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Animism, Materiality, and Museums: How Do Byzantine Things Feel?, Glenn Peers


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Автор: Glenn Peers
Название:  Animism, Materiality, and Museums: How Do Byzantine Things Feel?
ISBN: 9781641894678
Издательство: NBN International
Классификация:


ISBN-10: 1641894679
Обложка/Формат: Paperback
Страницы: 202
Вес: 0.29 кг.
Дата издания: 31.10.2021
Серия: Collection development, cultural heritage, and digital humanities
Язык: English
Издание: New ed
Иллюстрации: 30 illustrations, black and white; 12 plates, color
Размер: 224 x 150 x 15
Читательская аудитория: Professional and scholarly
Ключевые слова: Early history: c 500 to c 1450/1500,History of art: Byzantine & Medieval art c 500 CE to c 1400,Museology & heritage studies, ART / History / Medieval,BUSINESS & ECONOMICS / Museum Administration & Museology
Подзаголовок: How do byzantine things feel?
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Поставляется из: Англии
Описание:

Byzantine art is normally explained as devotional, historical, highly intellectualized, but this book argues for an experiential necessity for a fuller, deeper, more ethical approach to this art. Written in response to an exhibition the author curated at The Menil Collection in 2013, this monograph challenges us to search for novel ways to explore and interrogate the art of this distant culture. They marshal diverse disciplines—modern art, environmental theory, anthropology—to argue that Byzantine culture formed a special kind of Christian animism. While completely foreign to our world, that animism still holds important lessons for approaches to our own relations to the world. Mutual probings of subject and art, of past and present, arise in these essays—some new and some previously published—and new explanations therefore open up that will interest historians of art, museum professionals, and anyone interested in how art makes and remakes the world.

This book is available as Open Access.



Visuality and Materiality in the Story of Tristan and Isolde

Автор: Eming Jutta
Название: Visuality and Materiality in the Story of Tristan and Isolde
ISBN: 0268041393 ISBN-13(EAN): 9780268041397
Издательство: Wiley EDC
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Цена: 40040.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

More than any other secular story of the Middle Ages, the tale of Tristan and Isolde fascinated its audience. Adaptations in poetry, prose, and drama were widespread in western European vernacular languages. Visual portrayals of the story appear not only in manuscripts and printed books but in individual pictures and pictorial narratives, and on an amazing array of objects including stained glass, wall paintings, tiles, tapestries, ivory boxes, combs, mirrors, shoes, and misericords.

The pan-European and cross-media nature of the surviving medieval evidence is not adequately reflected in current Tristan scholarship, which largely follows disciplinary and linguistic lines. The contributors to Visuality and Materiality in the Story of Tristan and Isolde seek to address this problem by opening a cross-disciplinary dialogue and by proposing a new set of intellectual coordinates—the concepts of materiality and visuality—without losing sight of the historical specificity or the aesthetic character of individual works of art and literature. Their theoretical paradigm allows them to survey the richness of the surviving evidence from a variety of disciplinary approaches, while offering new perspectives on the nature of representation in medieval culture. Enriched by numerous illustrations, this volume is an important examination of the story of Tristan and Isolde in the European context of its visual and textual transmission.


Animism, Materiality, and Museums: How Do Byzantine Things Feel?

Автор: Glenn Peers
Название: Animism, Materiality, and Museums: How Do Byzantine Things Feel?
ISBN: 1942401736 ISBN-13(EAN): 9781942401735
Издательство: NBN International
Рейтинг:
Цена: 160510.00 T
Наличие на складе: Нет в наличии.
Описание: ARE WE WORTHY? It is a question that haunted Jake and Joey for over a month as they struggled to accomplish what so many people had told them was impossible. For a whole year leading up to the trip, people had gone out their way to tell Jake and Joey, "People don`t hitchhike anymore, morons! You`re gonna die out there if you really go through with this." The boys just gritted their teeth and held their tongue, for it wouldn`t be long until they flew across the country with a one-way plane ticket and a goal to hitchhike almost 3,000 miles back to their hometown. IT TURNED OUT TO BE HARDER THAN THEY EVER EXPECTED... From swerving cars to paranormal experiences in the night, Jake and Joey had their eyes opened to a world of suffering they never knew existed. But every time they starved in the woods, every time they experienced hate, every mile their legs felt like giving out, the same mantra would ring through their minds. "ARE... WE... WORTHY...?" "Are we worthy of success?" "Are we worthy to make it home?" And on the darkest days, "Are we worthy to make it out alive?" This book is a story of vulnerability, heartbreak, and struggle, but through it all, there is a consistent pattern of hope and persistence, even in the darkest of times. We can all relate to the feeling of worthlessness or wonder whether or not we should give up. But if there is anything you can take from this book, it is that you are worthy to rise up and accomplish the impossible, just like Joey Oler and Jake Blue did in the summer of 2018.

The Materiality of Middle English Anchoritic Devotion

Автор: Jenny C. Bledsoe, Michelle M. Sauer
Название: The Materiality of Middle English Anchoritic Devotion
ISBN: 1641894873 ISBN-13(EAN): 9781641894876
Издательство: NBN International
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Цена: 139390.00 T
Наличие на складе: Нет в наличии.
Описание:

Anchorites and their texts, such as Ancrene Wisse, have recently undergone a reevaluation based on material circumstances, not just theological import. The articles here address a variety of anchoritic or anchoritic-adjacent texts, encompassing guidance literature, hagiographies, miracle narratives, medical discourse, and mystic prose, and spanning in date from the eighth through the fourteenth centuries. Exploring reclusion and materiality, the collection addresses a series of overlapping themes, including the importance of touch, the limits of religious authority, and the role of the senses. Objects, metaphorical and real, embodied and spiritual, populate the pages. These categories are permeable, with flexible and porous boundaries, demonstrating the conflation of ideas, concepts, and manifestations in medieval materiality. In fact, the permeability of these categories demonstrates how materiality can reshape our approach to medieval texts. It leaves room for directions for future study, including the application of material analysis to previously unstudied objects, spaces, and literary artifacts.


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