Beethoven in Beijing: Stories from the Philadelphia Orchestra`s Historic Journey to China, Lin Jennifer
Автор: Tyson Название: Beethoven Studies 3 ISBN: 0521111668 ISBN-13(EAN): 9780521111669 Издательство: Cambridge Academ Рейтинг: Цена: 43290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the third volume in the series Beethoven Studies. The aim of this series is to present scholarly work on Beethoven, broad in range as well as meticulous in method. The book includes many music examples, and reproductions of autographs and watermarks, and it is very fully indexed.
Автор: Schindler Название: The Life of Beethoven ISBN: 1108077439 ISBN-13(EAN): 9781108077439 Издательство: Cambridge Academ Рейтинг: Цена: 32730.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Anton Schindler (1795-1864), violinist and Beethoven`s unpaid private secretary, published his biography of the composer in 1840. This 1841 English translation was enhanced by additional material provided by the pianist Ignaz Moscheles (1794-1870). Despite inaccuracies, it remains an important source of first-hand information.
Автор: Schindler Название: The Life of Beethoven ISBN: 1108077420 ISBN-13(EAN): 9781108077422 Издательство: Cambridge Academ Рейтинг: Цена: 30630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Anton Schindler (1795-1864), violinist and Beethoven`s unpaid private secretary, published his biography of the composer in 1840. This 1841 English translation was enhanced by additional material provided by the pianist Ignaz Moscheles (1794-1870). Despite inaccuracies, it remains an important source of first-hand information.
Автор: Rodney Trudgeon, Trudgeon Название: Rodney trudgeon`s concert notes ISBN: 1868429865 ISBN-13(EAN): 9781868429868 Издательство: Gazelle Book Services Рейтинг: Цена: 21450.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Rodney Trudgeons Concert Notes is a collection of essays on famous classical, orchestral compositions. The pieces in this collection short reflections on well-known classical compositions have appeared in concert programmes that have accompanied performances by the Cape Town and Johannesburg Philharmonic Orchestras. The author is a well-known radio host and presenter on Fine Music Radio. He is an expert on the range of musical genres that broadly fall under the category classical music. The text that comprises Rodney Trudgeons Concert Notes is structured alphabetically according to composer and gives a broad overview of the development of classical music, starting with the Baroque period and ending with modern, atonal music. Each piece is dedicated to a particular musical composition, describing its highlights, its history, and what makes it unique. Broadly, the pieces are grouped together according to the following three broad categories: ouvertures, concertos, and symphonies, mimicking the structure of concert programmes. Each entry also includes a short biography of its composer. Trudgeons style is easy to read and accessible to all readers: from those who listen to classical music regularly to those who are unfamiliar with it. Overall, this collection is a useful and informative musical guide, making a case for listening to orchestral music.
Автор: Chetel, Daniel Название: Accessible orchestral repertoicb ISBN: 1442275790 ISBN-13(EAN): 9781442275799 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 119680.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Accessible Orchestral Repertoire is a repertoire and programming resource for any conductor who leads a non-professional symphonic orchestra. The volume will be helpful to every conductor in the process of selecting repertoire that will both feature and enrich individual non-professional ensembles.
Автор: Jonathan Del Mar Название: Orchestral Masterpieces under the Microscope ISBN: 1783277327 ISBN-13(EAN): 9781783277322 Издательство: Boydell & Brewer Рейтинг: Цена: 68640.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A must-have for any conductor, conducting student and orchestral librarian.How does a conductor know whether the score they use is what the composer wrote? How do orchestral players know that their parts are reliable and reflect the latest scholarship? As Jonathan Del Mar reminds us in this ground-breaking book, editions of the orchestral repertoire are beset by textual problems: simple misprints, mistakes in the score or player's part, or hopelessly outdated scores at odds with current scholarship. Driven by a fundamental respect for what the composer actually wrote, Jonathan Del Mar addresses these problems through textual reports on over 100 orchestral masterpieces of classical music. Each report is introduced with essential guidance and succinct commentary on the first performance and publication of the work. Critical editions are compared with commonly used editions, and in those cases where no Urtext Edition exists, this much-needed reference work functions as a replacement for an Urtext Edition. Orchestral Masterpieces under the Microscope will be an indispensable reference tool for all who care about performances honouring the correct text that composers have left us. It serves as an essential survival guide for conductors and musicians to make informed choices, and it offers much-needed clarity on the latest scholarship for musicologists and music librarians alike.
Автор: Kahn Robert S. Название: Beethoven and the Grosse Fuge: Music, Meaning, and Beethoven`s Most Difficult Work ISBN: 0810874180 ISBN-13(EAN): 9780810874183 Издательство: Rowman & Littlefield Publishers Цена: 88710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Grosse Fuge, composed by Ludwig van Beethoven in his late period, has an involved and complicated history. Written for a string quartet but published as an independent work, the piece raises interesting questions about whether music without words can have meaning, and invokes speculation about the composer and his frame of mind when he wrote it. Kahn looks closely at the musical, aesthetic, philosophical, and historical problems the work raises, considering its history, structure and development, meaning, and response among critics and contemporaries. Kahn also studies Beethoven's difficulties with publishers and sponsors, his everyday life, and his character in light of recent advances in the pharmacology of depressive illness. The book places both Beethoven and the Grosse Fuge in their historic and social contexts, arguing that Beethoven intended the Fuge as the finale of his String Quartet Opus 130 and created a substitute finale for the quartet at his publisher's urging; not because he was unhappy with the work. Beethoven is examined as a freelance musician: a vocation whose members were frequently excluded from society and the protection of its laws, including respect for copyright. Viewed in this light, Beethoven's famous quirks and resentments become understandable, even rational. Kahn also devotes a chapter to the phenomenon of synesthesia-a sense of motion through three-dimensional volumes of space-examining how some works of Western music can evoke synesthesia in listeners. He also speculates that Beethoven's creative dry spell in his late 40s was caused by an extended bout with clinical depression. Written for a general audience and including a bibliography and index, this fascinating study will interest scholars and fans of classical music and Beethoven.
