Picnic at Hanging Rock 9781839023354

Варианты приобретения

Цена: 13720.00T
Кол-во:
Наличие: Поставка под заказ. Есть в наличии на складе поставщика.
Склад Англия: 2 шт.
При оформлении заказа до:
Ориентировочная дата поставки:
При условии наличия книги у поставщика.

Добавить в корзину

в Мои желания

Автор: Anna Backman Rogers
Название: Picnic at Hanging Rock
ISBN: 9781839023354
Издательство: Bloomsbury Academic
Классификация:

Теория и критика кино

ISBN-10: 183902335X
Обложка/Формат: Paperback
Страницы: 104
Вес: 0.45 кг.
Дата издания: 06.10.2022
Серия: Bfi film classics
Язык: English
Иллюстрации: 50 colour illus; 50 colour illus
Размер: 136 x 190 x 10
Читательская аудитория: General (us: trade)
Ключевые слова: Film theory & criticism, PERFORMING ARTS / Film & Video / History & Criticism
Рейтинг:
Поставляется из: Англии
Описание: Peter Weirs haunting and allusive Picnic at Hanging Rock (1975), set in 1900, tells the story of the mysterious disappearance of three schoolgirls and their teacher on a trip to a local geological formation. The film is widely hailed as a classic of new Australian cinema, seen as exemplary of a peculiarly Australian style of heritage filmmaking. Anna Backman Rogers study considers Picnic from feminist, psychoanalytic and decolonialising perspectives, exploring its setting in a colonised Australian bushland in which the Aboriginal people are a spectral presence in a landscape stolen from them in pursuit of the white mans terra nullius. She delves into the films production history, addressing director Weirs influences and preoccupations at the time of its making, its reception and its lasting impact on visual culture more broadly. Rogers addresses the films treatment of the young schoolgirls and their teachers, seemingly, as embodiments of an archetype of the ‘eternal feminine’, as objects of the male gaze, and in terms of ideas about female hysteria as a protest against gender norms. She argues that Picnic is, in fact, highly subversive: a film that requires its viewers to read its seductive surfaces against the grain of the image in order to uncover its psychological depths.

Picnic at Hanging Rock, Anna Backman Rogers