unexpected ways and with surprising results. They see these traveling musics in Hawaii, Asia, and the Pacific as making wavesthat is, not only riding flows of globalism, but instigating ripples of change. What is the nature of those ripples? What constitutes some of the infrastructure for the wave itself? What are some of the effects of music landing on, transported to, or appropriated from distant shores? How does the Hawaii-Asia-Pacific context itself shape and get shaped by these musical waves? The two poetic and evocative metaphors allow the individual contributors great leeway in charting their own course while simultaneously referring back to the influence of their mentor and colleague Ricardo D. Trimillos, whom they identify as the wave maker. The volume attempts to position music as at once ritual and entertainment, esoteric and exoteric, tradition and creativity, within the cultural geographies of Hawaii, Asia, and the Pacific. In doing so, they situate music at the very core of global human endeavors.
: Theory of music and musicology|Australasian and Pacific history|History of art|Indigenous peoples


Island Queens and Mission Wives: How Gender and Empire Remade Hawai I S Pacific World

: Thigpen Jennifer
: Island Queens and Mission Wives: How Gender and Empire Remade Hawai I S Pacific World
ISBN: 1469614294 ISBN-13(EAN): 9781469614298
: Mare Nostrum (Eurospan)
:
: 44350.00 T
: .
: In the late eighteenth century, Hawai'i's ruling elite employed sophisticated methods for resisting foreign intrusion. By the mid-nineteenth century, however, American missionaries had gained a foothold in the islands. Jennifer Thigpen explains this important shift by focusing on two groups of women: missionary wives and high-ranking Hawaiian women. Examining the enduring and personal exchange between these groups, Thigpen argues that women's relationships became vital to building and maintaining the diplomatic and political alliances that ultimately shaped the islands' political future. Male missionaries' early attempts to Christianise the Hawaiian people were based on racial and gender ideologies brought with them from the mainland, and they did not comprehend the authority of Hawaiian chiefly women in social, political, cultural, and religious matters. It was not until missionary wives and powerful Hawaiian women developed relationships shaped by Hawaiian values and traditions--which situated Americans as guests of their beneficent hosts--that missionaries successfully introduced Christian religious and cultural values. Incisively written and meticulously researched, Thigpen's book sheds new light on American and Hawaiian women's relationships, illustrating how they ultimately provided a foundation for American power in the Pacific and hastened the colonisation of the Hawaiian nation.

Hawaiki Rising: Hokulea, Nainoa Thompson, and the Hawaiian Renaissance

: Sam Low
: Hawaiki Rising: Hokulea, Nainoa Thompson, and the Hawaiian Renaissance
ISBN: 0824875249 ISBN-13(EAN): 9780824875244
: Mare Nostrum (Eurospan)
:
: 22170.00 T
: .
: In 1975, a replica of an ancient Hawaiian canoe - Hokule`a - was launched to sail the ancient star paths, and help Hawaiians reclaim pride in the accomplishments of their ancestors. Hawaiki Rising tells this story in the words of the men and women who created and sailed aboard Hokule`a.

: Samuel Manaiakalani Kamakau
: Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood
ISBN: 0988262991 ISBN-13(EAN): 9780988262997
: Mare Nostrum (Eurospan)
:
: 62830.00 T
: .
: Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood embodies a monumental history of Hawaiʻi, from the beginnings and political rise of Kamehameha I, the negotiations and battles that would come to unify Hawai‘i’s islands and kingdoms, and the development of a single government that would endure, to be ruled by his son and heir, Liholiho, Kamehameha II. This narrative is an invaluable catalog of data about Hawai‘i, Hawaiians, and the nature of national and cultural identity in the Pacific.

Offered here in both Hawaiian and English, this history gives rich detail regarding Hawai‘i’s lands, genealogies, gods, chiefs, sociopolitical climate, material culture, laws, agriculture, and social decorums, much of which still lingered in the memories of the living informants who were accessible to the original author, Samuel Mānaiakalani Kamakau. From this Hawaiian scholar, trained at the Lahainaluna Seminary in the 1830s, readers are given an extraordinary fabric of cultural and historical knowledge in print, recounting life in Hawai‘i before and during the early interactions with foreigners, the influence of new religion, the negotiation of borders for trade and diplomacy within and beyond the islands, and the introduction of writing and printing in both Hawaiian and English.

