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Acting Funny on the Catalan Stage: El teatre comic en catala (1900–2016), Gabriel Sansano, John London


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Автор: Gabriel Sansano, John London
Название:  Acting Funny on the Catalan Stage: El teatre comic en catala (1900–2016)
ISBN: 9781787073227
Издательство: Peter Lang
Классификация:



ISBN-10: 178707322X
Обложка/Формат: Paperback
Страницы: 322
Вес: 0.38 кг.
Дата издания: 15.12.2022
Серия: Iberian and latin american studies: the arts, literature, and identity
Язык: English
Издание: New ed
Иллюстрации: 17 illustrations, unspecified
Размер: 152 x 230 x 20
Читательская аудитория: Professional & vocational
Ключевые слова: Literary studies: plays & playwrights,Theatre studies, LITERARY CRITICISM / European / German,PERFORMING ARTS / Theater / General
Подзаголовок: El teatre comic en catala (1900-2016)
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Поставляется из: Англии
Описание:

Comedy has been a constant presence in the history of Catalan theatre, but it is rarely recognized as a separate generic identity, worthy of academic study as a whole. This volume is the first concentrated attempt to analyse Catalan theatre under the comic lens, with essays in English and Catalan. It studies comic form, performative innovation, and socio-political function. As well as providing detailed analyses of figures excluded from standard accounts, it makes a strong case for the originality of many authors, directors, and actors. This is definitely another realm in which the Catalan contribution to European culture needs to be acknowledged and appreciated. Moreover, the book provides an exceptional platform on which theatre is considered – within the same project – from several regions where Catalan is spoken: Spanish Catalonia, the Valencia region, and different towns in French Catalonia.

La hilaritat sempre ha tingut una pres?ncia molt important en l’evoluci? del teatre catal?, tot i que rarament ha comptat amb un estudi i reconeixement acad?mics. Aquest volum proposa una an?lisi de diverses formes d’humor de l’escena catalana, amb una selecci? d’assaigs en angl?s i catal? d’experts de diferents universitats. S’hi examinen algunes propostes de comicitat, innovacions performatives i la projecci? sociopol?tica d’aquesta jocositat. Tamb? s’hi estudia l’originalitat d’un conjunt d’autors, directors i actors al marge de l’humor pol?ticament correcte. Sens dubte, un altre ?mbit, el de riure, en el qual cal recon?ixer i posar en valor la contribuci? catalana a la cultura europea. El llibre constitueix un cas rar on es considera el teatre –dins d’un mateix projecte– de diversos espais geogr?fics on es parla catal?: Catalunya (sobretot Barcelona), el Pa?s Valenci? i diferents pobles del Rossell?.


Дополнительное описание:

Contents: Reception and Influences – David George: Comic and Catalan?: The Commedia dell’Arte in Catalonia in the Twentieth and Twenty-First Centuries – Maria Moreno i Dom?nech: Primera hist?ria d’Esther i La corte del rey Assuero


Tragedy on the Comic Stage

Автор: Farmer Matthew C.
Название: Tragedy on the Comic Stage
ISBN: 0190492074 ISBN-13(EAN): 9780190492076
Издательство: Oxford Academ
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Цена: 68640.00 T
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Описание: Aristophanes` engagement with tragedy is one of the most striking features of his comedies. Tragedy on the Comic Stage contextualizes this engagement with tragedy within Greek comedy as a genre by examining paratragedy in the fragments of Aristophanes` contemporaries and successors in the fifth and fourth centuries.

Sergi Belbel and Catalan Theatre – Text, Performance and Identity

Автор: David George
Название: Sergi Belbel and Catalan Theatre – Text, Performance and Identity
ISBN: 1855662205 ISBN-13(EAN): 9781855662209
Издательство: Wiley
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Цена: 63360.00 T
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Описание: By the late 1970s, internationally known performance groups such as Els Joglars, La Fura dels Baus or La Cubana had precipitated a decline in text-based Catalan theatre, reversed in the mid 1980s with the appearance of a younger generation of playwrights led by Sergi Belbel. Influenced by contemporary European rather than Spanish or Catalan drama, his work was very different from the realist idiom favoured by playwrights of the Franco generation. But playwriting is only one aspect of Belbel's work as a theatre practitioner. He also has a highly successful career as a director of Spanish, Catalan and foreign plays (a number of which he himself has translated), and, since 2006, he has held the position of Artistic Director of the National Theatre of Catalonia. This study examines these three key aspects of his career, as well as Ventura Pons's film adaptations of his plays. Finally, it considers the reception of his plays in several countries, analysing his evolving relationship with critics at home and abroad. DAVID GEORGE is Professor of Hispanic Studies at Swansea University.


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