Food Culture and Literary Imagination in Early Modern Italy: The Renaissance of Taste, Laura Giannetti
Автор: Ghez Didier Название: They Drew as They Pleased Vol 5: The Hidden Art of Disney`s Early Renaissance ISBN: 1452178704 ISBN-13(EAN): 9781452178707 Издательство: Abrams Рейтинг: Цена: 45980.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In the 1970s and 1980s, the Disney animation studio redefined its creative vision in the wake of Walt Disney's death. This latest volume from renowned Disney historian Didier Ghez profiles Ken Anderson and Mel Shaw, whose work defined beloved classic Disney characters from films like The Jungle Book, The Aristocats, Robin Hood, and The Rescuers. With vivid descriptions of passages from the artists' autobiographies and interviews, accompanied by never-before-seen images of their art and process, this visually rich collection offers a rare view of the Disney leg¬ends whose work helped shape the nature of character and story development for generations to come. Copyright (c)2019 Disney Enterprises, Inc. All Rights Reserved
Автор: Patrick W. Galbraith Название: Otaku and the Struggle for Imagination in Japan ISBN: 1478006293 ISBN-13(EAN): 9781478006299 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 24200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: From computer games to figurines and maid cafes, men called “otaku” develop intense fan relationships with “cute girl” characters from manga, anime, and related media and material in contemporary Japan. While much of the Japanese public considers the forms of character love associated with “otaku” to be weird and perverse, the Japanese government has endeavored to incorporate “otaku” culture into its branding of “Cool Japan.” In Otaku and the Struggle for Imagination in Japan, Patrick W. Galbraith explores the conflicting meanings of “otaku” culture and its significance to Japanese popular culture, masculinity, and the nation. Tracing the history of “otaku” and “cute girl” characters from their origins in the 1970s to his recent fieldwork in Akihabara, Tokyo (“the Holy Land of Otaku”), Galbraith contends that the discourse surrounding “otaku” reveals tensions around contested notions of gender, sexuality, and ways of imagining the nation that extend far beyond Japan. At the same time, in their relationships with characters and one another, “otaku” are imagining and creating alternative social worlds.
Автор: Esposito Gabriele Название: Renaissance Armies in Italy 1450-1550 ISBN: 1472841999 ISBN-13(EAN): 9781472841995 Издательство: Osprey Рейтинг: Цена: 12860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This engaging study explains and illustrates the organization, equipment, and campaign record of the various armies fighting within Italy during the major wars of the period, which saw trained infantry and firearms challenging the domination of heavy armored cavalry.
While the Italian Renaissance saw religion beginning to lose its primary role in society to science and the arts, it was also a period of political and military turmoil. Many regional wars were fought between the states ruled by Milan, Venice, Genoa, Florence, the Papacy, Siena, and Naples. For more than 50 years starting in 1494, major foreign powers also exploited these divisions to invade Italy, which became the focal point of their rivalries: both France and Spain made temporary alliances with city states to further their ambitions, and early in the 16th century the Emperor Charles V sent armies from his German realms to support the Spanish. These wars coincided with the growth of disciplined infantry--carrying not only polearms and crossbows but also hand-guns--which proved capable of challenging the previously dominant armored knights in such influential battles as Fornovo (1495), Cerignola (1503), Marignano (1515), and Pavia (1525). All the powers involved made widespread use of professional mercenaries, who were at the forefront of the early development of the "pike and shot" era that succeeded the "High Middle Ages." During this period, costumes, armor, and weapons all showed great variety, due both to their national origins and to the evolution of tactics and technology. This masterfully illustrated study offers a fascinating insight into the many armies which fought in Italy during this turbulent period, explaining not only their arms and equipment, but also their structure and successes and failures on the battlefield.
Автор: Elizabeth Currie Название: Fashion and Masculinity in Renaissance Florence ISBN: 1350031631 ISBN-13(EAN): 9781350031630 Издательство: Bloomsbury Academic Рейтинг: Цена: 21110.00 T Наличие на складе: Нет в наличии. Описание:
Dress became a testing ground for masculine ideals in Renaissance Italy. With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centers used their appearances to project social, sexual, and professional identities.
Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honor, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers. Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole.
Автор: Paula Hohti Erichsen Название: Artisans, Objects and Everyday Life in Renaissance Italy: The Material Culture of the Middling Class ISBN: 9463722629 ISBN-13(EAN): 9789463722629 Издательство: NBN International Рейтинг: Цена: 199930.00 T Наличие на складе: Невозможна поставка. Описание: Did ordinary Italians have a 'Renaissance'? This book presents the first in-depth exploration of how artisans and small local traders experienced the material and cultural Renaissance. Drawing on a rich blend of sixteenth century visual and archival evidence, it examines how individuals and families at artisanal levels (such as shoemakers, barbers, bakers and innkeepers) lived and worked, managed their household economies and consumption, socialised in their homes, and engaged with the arts and the markets for luxury goods. It demonstrates that although the economic and social status of local craftsmen and traders was relatively low, their material possessions show how these men and women who rarely make it into the history books were fully engaged with contemporary culture, cultural customs and the urban way of life.
Автор: Stella Fletcher Название: Roscoe and Italy: The Reception of Italian Renaissance History and Culture in the Eighteenth and Nineteenth Centuries ISBN: 1409404919 ISBN-13(EAN): 9781409404910 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Невозможна поставка. Описание: In 1795 William Roscoe (1753-1831) published a biography of Lorenzo de` Medici, which proved so popular that it prompted claims that Roscoe had effectively invented the Italian Renaissance as it has been known by subsequent generations of readers in the English-speaking world. Despite such enthusiastic assertions, however.