This book presents the entire first third of Kamakau’s massive serial column, a section comprised of 60 articles published weekly from 1866 to 1868 in Ka Nupepa Kuokoa under the title "Ka Moolelo o Kamehameha I." This immense assemblageprovides the author’s original text, a biography for Kamakau, and introductory texts that document the means by which this translation has come to exist, itself a history of language recovery and preservation. Illuminating the imbricate nature and plurality of Hawaiian historical methodologies and cultural logics, this text allows readers the opportunity to enjoy the dense storytelling of a Hawaiian master and the chance to interpret language alongside the translator, Puakea Nogelmeier.

While the book contains an extensive bilingual index, this publication is also available as an ebook for full searchability.


Hoʻokino ihola ʻo Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood i ka moʻolelo kuamoʻo o Hawaiʻi, mai kinohi mai o ke ola o Kamehameha I, i kona piʻi ʻana ma ka pae noho aliʻi, i nā ʻaelike me nā kaua i hoʻopili ʻia ai a lōkahi nā moku me nā noho aliʻi, a i kona hoʻokahua ʻana i aupuni hoʻokahi e kūmau ana, na kāna keiki a hoʻoilina auaneʻi, na Liholiho, Kamehameha II, e noho mōʻī. He ʻohina nui a waiwai hoʻi kēia moʻolelo o ka ʻike no Hawaiʻi, no ka poʻe Hawaiʻi, a no ke ʻano iho o ke aupuni a me ka nohona kanaka ma ka Pākīpika.

Ma ka ʻōlelo Hawaiʻi me ka Pelekane, ka‘ana maila kēia moʻolelo i ka wehewehe makaliʻi ʻana i ko Hawaiʻi mau ʻāina, moʻo kūʻauhau, akua, aliʻi, kūlana kālaiʻāina, lako nohona, kānāwai, ʻoihana mahi, a loina nohona, ia mau mea i koe nui paha ma nā waihona hoʻomanaʻo o nā kānaka e ola ana i ka wā o ka mea kākau kumu, ʻo Samuel Mānaiakalani Kamakau. Mai kēia loea Hawaiʻi mai, i aʻo ʻia a lehia ma ke Kulanui ʻo Lahainaluna ma nā 1830, loaʻa ihola i ka poʻe heluhelu kekahi kilohana kūkahi o ka ʻike moʻolelo a nohona kanaka i paʻi ʻia ihola a e hōʻike akāka mai ana i ke ʻano o ke ola ma Hawaiʻi ma mua a ma loko hoʻi o ka launa mua ʻana me ko nā ʻāina ʻē, ke komo ʻana o ka hoʻomana hou, ka hoʻopaʻa ʻana i nā palena ʻāina no ka hana kālepa me ka hana pili kālaiʻāina ma waena a ma waho aʻe o nā moku, pū nō me ka hoʻokumu ʻia ʻana o ka ʻike palapala ma ka ʻōlelo Hawaiʻi me ka Pelekane.

ʻO ka hapakolu mua kēia o ka huina o kā Kamakau kaʻina kolamu nui loa, a ma ʻaneʻi nā ʻatikala he 60 i paʻi ʻia i nā pule pākahi mai ka 1865 a i ka 1868 ma Ka Nupepa Kuokoa me ke poʻomanaʻo ʻo "Ka Moolelo o Kamehameha I." Ma loko o nēia pūʻulu nunui ka moʻolelo kumu a ka mea kākau, ka moʻolelo pilikino no Kamakau, a me ka ʻōlelo hoʻolauna e hoʻopaʻa ana i ke kaʻina i hoʻokino ʻia mai ai kēia unuhi na, ʻo ia ihola kahi moʻolelo no ka hoʻōla a hoʻomau ʻana i ka ʻōlelo ʻōiwi. Ma o ka hoʻomāʻamaʻama ʻana i ke ʻano nuʻanuʻa a manamana i kahu ʻia ai ka moʻolelo a i kūkulu ʻia ai nā manaʻo kanaka, hiki i ka mea heluhelu ke hoʻonanea i ka haʻi moʻolelo ʻana mai o kekahi o nā loea Hawaiʻi, a hiki hoʻi ke kālai pū maila a unuhi ihola i ka ʻōlelo me Puakea Nogelmeier.

ʻOiai lako kēīa puke i ka papakuhikuhi nui ma nā ʻōlelo ʻelua, aia hoʻi kēia puke ma ke ʻano ʻīpuke me kona ʻano i hiki ke ʻimi piha ʻia ihola.

