Shadow Cinema: The Historical and Production Contexts of Unmade Films, Fenwick James, Foster Kieran, Eldridge David

Автор: Gillian McIver
Название: Art History for Filmmakers: The Art of Visual Storytelling
ISBN: 1501362305 ISBN-13(EAN): 9781501362309
Издательство: Bloomsbury Academic
Цена: 38700.00 T
Наличие на складе: Нет в наличии.
Описание: Since cinema's earliest days, literary adaptation has provided the movies with stories; and so we use literary terms like metaphor, metonymy and synecdoche to describe visual things. But there is another way of looking at film, and that is through its relationship with the visual arts – mainly painting, the oldest of the art forms. Art History for Filmmakers is an inspiring guide to how images from art can be used by filmmakers to establish period detail, and to teach composition, color theory and lighting. The book looks at the key moments in the development of the Western painting, and how these became part of the Western visual culture from which cinema emerges, before exploring how paintings can be representative of different genres, such as horror, sex, violence, realism and fantasy, and how the images in these paintings connect with cinema.Insightful case studies explore the links between art and cinema through the work of seven high-profile filmmakers, including Peter Greenaway, Peter Webber, Jack Cardiff, Martin Scorsese, Guillermo del Toro, Quentin Tarantino and Stan Douglas. A range of practical exercises are included in the text, which can be carried out singly or in small teams.Featuring stunning full-color images, Art History for Filmmakers provides budding filmmakers with a practical guide to how images from art can help to develop their understanding of the visual language of film.

Название: The Films of Lenny Abrahamson: A Filmmaking of Philosophy (Barry Monahan)
ISBN: 1501362232 ISBN-13(EAN): 9781501362231
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 34840.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The Films of Lenny Abrahamson: A Filmmaking of Philosophys of provides a comprehensive study of the films of contemporary, highly critically-appraised Irish director Lenny Abrahamson. As well as considering the aesthetics, cultural reflections and philosophical concerns in the better known work of this dynamic and profoundly original Irish filmmaker, it also looks at his short film – 3 Joes – and his little-seen student film Mendel. As the first sustained study of Abrahamson’s engaging and cinematically rich work, Barry Monahan’s book sheds light on the aesthetic wealth of the artist and connects his stylistic innovations to the context of his projects’ socio-cultural background, to his own influences in modern cinema – going beyond Irish film, to reflect upon the works of auteurs such as Bergman, Tarkovsky, Kubrick, and Kaurismaki among others – and to a broader reflection on what his canon has to contribute to the philosophy of cinema, art, and questions about human existence in the 21st century.

Название: Shadow cinema
ISBN: 1501351591 ISBN-13(EAN): 9781501351594
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Filmmakers and cinema industries across the globe invest more time, money and creative energy in projects and ideas that never get produced than in the movies that actually make it to the screens. Thousands of projects are abandoned in pre-production, halted, cut short, or even made and never distributed – a “shadow cinema” that exists only in the archives. This collection of essays by leading scholars and researchers opens those archives to draw on a wealth of previously unexamined scripts, correspondence and production material, reconstructing many of the hidden histories of the last hundred years of world cinema. Highlighting the fact that the movies we see are actually the exception to the rule, this study uncovers the myriad reasons why ‘failures’ occur and considers how understanding those failures can transform the disciplines of film and media history. The first survey of this new area of empirical study across transnational borders, Shadow Cinema is a vital and fascinating demonstration of the importance of the unmade, unseen, and unknown history of cinema.

Автор: Salys Rimgaila
Название: The Russian Cinema Reader: Contemporary Russian Cinema (2005-2015)
ISBN: 1618119648 ISBN-13(EAN): 9781618119643
Издательство: Mare Nostrum (Eurospan)
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Цена: 27720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Provides an introduction to significant Russian films released between 2005 and 2016 that are also available with English subtitles. The twenty-one essays on individual films provide background information on directors` careers, detailed analyses of selected films, along with suggested further readings both in English and Russian.

Автор: Roger Wooster, Paul Conway
Название: Screen Acting Skills: A Practical Handbook for Students and Tutors
ISBN: 1350093041 ISBN-13(EAN): 9781350093041
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 79200.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Whether you are a young actor seeking to land your first screen role or a workshop leader looking for relevant exercises that won’t involve vast technical support, this book belongs on your shelf. Many screen actors begin their careers lacking the appropriate pre-shoot preparation and knowledge of studio protocols. This book helps actors new to screen performance to be fully prepared artistically - and technically. Screen Acting Skills augments existing theoretical and academic studies by offering practical, focused exercises that can be explored in low-tech workshop situations. Written in an accessible, jargon-free and often humorous style, Screen Acting Skills enables creativity on the workshop floor, allowing young - and older! - actors to access their own talent, and to hone their skills. This book offers students and tutors a straightforward approach to acting for the screen and how to prepare for studio work. The book is published alongside online videos of workshops with screen acting students.

