Form, Affect and Debt in Post-Celtic Tiger Irish Fiction: Ireland in Crisis, Flannery Eoin

Название: Post-Celtic Tiger Ireland and Contemporary Women`s Writing
ISBN: 0367465175 ISBN-13(EAN): 9780367465179
Издательство: Taylor&Francis
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Цена: 148010.00 T
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Описание: This book analyzes and explores women`s writing of the post-Tiger period and reflects on the social, cultural, and economic conditions of this writing`s production.

Автор: Mianowski, Marie
Название: Post celtic tiger landscapes in irish fiction
ISBN: 0367885646 ISBN-13(EAN): 9780367885649
Издательство: Taylor&Francis
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Цена: 43890.00 T
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Описание: This volume discusses place and landscape in Irish fiction since 2008, including work by William Trevor, Dermot Bolger, Anne Enright, Donal Ryan, Claire Kilroy, Kevin Barry, Gerard Donovan, Danielle McLaughlin, Trisha McKinney, Billy O`Callaghan and Colum McCann. In light of writing by geographers, anthropologists and philosophers like

Автор: Trish McTighe
Название: Carnivals of Ruin: Beckett, Ireland, and the Festival Form
ISBN: 1108965695 ISBN-13(EAN): 9781108965699
Издательство: Cambridge Academ
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Цена: 19010.00 T
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Описание: Beckett's work is somewhat out of step with the logic of commemoration and celebration. Festival, with its association with celebration, spectacle, and publicity, would not seem the ideal vehicle for Beckett's work. Yet that work has become highly festivalised, and the incongruities between it and festival forms provide a useful basis from which to examine both Beckett as festivalised commodity and festivals themselves. Festivalising Beckett in Ireland might be characterised as a way of bringing him back home, as well as a way of returning him to the canonical fold - he showed little interest in either during his later years, it need hardly be added. This Element examines Beckett's dissidence in the face of these imperatives of nation, home and the canon, utilising Beckett's work in festival contexts to highlight in the negative the nature of the festival form and to critique the festivalisation of culture.

Автор: Susan Cahill
Название: Irish Literature in the Celtic Tiger Years 1990 to 2008: Gender, Bodies, Memory
ISBN: 0567533824 ISBN-13(EAN): 9780567533821
Издательство: Bloomsbury Academic
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Цена: 40120.00 T
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Описание: When Irish culture and economics underwent rapid changes during the Celtic Tiger Years, Anne Enright, Colum McCann and Eilis Ni Dhuibhne began writing. Now that period of Irish history has closed, this study uncovers how their writing captured that unique historical moment. By showing how Ni Dhuibhne's novels act as considered arguments against attempts to disavow the past, how McCann's protagonists come to terms with their history and how Enright's fiction explores connections and relationships with the female body, Susan Cahill's study pinpoints common concerns for contemporary Irish writers: the relationship between the body, memory and history, between generations, and between past and present. Cahill is able to raise wider questions about Irish culture by looking specifically at how writers engage with the body. In exploring the writers' concern with embodied histories, related questions concerning gender, race, and Irishness are brought to the fore. Such interrogations of corporeality alongside history are imperative, making this a significant contribution to ongoing debates of feminist theory in Irish Studies.

Автор: Mcglynn, Mary M.
Название: Broken irelands
ISBN: 0815637861 ISBN-13(EAN): 9780815637868
Издательство: Mare Nostrum (Eurospan)
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Цена: 27550.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish novels of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence in works of fiction. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they are reflecting and responding to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity.Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.

Автор: Mary M. McGlynn
Название: Broken Irelands: Literary Form in Post-Crash Irish Fiction
ISBN: 0815637772 ISBN-13(EAN): 9780815637776
Издательство: Mare Nostrum (Eurospan)
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Цена: 66880.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: While the national narrative coming out of Ireland since the 2008 economic crisis has been relentlessly sanguine, fiction has offered a more nuanced perspective from both well-established and emerging authors. In Broken Irelands, McGlynn examines Irish novels of the post-crash era, addressing the proliferation of writing that downplays realistic and grammatical coherence in works of fiction. Noting that these traits have the effect of diminishing human agency, blurring questions of responsibility, and emphasizing emotion over rationality, McGlynn argues that they are reflecting and responding to social and economic conditions during the global economic crisis and its aftermath of recession, austerity, and precarity.Rather than focusing on overt discussions of the crash and recession, McGlynn explores how the dominance of an economic worldview, including a pervasive climate of financialized discourse, shapes the way stories are told. In the writing of such authors as Anne Enright, Colum McCann, Mike McCormack, and Lisa McInerney, McGlynn unpacks the ways that formal departures from realism through grammatical asymmetries like unconventional verb tenses, novel syntactic choices, and reliance on sentence fragments align with a cultural moment shaped by feelings of impotence and rhetorics of personal responsibility.