Автор: Brian Sheerin Название: Desires of Credit in Early Modern Theory and Drama: Commerce, Poesy, and the Profitable Imagination ISBN: 0367175665 ISBN-13(EAN): 9780367175665 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Desires of Credit in Early Modern Theory and Drama traces the near-simultaneous rise of economic theory, literary criticism, and public theater in London at the turn of the seventeenth century, and posits that connecting all three is a fascination with creating something out of nothing simply by acting as if it were there. Author Brian Sheerin contends that the motivating force behind both literary and economic inquiry at this time was the same basic quandary about the human imagination--specifically, how investments of belief can produce tangible consequences. Just as speculators were realizing the potency of collective imagination on economic circulation, readers and dramatists were becoming newly introspective about whether or not the 'lies' of literature could actually be morally 'profitable.' Could one actually benefit by taking certain fictions 'seriously'? Each of the five chapters examines a different dimension of this question by highlighting a particular dramatization of economic trust on the Renaissance stage, in plays by Marlowe, Shakespeare, Heywood, Dekker, and Jonson. The book fills a gap in current scholarship by keeping economic and dramatic interests rigorously grounded in early modern literary criticism, but also by emphasizing the productive nature of debt in a way that resonates with recent economic sociology.
Representations of the mind have a central place in Shakespeare’s artistic imagination, as we see in Bottom struggling to articulate his dream, Macbeth reaching for a dagger that is not there, and Prospero humbling his enemies with spectacular illusions. Phantasmatic Shakespeare examines the intersection between early modern literature and early modern understandings of the mind’s ability to perceive and imagine. Suparna Roychoudhury argues that Shakespeare’s portrayal of the imagination participates in sixteenth-century psychological discourse and reflects also how fields of anatomy, medicine, mathematics, and natural history jolted and reshaped conceptions of mentality. Although the new sciences did not displace the older psychology of phantasms, they inflected how Renaissance natural philosophers and physicians thought and wrote about the brain’s image-making faculty. The many hallucinations, illusions, and dreams scattered throughout Shakespeare’s works exploit this epistemological ferment, deriving their complexity from the ambiguities raised by early modern science.
Phantasmatic Shakespeare considers aspects of imagination that were destabilized during Shakespeare’s period—its place in the brain; its legitimacy as a form of knowledge; its pathologies; its relation to matter, light, and nature—reading these in concert with canonical works such as King Lear, Macbeth, and The Tempest. Shakespeare, Roychoudhury shows, was influenced by paradigmatic epistemic shifts of his time, and he in turn demonstrated how the mysteries of cognition could be the subject of powerful art.
Название: Image, Imagination, and Cognition: Medieval and Early Modern Theory and Practice ISBN: 9004365737 ISBN-13(EAN): 9789004365735 Издательство: Brill Цена: 160720.00 T Наличие на складе: Невозможна поставка. Описание: How were the relations among image, imagination and cognition characterized in the period 1500 – 1800? The authors of this volume argue that in those three centuries, a thoroughgoing transformation affected the following issues: (i) what it meant to understand phenomena in the natural world (cognition); (ii) how such phenomena were visualized or pictured (images, including novel types of diagrams, structural models, maps, etc.); and (iii) what role was attributed to the faculty of the imagination (psychology, creativity). The essays collected in this volume examine the new conceptions that were advanced and the novel ways of comprehending and expressing the relations among image, imagination, and cognition. They also shed light, from a variety of perspectives, on the elusive nexus of conceptions and practices.
Автор: Ruehl Martin A. Название: Italian Renaissance in the German Historical Imagination, 18 ISBN: 1108468152 ISBN-13(EAN): 9781108468152 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explores German engagement with the Italian Renaissance in the decades from German unification to the Weimar republic.
Автор: Monica Schmitter Название: The Art Collector in Early Modern Italy ISBN: 1108844081 ISBN-13(EAN): 9781108844086 Издательство: Cambridge Academ Рейтинг: Цена: 99270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Art historians, historians, curators, collectors, Italophiles, and lovers of Venice will appreciate this book about the sixteenth-century art collector, Andrea Odoni, an immigrant and a non-noble citizen of Venice, who became famous for his palace, his possessions, and especially his portrait by Lorenzo Lotto that depicts him as a collector.
Автор: Laura Giannetti Название: Food Culture and Literary Imagination in Early Modern Italy: The Renaissance of Taste ISBN: 9463728031 ISBN-13(EAN): 9789463728034 Издательство: NBN International Рейтинг: Цена: 171770.00 T Наличие на складе: Нет в наличии. Описание: As the long sixteenth century came to a close, new positive ideas of gusto/ taste opened a rich counter vision of food and taste where material practice, sensory perceptions and imagination contended with traditional social values, morality, and dietetic/medical discourse. Exploring the complex and evocative ways the early modern Italian culture of food was imagined in the literature of the time, Food Culture and the Literary Imagination in Early Modern Italy reveals that while a moral and disciplinary vision tried to control the discourse on food and eating in medical and dietetic treatises of the sixteenth century and prescriptive literature, a wide range of literary works contributed to a revolution in eating and taste. In the process long held visions of food and eating, as related to social order and hierarchy, medicine, sexuality and gender, religion and morality, pleasure and the senses, were questioned, tested and overturned, and eating and its pleasures would never be the same.
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