Автор: Jean-Luc Godard
Название: Introduction to a True History of Cinema and Television
ISBN: 0981191428 ISBN-13(EAN): 9780981191423
Издательство: Mare Nostrum (Eurospan)
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Цена: 106260.00 T
Наличие на складе: Невозможна поставка.
Описание:

In 1978, Jean-Luc Godard improvised a series of fourteen talks for a projected history of cinema on video. These talks, published in French in 1980 and long out of print, have never before been translated into English. This edition, based on the sole videotape copies of the lectures, corrects the faulty and incomplete French version and is the only complete edition in any language. The volume is accompanied by an essay by Michael Witt thoroughly documenting Godard's various film history projects and by 56 full-page film stills manipulated by Godard and 24 illustrations in his own hand. For this project, Godard screened his own famous films of the 1960s alongside single reels of some of the films which most influenced his work. Working at the dawn of video, a technology essential to his completion of the project many years later, as the visual essay Histoire(s) du cinйma, Godard used pieces of 35mm film, projected in an auditorium, to approximate the historical montage he was groping towards. He then held forth, in an experience he describes as a form of 'public self-psychoanalysis', on his personal and professional relationships, working methods, aesthetic preferences, political beliefs and, on the cusp of 50, his philosophy of life. The result is the most extensive and revealing account ever of his work and critical opinions. Never has Godard been as loquacious, lucid and disarmingly frank as he is here. This volume is one of the great classics of film literature, by perhaps the wittiest and most idiosyncratic genius the cinema has known.

Автор: Waysdorf, Abby S.
Название: Fan sites
ISBN: 1609387929 ISBN-13(EAN): 9781609387921
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 38810.00 T
Наличие на складе: Нет в наличии.
Описание: What is the appeal of film tourism, and what can its rise tell us about contemporary fandom? Fan Sites explores why and how we experience film and television-related places, and what the growth of this practice means for contemporary fandom.

Автор: Naremore James
Название: Letter from an Unknown Woman
ISBN: 1839022345 ISBN-13(EAN): 9781839022340
Издательство: Bloomsbury Academic
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Цена: 13720.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: James Naremore's study of Max Ophuls' classic 1948 melodrama, Letter from an Unknown Woman, not only pays tribute to Ophuls but also discusses the backgrounds and typical styles of the film’s many contributors--among them Viennese author Stephan Zweig, whose 1922 novella was the source of the picture; producer John Houseman, an ally of Ophuls who nevertheless made questionable changes to what Ophuls had shot; screenwriter Howard Koch; music composer Daniele Amfitheatrof; designers Alexander Golitzen and Travis Banton; and leading actors Joan Fontaine and Louis Jourdan, whose performances were central to the film’s emotional effect. Naremore also traces the film's reception history, from its middling box office success and mixed early reviews, exploring why it has been a work of exceptional interest to subsequent generations of both aesthetic critics and feminist theorists. Lastly, Naremore provides an in-depth critical appreciation of the film, offering nuanced appreciation of specific details of mise-en-scene, camera movement, design, sound, and performances, integrating this close analyses into an overarching analysis of Letter’s “recognition plot;” a trope in which the recognition of a character’s identity creates dramatic intensity or crisis. Naremore argues that Letter's use of recognition is one of the most powerful in Hollywood cinema, and contrasts it with what we find in Zweig's novella.

Автор: Deborah Martin, Deborah Shaw
Название: Latin American Women Filmmakers: Production, Politics, Poetics
ISBN: 1350244252 ISBN-13(EAN): 9781350244252
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 31670.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Latin American women filmmakers have achieved unprecedented international prominence in recent years. Notably political in their approach, figures such as Lucrecia Martel, Claudia Llosa and Bertha Navarro have created innovative and often challenging films, enjoying global acclaim from critics and festival audiences alike. They undeniably mark a 'moment' for Latin American cinema.Bringing together distinguished scholars in the field - and prefaced by B. Ruby Rich - this is a much-needed account and analysis of the rise of female-led film in Latin America. Chapters detail the collaboration that characterises Latin American women's filmmaking - in many ways distinct from the largely 'Third Cinema' auteurism from the region - as well as the transnational production contexts, unique aesthetics and socio-political landscape of the key industry figures. Through close attention to the particular features of national film cultures, from women's documentary filmmaking in Chile to comedic critique in Brazil, and from US Latina screen culture to the burgeoning popularity of Peruvian film, this timely study demonstrates the remarkable possibilities for film in the region. This book will allow scholars and students of Latin American cinema and culture, as well as industry professionals, a deeper understanding of the emergence and impact of the filmmakers and their work, which has particular relevance for contemporary debates on feminism.

