Arts management, cultural policy, & the african diaspora,
Автор: Jane, Emma A. Barker, Chris Название: Cultural Studies 5 ed.- Sage Publications Ltd, 2016. - Paperback, 760 p. ISBN: 1473919452 ISBN-13(EAN): 9781473919457 Издательство: Sage Publications Рейтинг: Цена: 53850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: With over 40,000 copies sold, Cultural Studies: Theory and Practice has been the indispensable guide to studying culture for generations of students, pulling key concepts, theories and thinkers in one comprehensive, authoritative yet accessible resource.
Автор: Daniel Gad, Emily Akuno, Wolfgang Schneider, Yvette Hardie Название: Cultural Policy for Arts Education: African-European Practises and Perspectives ISBN: 3631866798 ISBN-13(EAN): 9783631866795 Издательство: Peter Lang Рейтинг: Цена: 59370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Arts Education institutions and programs create an excellent framework for personality development: learning knowledge, learning skills and learning life. Their attainment requires education to be a holistic concept of advancement that includes aesthetic practice and involvement with the arts. It challenges them to use their actions to think about the meaning of life, in as much as everyone can use artistic experiences to affirm and interrogate their self-image. The Research Program of the UNESCO Chair in Cultural Policy for the Arts in Development at the University of Hildesheim in Germany brought together experts from the Universities in Dar Es Salam, Kampala, Nairobi, Pretoria, Johannesburg, Casablanca and Tunis and further independent researchers to exchange concepts in Cultural Policy for Arts Education.
Автор: Keaton Snelling Название: Mapping the New African Diaspora in China: Race & the Cultural Politics of Belonging ISBN: 1681178168 ISBN-13(EAN): 9781681178165 Издательство: Gazelle Book Services Рейтинг: Цена: 244510.00 T Наличие на складе: Невозможна поставка. Описание: The history of human beings is a history of immigration. From the olden times, people moved from one place to the other to find better environments for persistence or growth. After the modern international system came into being with borders being a necessity of the nation-state, immigration became an issue, be it from national policy or international concerns. With the recent development of China-Africa relations, a wave of two-sided migration occurred. Archaeological evidence indicates the possibility of contact between China and Africa in an earlier time. Foreigners were present in China during the Han Dynasty, and China during Tang and Song resumed an empire with many metropolitan cities hosting foreign residents. The cities enjoyed their international fame, such as Chang-an, Guangzhou, and Quanzhou. As capital of the Han, Chang-an during the Tang Dynasty attracted again many foreigners, including prosperous Arabs, Indians and other Asians. Guangzhou in the south with a reputation for foreign traders had close relations with the outside world even during the Han period. People of African heritage comprised a large group who settled down in various places in the world, including south India, the islands of Indian Ocean, and Pacific Ocean, so there is no reason to confine them in China to only one origin. While many African countries are very grateful for the economic partner that Beijing has shown it can be, allowing these countries to abandon or mitigate their sometimes rigid economic partnerships with the West, China must still convince Africans that its interest in their continent is authentic. By improving people-to-people relations, understanding, and mutual respect in a relationship that many Africans feel reeks of European colonial stereotypes, Mapping the New African Diaspora in China: Race and the Cultural Politics of Belonging demonstrates that the African Diaspora has very old roots in Asia, to which Africans travelled as traders, sailors, soldiers, bureaucrats, and clerics. This miracle created an interest for the study of migration between China and Africa. China and Africa can strengthen one of the 21st centurys most dynamic economic and strategic partnerships. This book will be of valuable to scholars and students in the discipline of China-Africa relations, race and ethnic studies, globalisation and transnational migration, and urban China studies, in addition to those from other social science disciplines such as political science, international relations, urban geography, Asian Studies, African studies, sociology, development studies, and cross-cultural communication studies.