: Samuel Manaiakalani Kamakau
: Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood
ISBN: 0988262983 ISBN-13(EAN): 9780988262980
: Mare Nostrum (Eurospan)
:
: 78540.00 T
: .
: Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood embodies a monumental history of Hawaiʻi, from the beginnings and political rise of Kamehameha I, the negotiations and battles that would come to unify Hawai‘i’s islands and kingdoms, and the development of a single government that would endure, to be ruled by his son and heir, Liholiho, Kamehameha II. This narrative is an invaluable catalog of data about Hawai‘i, Hawaiians, and the nature of national and cultural identity in the Pacific.

Offered here in both Hawaiian and English, this history gives rich detail regarding Hawai‘i’s lands, genealogies, gods, chiefs, sociopolitical climate, material culture, laws, agriculture, and social decorums, much of which still lingered in the memories of the living informants who were accessible to the original author, Samuel Mānaiakalani Kamakau. From this Hawaiian scholar, trained at the Lahainaluna Seminary in the 1830s, readers are given an extraordinary fabric of cultural and historical knowledge in print, recounting life in Hawai‘i before and during the early interactions with foreigners, the influence of new religion, the negotiation of borders for trade and diplomacy within and beyond the islands, and the introduction of writing and printing in both Hawaiian and English.

This book presents the entire first third of Kamakau’s massive serial column, a section comprised of 60 articles published weekly from 1866 to 1868 in Ka Nupepa Kuokoa under the title "Ka Moolelo o Kamehameha I." This immense assemblageprovides the author’s original text, a biography for Kamakau, and introductory texts that document the means by which this translation has come to exist, itself a history of language recovery and preservation. Illuminating the imbricate nature and plurality of Hawaiian historical methodologies and cultural logics, this text allows readers the opportunity to enjoy the dense storytelling of a Hawaiian master and the chance to interpret language alongside the translator, Puakea Nogelmeier.

While the book contains an extensive bilingual index, this publication is also available as an ebook for full searchability.


Hoʻokino ihola ʻo Ke Kumu Aupuni: The Foundation of Hawaiian Nationhood i ka moʻolelo kuamoʻo o Hawaiʻi, mai kinohi mai o ke ola o Kamehameha I, i kona piʻi ʻana ma ka pae noho aliʻi, i nā ʻaelike me nā kaua i hoʻopili ʻia ai a lōkahi nā moku me nā noho aliʻi, a i kona hoʻokahua ʻana i aupuni hoʻokahi e kūmau ana, na kāna keiki a hoʻoilina auaneʻi, na Liholiho, Kamehameha II, e noho mōʻī. He ʻohina nui a waiwai hoʻi kēia moʻolelo o ka ʻike no Hawaiʻi, no ka poʻe Hawaiʻi, a no ke ʻano iho o ke aupuni a me ka nohona kanaka ma ka Pākīpika.

Ma ka ʻōlelo Hawaiʻi me ka Pelekane, ka‘ana maila kēia moʻolelo i ka wehewehe makaliʻi ʻana i ko Hawaiʻi mau ʻāina, moʻo kūʻauhau, akua, aliʻi, kūlana kālaiʻāina, lako nohona, kānāwai, ʻoihana mahi, a loina nohona, ia mau mea i koe nui paha ma nā waihona hoʻomanaʻo o nā kānaka e ola ana i ka wā o ka mea kākau kumu, ʻo Samuel Mānaiakalani Kamakau. Mai kēia loea Hawaiʻi mai, i aʻo ʻia a lehia ma ke Kulanui ʻo Lahainaluna ma nā 1830, loaʻa ihola i ka poʻe heluhelu kekahi kilohana kūkahi o ka ʻike moʻolelo a nohona kanaka i paʻi ʻia ihola a e hōʻike akāka mai ana i ke ʻano o ke ola ma Hawaiʻi ma mua a ma loko hoʻi o ka launa mua ʻana me ko nā ʻāina ʻē, ke komo ʻana o ka hoʻomana hou, ka hoʻopaʻa ʻana i nā palena ʻāina no ka hana kālepa me ka hana pili kālaiʻāina ma waena a ma waho aʻe o nā moku, pū nō me ka hoʻokumu ʻia ʻana o ka ʻike palapala ma ka ʻōlelo Hawaiʻi me ka Pelekane.