Автор: Jermyn, Deborah (university Of Roehampton, Uk)
Название: Nancy meyers
ISBN: 1501358901 ISBN-13(EAN): 9781501358906
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 35890.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

Nancy Meyers is acknowledged as the most commercially successful woman filmmaker of all time, described by Daphne Merkin in The New York Times on the release of It's Complicated as "a singular figure in Hollywood - she] may, in fact, be the most powerful female writer-director-producer currently working". Yet Meyers remains a director who, alongside being widely dismissed by critics, has been largely absent in scholarly accounts both of contemporary Hollywood cinema, and of feminism and film. Despite Meyers' impressive track record for turning a profit (including the biggest box-office return ever achieved by a woman filmmaker at that timefor What Women Want in 2000), and a multifaceted career as a writer/producer/director dating back to her co-writing Private Benjamin in 1980, Meyers has been oddly neglected by Film Studies to date.

Including Nancy Meyers in the Bloomsbury Companions to Contemporary Filmmakers rectifies this omission, giving her the kind of detailed consideration and recognition she warrants and exploring how, notwithstanding the challenges authorship holds for feminist film studies, Meyers can be situated as a skilled 'auteur'. This book proposes that Meyers' box-office success, the consistency of style and theme across her films, and the breadth of her body of work as a writer/producer/director across more than three decades at the forefront of Hollywood, (thus importantly bridging the second/third waves of feminism) make her a key contemporary US filmmaker. Structured to meet the needs of both the student and scholar, Jermyn's volume situates Meyers within this historical and critical context, exploring the distinctive qualities of her body of work, the reasons behind the pervasive resistance to it and new ways of understanding her films.

Автор: Lemay John
Название: Kong Unmade: The Lost Films of Skull Island
ISBN: 1734154624 ISBN-13(EAN): 9781734154627
Издательство: Неизвестно
Рейтинг:
Цена: 22980.00 T
Наличие на складе: Невозможна поставка.
Описание:

Just like Godzilla, Gamera and their kaiju kin, King Kong was to be the star of many an unmade film. In this new book learn of a plethora of prequels, sequels, and even in-between-quels to the 1933 King Kong. From Merian C. Cooper himself came ideas for The New Adventures of King Kong (1933) to chronicle Kong and Denham's journey to New York; Tarzan vs. King Kong (1934), a Technicolor prequel set on Skull Island; and Space Kong (1969), a psychedelic sequel set in space Learn the tragic history behind Willis O'Brien's King Kong vs. Frankenstein that lead to the making of King Kong vs. Godzilla (1962) plus Kong's original starring role in what became Godzilla vs. the Sea Monster (1966). Unmade remakes like The Legend of King Kong plus unmade sequels to Dino De Laurentiis's King Kong (1976) and King Kong Lives (1986) are also covered. In addition to these unmade films, readers can also explore the detailed histories behind these Kong imitators: Konga (1961), The Mighty Gorga (1969), Queen Kong (1976), A*P*E (1976), and Mighty Peking Man (1977).

Автор: Lesley Brill
Название: The Ironic Filmmaking of Stephen Frears
ISBN: 1501320335 ISBN-13(EAN): 9781501320330
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 116160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Stephen Frears has a career approaching over half-a-century, directing films of astonishing variety, beauty, and daring, and yet many often have trouble remembering his name. The Ironic Filmmaking of Stephen Frears celebrates this great filmmaker, beginning with a short biography of Frears, general observations on unifying themes and styles in his oeuvre, and the characterization of his manner of directing. By focusing on 10 key films, Lesley Brill finds coherence in Frears' characteristic irony and in his concentration on many kinds of love. In movies such as My Beautiful Laundrette, Dangerous Liaisons, High Fidelity, The Queen, Philomena, and many others, Frears portrays widely varied situations and characters with a combination of insight, skepticism, and sympathy. He has the passionate, unjudgmental focus of an artist who stands simultaneously at a distance from his subjects and within their worlds. Through Frears' work is widely admired, Brill argues that he has attracted little scholarly writing because of a combination of the diffidence of his self-presentation and the difficulty of explicating the complex ideas and characters of his films. The Ironic Filmmaking of Stephen Frears is meant to inspire others to further examine his films individually and his career as a whole.