Автор: B Camminga, John Marnell Название: Queer and Trans African Mobilities: Migration, Asylum and Diaspora ISBN: 0755638980 ISBN-13(EAN): 9780755638987 Издательство: Bloomsbury Academic Рейтинг: Цена: 73920.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Recent years have seen increased scholarly and media interest in the cross-border movements of LGBT persons, particularly those seeking protection in the Global North . While this has helped focus attention on the plight of individuals fleeing homophobic or transphobic persecution, it has also reinvigorated racist tropes about the Global South.
In the case of Africa, the expansion of anti-LGBT laws and the prevalence of hetero-patriarchal discourses are regularly cited as evidence of an inescapable savagery. The figure of the LGBT refugee – often portrayed as helplessly awaiting rescue – reinforces colonial notions about the continent and its peoples.
Queer and Trans African Mobilities draws on diverse case studies from the length and breadth of Africa, offering the first in-depth investigation of LGBT migration on and from the continent. The collection provides new insights into the drivers and impacts of displacement linked to sexual orientation or gender identity and challenges notions about why LGBT Africans move, where they are going and what they experience along the way.
Government bureaucracies across the globe have become increasingly attuned in recent years to cultural diversity within their populations. Using culture as a category to process people and dispense services, however, can create its own problems and unintended consequences. In No Family Is an Island, a comparative ethnography of Samoan migrants living in the United States and New Zealand, Ilana Gershon investigates how and when the categories "cultural" and "acultural" become relevant for Samoans as they encounter cultural differences in churches, ritual exchanges, welfare offices, and community-based organizations.
In both New Zealand and the United States, Samoan migrants are minor minorities in an ethnic constellation dominated by other minority groups. As a result, they often find themselves in contexts where the challenge is not to establish the terms of the debate but to rewrite them. To navigate complicated and often unyielding bureaucracies, they must become skilled in what Gershon calls "reflexive engagement" with the multiple social orders they inhabit. Those who are successful are able to parlay their own cultural expertise (their "Samoanness") into an ability to subtly alter the institutions with which they interact in their everyday lives. Just as the "cultural" is sometimes constrained by the forces exerted by acultural institutions, so too can migrant culture reshape the bureaucracies of their new countries. Theoretically sophisticated yet highly readable, No Family Is an Island contributes significantly to our understanding of the modern immigrant experience of making homes abroad.
Government bureaucracies across the globe have become increasingly attuned in recent years to cultural diversity within their populations. Using culture as a category to process people and dispense services, however, can create its own problems and unintended consequences. In No Family Is an Island, a comparative ethnography of Samoan migrants living in the United States and New Zealand, Ilana Gershon investigates how and when the categories "cultural" and "acultural" become relevant for Samoans as they encounter cultural differences in churches, ritual exchanges, welfare offices, and community-based organizations.
In both New Zealand and the United States, Samoan migrants are minor minorities in an ethnic constellation dominated by other minority groups. As a result, they often find themselves in contexts where the challenge is not to establish the terms of the debate but to rewrite them. To navigate complicated and often unyielding bureaucracies, they must become skilled in what Gershon calls "reflexive engagement" with the multiple social orders they inhabit. Those who are successful are able to parlay their own cultural expertise (their "Samoanness") into an ability to subtly alter the institutions with which they interact in their everyday lives. Just as the "cultural" is sometimes constrained by the forces exerted by acultural institutions, so too can migrant culture reshape the bureaucracies of their new countries. Theoretically sophisticated yet highly readable, No Family Is an Island contributes significantly to our understanding of the modern immigrant experience of making homes abroad.
Автор: Keating Patrick Название: Cinematography ISBN: 1784530190 ISBN-13(EAN): 9781784530198 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Невозможна поставка. Описание: Cinematography is the first of the `Behind the Silver Screen` series of ten volumes, which will together cover for the first time the full art, craft, business and history of filmmaking from inception to reality.