ʻO ka hapakolu mua kēia o ka huina o kā Kamakau kaʻina kolamu nui loa, a ma ʻaneʻi nā ʻatikala he 60 i paʻi ʻia i nā pule pākahi mai ka 1866 a i ka 1868 ma Ka Nupepa Kuokoa me ke poʻomanaʻo ʻo "Ka Moolelo o Kamehameha I." Ma loko o nēia pūʻulu nunui ka moʻolelo kumu a ka mea kākau, ka moʻolelo pilikino no Kamakau, a me ka ʻōlelo hoʻolauna e hoʻopaʻa ana i ke kaʻina i hoʻokino ʻia mai ai kēia unuhi na, ʻo ia ihola kahi moʻolelo no ka hoʻōla a hoʻomau ʻana i ka ʻōlelo ʻōiwi. Ma o ka hoʻomāʻamaʻama ʻana i ke ʻano nuʻanuʻa a manamana i kahu ʻia ai ka moʻolelo a i kūkulu ʻia ai nā manaʻo kanaka, hiki i ka mea heluhelu ke hoʻonanea i ka haʻi moʻolelo ʻana mai o kekahi o nā loea Hawaiʻi, a hiki hoʻi ke kālai pū maila a unuhi ihola i ka ʻōlelo me Puakea Nogelmeier.

ʻOiai lako kēīa puke i ka papakuhikuhi nui ma nā ʻōlelo ʻelua, aia hoʻi kēia puke ma ke ʻano ʻīpuke me kona ʻano i hiki ke ʻimi piha ʻia ihola.

Reclaiming Kalakaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign

: Tiffany Lani Ing
: Reclaiming Kalakaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign
ISBN: 0824879988 ISBN-13(EAN): 9780824879983
: Mare Nostrum (Eurospan)
:
: 56850.00 T
: .
: Reclaiming Kal?kaua: Nineteenth-Century Perspectives on a Hawaiian Sovereign examines the American, international, and Hawaiian representations of David Laamea Kamanakapu Mahinulani Nalaiaehuokalani Lumialani Kal?kaua in English- and Hawaiian-language newspapers, books, travelogues, and other materials published during his reign as Hawaiis m?? (sovereign) from 1874 to 1891. Beginning with an overview of Kal?kauas literary genealogy of misrepresentation, author Tiffany Lani Ing surveys the negative, even slanderous, portraits of him that have been inherited from his enemies who first sought to curtail his authority as m?? through such acts as the 1887 Bayonet Constitution and who later tried to justify their parts in overthrowing the Hawaiian kingdom in 1893 and annexing it to the United States in 1898.A close study of contemporary international and American newspaper accounts and other narratives about Kal?kaua, many highly favorable, results in a more nuanced and wide-ranging characterization of the m?? as a public figure. Most importantly, virtually none of the existing nineteenth-, twentieth-, and twenty-first-century texts about Kal?kaua consults contemporary Kanaka Maoli (Native Hawaiian) sentiment for him. Offering examples drawn from hundreds of nineteenth-century Hawaiian-language newspaper articles, mele (songs), and moolelo (histories, stories) about the m??, Reclaiming Kal?kaua restores balance to our understanding of how he was viewed at the time?by his own people and the world. This important work shows that for those who did not have reasons for injuring or trivializing Kal?kauas reputation as m??, he often appeared to be the antithesis of our inherited understanding. The m?? struck many, and above all his own people, as an intelligent, eloquent, compassionate, and effective Hawaiian leader.

Hawaiki Rising: Hokulea, Nainoa Thompson, and the Hawaiian Renaissance

: Sam Low
: Hawaiki Rising: Hokulea, Nainoa Thompson, and the Hawaiian Renaissance
ISBN: 0824877357 ISBN-13(EAN): 9780824877354
: Mare Nostrum (Eurospan)
:
: 27580.00 T
: .
: Attuned to a world of natural signs—the stars, the winds, the curl of ocean swells—Polynesian explorers navigated for thousands of miles without charts or instruments. They sailed against prevailing winds and currents aboard powerful double canoes to settle the vast Pacific Ocean. And they did this when Greek mariners still hugged the coast of an inland sea, and Europe was populated by stone-age farmers. Yet by the turn of the twentieth century, this story had been lost and Polynesians had become an oppressed minority in their own land. Then, in 1975, a replica of an ancient Hawaiian canoe—Hokule‘a—was launched to sail the ancient star paths, and help Hawaiians reclaim pride in the accomplishments of their ancestors.Hawaiki Rising tells this story in the words of the men and women who created and sailed aboard Hokule‘a. They speak of growing up at a time when their Hawaiian culture was in danger of extinction; of their vision of sailing ancestral sea-routes; and of the heartbreaking loss of Eddie Aikau in a courageous effort to save his crewmates when Hokule‘a capsized in a raging storm. We join a young Hawaiian, Nainoa Thompson, as he rediscovers the ancient star signs that guided his ancestors, navigates Hokule‘a to Tahiti, and becomes the first Hawaiian to find distant landfall without charts or instruments in a thousand years.Hawaiki Rising is the saga of an astonishing revival of indigenous culture by voyagers who took hold of the old story and sailed deep into their ancestral past.

