Imaging the Scenes of War: Aesthetic Crossovers in American Visual Culture,
Автор: Khorana, Sukhmani Название: Crossover Cinema ISBN: 0415630924 ISBN-13(EAN): 9780415630924 Издательство: Taylor&Francis Рейтинг: Цена: 132710.00 T Наличие на складе: Есть у поставщика Поставка под заказ.
Автор: Khdair, Dina Название: Crossover Stars in the Hindi Film Industry ISBN: 0367266806 ISBN-13(EAN): 9780367266806 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and `Otherness`. It analyses the career profiles of three crossover performers-Ali Zafar, Fawad Khan, and Mahira Khan.
Автор: Khdair, Dina Название: Crossover Stars in the Hindi Film Industry ISBN: 0367266792 ISBN-13(EAN): 9780367266790 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: This book explores the cultural politics of Pakistani crossover stardom in the Hindi film industry as a process of both assimilation and `Otherness`. It analyses the career profiles of three crossover performers-Ali Zafar, Fawad Khan, and Mahira Khan.
Название: Crossover Cinema ISBN: 1138243256 ISBN-13(EAN): 9781138243255 Издательство: Taylor&Francis Рейтинг: Цена: 40820.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Cinematic products in the twenty-first century increasingly emerge from, engage with, and are consumed in cross-cultural settings. While there have been a number of terms used to describe cinematic forms that do not bear allegiance to a single nation in terms of conceptualization, content, finance and/or viewership, this volume contends that "crossover cinema" is the most apt contemporary description for those aspects of contemporary cinema on which it focuses. This contention is provoked by an appreciation of the cross-cultural reality of our post-globalization twenty-first century world.
This volume both outlines the history of usage of the term and grounds it theoretically in ways that emphasize the personal/poetic in addition to the political. Each of the three sections of the volume then considers crossover film from one of three perspectives: production, the texts themselves, and distribution and consumption.
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