Автор: Lopez Antonio, Laopez Antonio M. Название: Unbecoming Blackness: The Diaspora Cultures of Afro-Cuban America ISBN: 0814765475 ISBN-13(EAN): 9780814765470 Издательство: Wiley EDC Рейтинг: Цена: 32020.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio L?pez uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. L?pez shows how Afro-Cuban writers and performers in the U.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, R?mulo Lachata?er?, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
2014 Runner-Up, MLA Prize in United States Latina and Latino and Chicana and Chicano Literary and Cultural Studies In Unbecoming Blackness, Antonio L?pez uncovers an important, otherwise unrecognized century-long archive of literature and performance that reveals Cuban America as a space of overlapping Cuban and African diasporic experiences. L?pez shows how Afro-Cuban writers and performers in the U.S. align Cuban black and mulatto identities, often subsumed in the mixed-race and postracial Cuban national imaginaries, with the material and symbolic blackness of African Americans and other Afro-Latinas/os. In the works of Alberto O’Farrill, Eusebia Cosme, R?mulo Lachata?er?, and others, Afro-Cubanness articulates the African diasporic experience in ways that deprive negro and mulato configurations of an exclusive link with Cuban nationalism. Instead, what is invoked is an “unbecoming” relationship between Afro-Cubans in the U.S and their domestic black counterparts. The transformations in Cuban racial identity across the hemisphere, represented powerfully in the literary and performance cultures of Afro-Cubans in the U.S., provide the fullest account of a transnational Cuba, one in which the Cuban American emerges as Afro-Cuban-American, and the Latino as Afro-Latino.
Forging Ties, Forging Passports is a history of migration and nation-building from the vantage point of those who lived between states. Devi Mays traces the histories of Ottoman Sephardi Jews who emigrated to the Americas—and especially to Mexico—in the late nineteenth and early twentieth centuries, and the complex relationships they maintained to legal documentation as they migrated and settled into new homes. Mays considers the shifting notions of belonging, nationality, and citizenship through the stories of individual women, men, and families who navigated these transitions in their everyday lives, as well as through the paperwork they carried.
In the aftermath of World War I and the Mexican Revolution, migrants traversed new layers of bureaucracy and authority amid shifting political regimes as they crossed and were crossed by borders. Ottoman Sephardi migrants in Mexico resisted unequivocal classification as either Ottoman expatriates or Mexicans through their links to the Sephardi diaspora in formerly Ottoman lands, France, Cuba, and the United States. By making use of commercial and familial networks, these Sephardi migrants maintained a geographic and social mobility that challenged the physical borders of the state and the conceptual boundaries of the nation.
Автор: Irbouh Hamid Название: Art in the Service of Colonialism ISBN: 1780760361 ISBN-13(EAN): 9781780760360 Издательство: Bloomsbury Academic Рейтинг: Цена: 33780.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Focuses on how nothing in the Moroccan French Protectorate (1912-1956) escaped the imprints of metropolitan ideology and how the French transformed and dominated Moroccan society by looking at how the arts and crafts were transformed in the colonial period.
Автор: Gillespie Michael Boyce Название: Film Blackness: American Cinema and the Idea of Black Film ISBN: 0822362260 ISBN-13(EAN): 9780822362265 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 22530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In Film Blackness Michael Boyce Gillespie shifts the ways we think about black film, treating it not as a category, a genre, or strictly a representation of the black experience but as a visual negotiation between film as art and the discursivity of race. Gillespie challenges expectations that black film can or should represent the reality of black life or provide answers to social problems. Instead, he frames black film alongside literature, music, art, photography, and new media, treating it as an interdisciplinary form that enacts black visual and expressive culture. Gillespie discusses the racial grotesque in Ralph Bakshi's Coonskin (1975), black performativity in Wendell B. Harris Jr.'s Chameleon Street (1989), blackness and noir in Bill Duke's Deep Cover (1992), and how place and desire impact blackness in Barry Jenkins's Medicine for Melancholy (2008). Considering how each film represents a distinct conception of the relationship between race and cinema, Gillespie recasts the idea of black film and poses new paradigms for genre, narrative, aesthetics, historiography, and intertextuality.
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