Rebel musics - human rights, resistant sounds, and  the politics of music making

: Fischlin, Daniel Heble, Ajay Edited By Daniel Fischlin And Ajay Heble
: Rebel musics - human rights, resistant sounds, and the politics of music making
ISBN: 1551646994 ISBN-13(EAN): 9781551646992
:
:
: 79990.00 T
: .
: When it was first published in 2003, Rebel Musics sought to explore how musical activism resonates as resistance to the dominant culture, and how political action through music increases the potential for people to determine their own fate. If anything, these issues seem to be even more pressing today. Rebel Musics offers a fascinating journey into a rich, complex world where music and politics unite, and where rebel musicians are mobilizing for political change, resistance, and social justice. Daniel Fischlin and Ajay Heble cover a wide range of artists, genres, and topics, including Thomas Mapfumo, Bob Marley, William Parker, Frank Zappa, Edgard Varese, Ice-T, American blues, West African drumming, hip hop, gospel, rock'n'roll cabaret, Paul Robeson, and free jazz. This book shows how rebel music is at the heart of some of the most incisive critiques of global politics. With explosive lyrics and driving rhythms, rebel musicians are helping to mobilize movements for political change and social justice, at home and around the world.

In celebration of the 50th anniversary of Black Rose Books, this revised and expanded edition of Rebel Musics will include all the original essays, as well as a new contribution by the editors. Rounding out the new edition will be several new pieces from artists and scholars that will continue to spark debate about these vital topics in compelling ways.

Hawaiian Language: Past, Present, and Future

: Albert J. Schutz
: Hawaiian Language: Past, Present, and Future
ISBN: 0824869834 ISBN-13(EAN): 9780824869830
: Mare Nostrum (Eurospan)
:
: 23410.00 T
: .
: Hawaiian: Past, Present, Future presents aspects of Hawaiian and its history that are rarely treated in language classes. The major characters in this book make up a diverse cast: Dutch merchants, Captain Cooks naturalist and philologist William Anderson, ?p?kahaia (the inspiration for the Hawaiian Mission), the American lexicographer Noah Webster, philologists in New England, missionary-linguists and their Hawaiian consultants, and many minor players.The account begins in prehistory, placing the probable origins of the ancestor of Polynesian languages in Mainland Asia. An evolving family tree reflects the linguistic changes that took place as these people moved east. The current versions are examined from a Hawaiian-centered point of view, comparing the sound system of the language with those of its major relatives in the Polynesian triangle. More recent historical topics begin with the first written samples of a Polynesian language in 1616, which led to the birth of the idea of a widespread language family. The next topic is how the Hawaiian alphabet was developed. The first efforts suffered from having too many letters, a problem that was solved in 1826 through brilliant reasoning by its framers and their Hawaiian consultants. The opposite problem was that the alphabet didnt have enough letters: analysts either couldnt hear or misinterpreted the glottal stop and long vowels. The end product of the development of the alphabetliteracyis more complicated than some statistics would have us believe. As for its success or failure, both points of view, from contemporary observers, are presented. Still, it cannot be denied that literacy had a tremendous and lasting effect on Hawaiian culture.The last part of the book concentrates on the most-used Hawaiian reference worksdictionaries. It describes current projects that combine print and manuscript collections on a searchable website. These projects can include the growing body of manuscript and print material that is being made available through recent and on-going research. As for the future, a proposed monolingual dictionary would allow users to avoid an English bridge to understanding, and move directly to a definition that includes Hawaiian cultural features and a Hawaiian world view.

Return to Kahiki: Native Hawaiians in Oceania

: Kealani Cook
: Return to Kahiki: Native Hawaiians in Oceania
ISBN: 1316646998 ISBN-13(EAN): 9781316646991
: Cambridge Academ
:
: 25350.00 T
: .
: Most histories of interactions between different peoples/nations in Oceania tend to focus on relationships between Islanders and empires. This important new study instead unpacks the history of the connections between different groups of Pacific Islanders, focusing on Hawai`i both before and after annexation by the United States.

