Jeanne Mammen: Art Between Resistance and Conformity in Modern Germany, 1916

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Автор: Camilla Smith
Название: Jeanne Mammen: Art Between Resistance and Conformity in Modern Germany, 1916–1950
ISBN: 9781350239388
Издательство: Bloomsbury Academic
Классификация:

Искусство / Альбомы

Теория искусства

Художественные и оформительские стили: Модернистский дизайн и Баухаус

ISBN-10: 1350239380
Обложка/Формат: Hardback
Страницы: 288
Вес: 0.45 кг.
Дата издания: 17.11.2022
Серия: Visual cultures and german contexts
Язык: English
Иллюстрации: 27 colour & 76 bw illus
Размер: 155 x 233 x 21
Читательская аудитория: Professional and scholarly
Ключевые слова: Art & design styles: Modernist design & Bauhaus,The arts,Theory of art, ART / Criticism & Theory,ART / European,ART / History / Modern (late 19th Century to 1945),ART / Individual Artists / Monographs
Подзаголовок: An artist`s life between resistance and conformity in modern germany, 1916-1950
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Поставляется из: Англии
Описание: Jeanne Mammen’s watercolour images of the gender-bending ‘new woman’ and her candid portrayals of Berlin’s thriving nightlife appeared in some of the most influential magazines of the Weimar Republic and are still considered characteristic of much of the ‘glitter’ of that era. This book charts how, once the Nazis came into power, Mammen instead created ‘degenerate’ paintings and collages, translated prohibited French literature and sculpted in clay and plaster—all while hidden away in her tiny studio apartment in the heart of Berlin’s fashionable west end. What was it like as a woman artist to produce modern art in Nazi Germany? Can artworks that were never exhibited in public still make valid claims to protest? Camilla Smith examines a wide range of Mammen’s dissenting artworks, ranging from those created in solitude during inner emigration to her collaboration with artist cabarets after the Second World War. Smiths engaging analysis compares Mammens popular Weimar work to her artistic activities under the radar after 1933, in order to fundamentally rethink the moral complexities of inner emigration and its visual culture. While Mammen’s artistry is considered through the lens of gender politics to reveal her complex relationship with the urbanisation of her time, this book also highlights the crucial role played by a lost generation of inner emigre women artists as agents of German modernity. The examination of Mammen’s life and work demonstrates the crucial role women artists played as both markers and agents of German modernity, but the double marginalisation they have nonetheless encountered as inner emigres in recent history. It will be of interest to students of German studies, art history, literature, history, gender studies and cultural studies.

Jeanne Mammen: Art Between Resistance and Conformity in Modern Germany, 1916–1950, Camilla Smith