Автор: Hurwitz David Название: Beethoven`s Orchestral Music: An Owner`s Manual ISBN: 1538135604 ISBN-13(EAN): 9781538135600 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 49280.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Veteran music critic David Hurwitz provides an accessible, comprehensive, and fresh survey of Beethoven's symphonies, overtures, concertos, theatrical music, his single ballet and other music for the dance, and several short pieces worth getting to know. Beethoven's orchestral works include some of the most iconic and popular pieces of classical music ever written. This book offers chapters on Beethoven's handling of the symphony orchestra and his contributions to its evolution, as well as his approach to musical form in creating large, multi-movement works. The musical descriptions provide helpful strategies for listening that invite both beginners and experienced enthusiasts to treat even the best known pieces as something fresh, new and relevant. In addition, Hurwitz provides extensive lists of recommended recordings of all of the music surveyed, highlighting the wide range of issues in Beethoven interpretation and performance, as well as the history of his music. He encourages readers to listen actively and critically, as they build their own Beethoven discographies according to their personal tastes and preferences. The book is accompanied by online audio tracks of Beethoven works selected by Hurwitz.
Автор: Charles A. Sengstock Название: That Toddlin` Town: Chicago`s White Dance Bands and Orchestras, 1900-1950 ISBN: 0252029542 ISBN-13(EAN): 9780252029547 Издательство: Wiley EDC Рейтинг: Цена: 36610.00 T Наличие на складе: Поставка под заказ. Описание: In the 1920s and 1930s, Chicago became a center for jazz and blues, vaudeville, and a budding recording industry. Not surprisingly, the city and its environs spawned and nurtured a sprawling scene of nationally recognized dance bands and orchestras.
That Toddlin' Town focuses on the untold history of Chicago's white dance bands, theater orchestras, radio studio ensembles, and nightclub bands. Charles A. Sengstock Jr. draws on monumental research to portray the bands not only in terms of their music but also in the context of the venues in which they played and Chicago's volatile economic and social climate. Viewing the bands as parts of an economic system, he analyzes them as businesses facing all the usual pressures brought on by ambition, personality clashes, financial realities, and the overriding need to serve clients. He also examines how the bands--along with their charismatic leaders, powerful booking agencies, and the Chicago Federation of Musicians--impacted the music industry at large and influenced other entertainment media.
Автор: Melissa D. Burrage Название: The Karl Muck Scandal: Classical Music and Xenophobia in World War I America ISBN: 1580469507 ISBN-13(EAN): 9781580469500 Издательство: Boydell & Brewer Рейтинг: Цена: 29560.00 T Наличие на складе: Невозможна поставка. Описание: The demonization, internment, and deportation of celebrated Boston Symphony Orchestra conductor Dr. Karl Muck, finally told, and placed in the context of World War I anti-German sentiment in the United States.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor.
Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature.
This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
Gifted harpist Edna Phillips (1907–2003) joined the Philadelphia Orchestra in 1930, becoming not only that ensemble's first female member but also the first woman to hold a principal position in a major American orchestra. Plucked from the Curtis Institute of Music in the midst of her studies, Phillips was only twenty-three years old when Leopold Stokowski, one of the twentieth century's most innovative and controversial conductors, named her principal harpist. This candid, colorful account traces Phillips's journey through the competitive realm of Philadelphia's virtuoso players, where she survived--and thrived--thanks to her undeniable talent, determination, and lively humor.
Drawing on extensive interviews with Phillips, her family, and colleagues as well as archival sources, One Woman in a Hundred chronicles the training, aspirations, setbacks, and successes of this pioneering woman musician. Mary Sue Welsh recounts numerous insider stories of rehearsal and performance with Stokowski and other renowned conductors of the period such as Arturo Toscanini, Fritz Reiner, Otto Klemperer, Sir Thomas Beecham, and Eugene Ormandy. She also depicts Phillips's interactions with fellow performers, the orchestra management, and her teacher, the wily and brilliant Carlos Salzedo. Blessed with a nimble wit, Phillips navigated a plethora of challenges, ranging from false conductors' cues to the advances of the debonair Stokowski and others. She remained with the orchestra through some of its most exciting years from 1930 to 1946 and was instrumental in fostering harp performance, commissioning many significant contributions to the literature.
This portrait of Phillips's exceptional tenure with the Philadelphia Orchestra also reveals the behind-the-scenes life of a famous orchestra during a period in which Rachmaninoff declared it "the finest orchestra the world has ever heard." Through Phillips's perceptive eyes, readers will watch as Stokowski melds his musicians into a marvelously flexible ensemble; world-class performers reach great heights and make embarrassing flubs; Greta Garbo comes to Philadelphia to observe her lover Leopold Stokowski at work; and the orchestra encounters the novel experience of recording for Walt Disney's Fantasia. A colorful glimpse into a world-class orchestra at the height of its glory, One Woman in a Hundred tells the fascinating story of one woman brave enough and strong enough to overcome historic barriers and pursue her dreams.
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