Race to Hawaii: The 1927 Dole Air Derby and the Thrilling First Flights That Opened the Pacific

: Ryan Jason
: Race to Hawaii: The 1927 Dole Air Derby and the Thrilling First Flights That Opened the Pacific
ISBN: 164160221X ISBN-13(EAN): 9781641602211
:
:
: 15630.00 T
: .

The Painted King: Art, Activism and Authenticity in Hawaii

: Glenn Wharton
: The Painted King: Art, Activism and Authenticity in Hawaii
ISBN: 082483495X ISBN-13(EAN): 9780824834951
: Mare Nostrum (Eurospan)
:
: 40650.00 T
: .
: <p>The famous statue of Kamehameha I in downtown Honolulu is one of the state's most popular landmarks. Many tourists and residents however, are unaware that the statue is a replica; the original, cast in Paris in the 1880s and the first statue in the Islands, stands before the old courthouse in rural Kapa`au, North Kohala, the legendary birthplace of Kamehameha I. In 1996 conservator Glenn Wharton was sent by public arts administrators to assess the statue's condition, and what he found startled him: A larger-than-life brass figure painted over in brown, black, and yellow with """"white toenails and fingernails and penetrating black eyes with small white brush strokes for highlights. . . . It looked more like a piece of folk art than a nineteenth-century heroic monument."""" </p> <p><em>The Painted King</em> is Wharton's account of his efforts to conserve the Kohala Kamehameha statue, but it is also the story of his journey to understand the statue's meaning for the residents of Kapa`au. He learns that the townspeople prefer the """"more human"""" (painted) Kamehameha, regaling him with a parade, chants, and leis every Kamehameha Day (June 11). He meets a North Kohala volunteer who decides to paint the statue's sash after respectfully consulting with kahuna (Hawaiian spiritual leaders) and the statue itself. A veteran of public art conservation, Wharton had never before encountered a community that had developed such a lengthy, personal relationship with a civic monument. Going against the advice of some of his peers and ignoring warnings about ""going native,"" Wharton decides to involve the people of Kapa`au in the conservation of their statue and soon finds himself immersed in complex political, social, and cultural considerations, including questions about representations of the Native Hawaiian past: Who should decide what is represented and how? And once a painting or sculpture exists, how should it be conserved? </p> <p><em>The Painted King</em> examines professional authority and community involvement while providing a highly engaging and accessible look at """"activist conservation"""" at work, wherever it may be found. </p>

Heiau, Aina, Lani: The Hawaiian Temple System in Ancient Kahikinui and Kaupo, Maui

: Patrick Vinton Kirch, Clive Ruggles
: Heiau, Aina, Lani: The Hawaiian Temple System in Ancient Kahikinui and Kaupo, Maui
ISBN: 0824878272 ISBN-13(EAN): 9780824878276
: Mare Nostrum (Eurospan)
:
: 83160.00 T
: .
: Heiau, ‘Āina, Lani is a collaborative study of 78 temple sites in the ancient moku of Kahikinui and Kaupō in southeastern Maui, undertaken using a novel approach that combines archaeology and archaeoastronomy. Although temple sites (heiau) were the primary focus of Hawaiian archaeologists in the earlier part of the twentieth century, they were later neglected as attention turned to the excavation of artifact-rich habitation sites and theoretical and methodological approaches focused more upon entire cultural landscapes. This book restores heiau to center stage. Its title, meaning “Temples, Land, and Sky,” reflects the integrated approach taken by Patrick Vinton Kirch and Clive Ruggles, based upon detailed mapping of the structures, precise determination of their orientations, and accurate dating. Heiau, ‘Āina, Lani is the outcome of a joint fieldwork project by the two authors, spanning more than fifteen years, in a remarkably well-preserved archaeological landscape containing precontact house sites, walls, and terraces for dryland cultivation, and including scores of heiau ranging from simple upright stones dedicated to Kāne, to massive platforms where the priests performed rites of human sacrifice to the war god Kū. Many of these heiau are newly discovered and reported for the first time in the book. The authors offer a fresh narrative based upon some provocative interpretations of the complex relationships between the Hawaiian temple system, the landscape, and the heavens (the “skyscape”). They demonstrate that renewed attention to heiau in the context of contemporary methodological and theoretical perspectives offers important new insights into ancient Hawaiian cosmology, ritual practices, ethnogeography, political organization, and the habitus of everyday life. Clearly, Heiau, ‘Āina, Lani repositions the study of heiau at the forefront of Hawaiian archaeology.


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