Clowning and authorship in early modern theatre, Preiss, Richard (university Of Utah)
Автор: Hornback Robert Название: English Clown Tradition from the Middle Ages to Shakespeare ISBN: 1843843560 ISBN-13(EAN): 9781843843566 Издательство: Boydell & Brewer Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A new account of medieval and Renaissance clown traditions reveals the true extent of their cultural influence.
Автор: Preiss Название: Clowning and Authorship in Early Modern Theatre ISBN: 1107036577 ISBN-13(EAN): 9781107036574 Издательство: Cambridge Academ Рейтинг: Цена: 101370.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Richard Preiss presents a lively and provocative study of how the early modern stage clown defined - and changed - theatrical experience. Recovering the interactive entertainments with which comedians including Richard Tarlton, Will Kemp and Robert Armin engaged audiences, he draws new conclusions about how early modern theatre negotiated its own textuality.
Название: The Methuen Drama Book of Suffrage Plays: Taking the Stage: Might is Right; Free Woman to Free Man; A Woman`s Influence; Press Cuttings; Woman This and Women That; The Twelve Pound Look; For One Night Only; Her Will; Su L`Pave; Which; 10 Clowning Street; ISBN: 1350082988 ISBN-13(EAN): 9781350082984 Издательство: Bloomsbury Academic Цена: 23220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Methuen Drama Book of Suffrage Plays: Taking the Stage features a wide variety of short pieces and one-act plays written by female and male suffragist writers between 1908-1914. Spanning different styles and genres they explore many issues that interested feminist and suffragist campaigners such as: the value of women’s work, domestic and economic inequality, visibility in public space, direct action and its consequences, sexual double standards, and the influence of the media on public opinion. Edited and introduced by Dr Naomi Paxton, the anthology is brimming with in-depth knowledge, photographs and contextual information of the period making for an informative and inspirational volume that’s perfect for both performance and study.
Автор: Brewer Redwine, Elizabeth Название: Gender, Performance, and Authorship at the Abbey Theatre ISBN: 0192896342 ISBN-13(EAN): 9780192896346 Издательство: Oxford Academ Рейтинг: Цена: 80250.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A study of the Abbey Theatre, looking specifically at relationships between W. B. Yeats and J. M. Synge and the women who performed their works.
Автор: Antonio Guzman, Javier Martinez Название: Animo Decipiendi?: Rethinking fakes and authorship in Classical, Late Antique, & Early Christian Works ISBN: 949244481X ISBN-13(EAN): 9789492444813 Издательство: Marston Book Services Рейтинг: Цена: 112860.00 T Наличие на складе: Невозможна поставка. Описание: Many new and fruitful avenues of investigation open up when scholars consider forgery as a creative act rather than a crime. We invited authors to contribute work without imposing any restrictions beyond a willingness to consider new approaches to the subject of ancient fakes, forgeries and questions of authenticity.
Автор: Beecroft Название: Authorship and Cultural Identity in Early Greece and China ISBN: 110743548X ISBN-13(EAN): 9781107435483 Издательство: Cambridge Academ Рейтинг: Цена: 43290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this book, Alexander Beecroft explores how the earliest poetry in Greece (Homeric epic and lyric) and China (the Canon of Songs) evolved from being local, oral, and anonymous to being textualized, interpreted, and circulated over increasingly wider areas.
Автор: Roberta Berardi, Martina Filosa, Davide Massimo Название: Defining Authorship, Debating Authenticity: Problems of Authority from Classical Antiquity to the Renaissance ISBN: 3110684551 ISBN-13(EAN): 9783110684551 Издательство: Walter de Gruyter Цена: 136310.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This volume explores the themes of authorship and authenticity – and connected issues – from the Classical Antiquity to the Renaissance. Its reflection is constructed within a threefold framework. A first section includes topics dealing with dubious or uncertain attribution of ancient works, homonymous writers, and problems regarding the reliability of compilation literature. The middle section goes through several issues concerning authorship: the balance between the author’s contribution to their own work and the role of collaborators, pupils, circles, reviewers, scribes, and even older sources, but also the influence of different compositional stages on the concept of ‘author’, and the challenges presented by anonymous texts. Finally, a third crucial section on authenticity and forgeries concludes the book: it contains contributions dealing with spurious works – or sections of works – , mechanisms of interpolation, misattribution, and deliberate forgery. The aim of the book is therefore to exemplify the many nuances of the complex problems of authenticity and authorship of ancient texts.
This study conceives of Thomas Hoccleve's Regement of Princes (1410-1413) as an essentially performative text, one that expresses its awareness of the manuscript culture in which it is so firmly rooted. The openness of manuscripts is a recurring subject in the Regement and is not only expressed through mere descriptions of, but through complex references to this manuscript context.
Performances of manuscript culture manifest themselves in several aspects of the text. The first is the narrator persona, and especially the question of how persona and text are intertwined. The second is the constantly recurring interpretation of quotes from authoritative sources that pervades the Regement. This urge to interpret is expressed both in the tradition of adding marginal glosses and in the process of subjecting the text to an exegetical reading. The third aspect is the relation between text and images in the Regement's manuscripts, which shows how mediality is performed and how the manuscript context is made the focus of this performance. In this monograph, all of these aspects are studied in a mindset that combines the concept of performativity with the postulations of Material Philology.
Adespota Papyracea Hexametra Graeca provides a comprehensive corpus of ‘anonymous’ hexameter texts on papyri, parchments, ostraca and tablets appeared in the current and past two centuries. The project has three main objectives: i) to retrieve and determine how many and what type of unidentified hexameter poems reached us via Egyptian papyri; ii) to restore a readable and reliable text for these poems, providing straightforward access to material that has been hard-to-reach in print format, is still unavailable online, or has not been previously translated into English or any other modern language; iii) to discuss, insofar as the fragmentary state of the evidence allows, issues of style, metre, and attribution. Overall, it aspires to serve as a fresh and solid starting-point for future assessment of Greek poetry in Egypt from the Archaic period to Late Antiquity.
This first volume of papyrus adespota contains: i) a catalogue of hexameter adespota, and ii) critical editions with English translation and commentary of: cosmologies and foundation poems (no. 01–06), astronomical and astrological texts (07–12), didactic and technical poetry (13–16), hymns (17–32), fragments of erotic content (33–38); epithalamia (39–43); and two hexameter anthologies, the Goodspeed papyrus (44) and the so-called Pamprepius codex (45). Future volumes will contain: Encomia and Lamentations (46–67); Bucolic (68–71), and Epic poetry (72–144); assemblages of Homeric verses (145–154); magical verses (155–166); oracles (167–169); fragments of uncertain genre or content (170–204); hexameter quotes from grammatical papyri and ancient commentaries (205–216); ??????? (217–219); gnomic hexameters (220–221); pangrams (222–235); texts copied or produced within a school context (236–242).
Автор: Cheney, Patrick (pennsylvania State University) Название: English authorship and the early modern sublime ISBN: 1107049628 ISBN-13(EAN): 9781107049628 Издательство: Cambridge Academ Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Studying the sublime in late sixteenth- and early seventeenth-century writing, this book advances our understanding of Renaissance literature as a field in the arts and humanities today. Above all, the chapters feature a model of creative excellence and social liberty that explains the greatness of the English literary Renaissance.
Автор: Cheney, Patrick (pennsylvania State University) Название: English authorship and the early modern sublime ISBN: 1107627915 ISBN-13(EAN): 9781107627918 Издательство: Cambridge Academ Рейтинг: Цена: 24280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Studying the sublime in late sixteenth- and early seventeenth-century writing, this book advances our understanding of Renaissance literature as a field in the arts and humanities today. Above all, the chapters feature a model of creative excellence and social liberty that explains the greatness of the English literary Renaissance.
Название: Ovid and Adaptation in Early Modern English Theatre ISBN: 1474430074 ISBN-13(EAN): 9781474430074 Издательство: Bloomsbury Academic Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first collection to use adaptation studies in connection with other contemporary theoretical approaches in analysing early modern transformations of Ovid.
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