Choreography, Visual Art and Experimental Composition 1950s-1970s, Brannigan Erin
Автор: Ayse Tashkiran Название: Movement Directors in Contemporary Theatre: Conversations on Craft ISBN: 1350054461 ISBN-13(EAN): 9781350054462 Издательство: Bloomsbury Academic Цена: 68640.00 T Наличие на складе: Нет в наличии. Описание: When directors understand the value of a movement director they remove any sense of hierarchy within the room and place movement directors firmly by their side, for they are, and should be, their co-pilot, navigating and creating the world of the play. - Joan IyiolaThrough a series of in-depth interviews with leading movement directors including Sian Williams, Sue Lefton, Toby Sedgewick and Diane Alison-Mitchell, Ayse Tashkiran examines the processes of creativity, collaboration and innovation for the moving body in performance. The conversations open up: New areas of movement practice The role of the movement director The history of theatre practice and key practitioners Diverse movement approaches Similarities and differences between movement direction and choreography Potential future developments in the field The book contains forewords by Maria Aberg and Joan Iyiola
This book explores Salome’s quintessential veiled dance through readings of fictional and poetic texts, dramatic productions, dance performances and silent films, arguing for the central place of this dancer – and her many interpreters – to the wider formal and aesthetic contours of modernism.
Loie Fuller, Maud Allan, Oscar Wilde, Ida Rubinstein, Alla Nazimova, Djuna Barnes, Germaine Dulac, Edward Gordon Craig, W. B. Yeats, Ninette de Valois and Samuel Beckett are foregrounded for their innovative engagements with this paradigmatic fin-de-siecle myth, showing how the ephemeral stuff of dance became a constitutive element of the modernist imagination during this period.
Автор: Brannigan, Erin (University of New South Wales) Название: Choreography, Visual Art and Experimental Composition 1950s-1970s ISBN: 1032182458 ISBN-13(EAN): 9781032182452 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book traces the history of engagements between dance and the visual arts in the mid-twentieth century, and provides a backdrop for the emerging field of contemporary, intermedial art practice.
Название: Dancing Man (Bob Avian) ISBN: 1496825888 ISBN-13(EAN): 9781496825889 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23410.00 T Наличие на складе: Нет в наличии. Описание: Tony and Olivier Award-winning Bob Avian's dazzling life story, Dancing Man: A Broadway Choreographer's Journey, is a memoir in three acts. Act I reveals the origins of one of Broadway's legendary choreographers who appeared onstage with stars like Barbra Streisand and Mary Martin all before he was thirty. Act II includes teaching Katharine Hepburn how to sing and dance in Coco and working with Stephen Sondheim and Michael Bennett while helping to choreograph the original productions of Company and Follies. During this time, Avian won a Tony Award as the cochoreographer of A Chorus Line and produced the spectacular Tony Award-winning Dreamgirls. For a triumphant third act, Avian choreographed Julie Andrews's return to the New York stage, devised all of the musical staging for Miss Saigon and Sunset Boulevard, and directed A Chorus Line on Broadway. He worked with the biggest names on Broadway, including Andrew Lloyd Webber, Carol Burnett, Jennifer Holliday, Patti LuPone, Elaine Stritch, and Glenn Close.Candid, witty, sometimes shocking, and always entertaining, here at last is the ultimate up-close and personal insider's view from a front row seat at the creation of the biggest, brightest, and best Broadway musicals of the past fifty years.
Автор: Susan Rosenberg Название: Trisha Brown: Choreography as Visual Art (1962–1987) ISBN: 0819576611 ISBN-13(EAN): 9780819576613 Издательство: Marston Book Services Рейтинг: Цена: 107580.00 T Наличие на складе: Невозможна поставка. Описание: First in-depth study of the ground-breaking work of artist/choreographer Trisha Brown
Автор: McCormack Название: Choreography and Verbatim Theatre ISBN: 3319920189 ISBN-13(EAN): 9783319920184 Издательство: Springer Рейтинг: Цена: 65210.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: 1.- Choreography as a Translation Process.- 2. Dancing Other People's Words: Verbatim Dance-Theatre.- 3. DV8 Physical Theatre's Verbatim Dance-Theatre: How might choreography be developed in verbatim performance?.- 4. Making Verbatim Dance-Theatre.- 5. Choreographed Dialogue.
Автор: Pouillaude Frederic Название: Unworking Choreography ISBN: 0199314659 ISBN-13(EAN): 9780199314652 Издательство: Oxford Academ Рейтинг: Цена: 39590.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Unworking Choreography considers how philosophy traditionally understands dance as space rather than art in order to postulate a new theory of unworking that is grounded in both historical and contemporary dance. work production.
Автор: Hannah Mathews Название: Shelley Lasica: When I Am Not There ISBN: 1922633348 ISBN-13(EAN): 9781922633347 Издательство: Gazelle Book Services Рейтинг: Цена: 47170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The work of Shelley Lasica reveals a sustained exploration of dance, movement and the varying contexts in which they can occur. WHEN I AM NOT THERE has been produced to accompany a performance exhibition reflecting on forty years of Lasicas choreographic practice. Held at Monash University Museum of Art, Melbourne (15-27 August 2022), WHEN I AM NOT THERE is the first Australian survey of its kind. Centring on a new ensemble work that Melbourne-based Lasica has developed with a team of ten other artists - Lydia Connolly-Hiatt, Luke Fryer, Timothy Harvey, Rebecca Jensen, Megan Payne, Lisa Radford, Lana Šprajcer, Oliver Savariego, Francois Tetaz and Colby Vexler - it also presents components from Lasicas archive of earlier works, including costuming, objects, soundscapes and text. Consolidating ideas and experiments that Lasica has been developing throughout her career, WHEN I AM NOT THERE contributes to discussions around choreography in the gallery space and activates the tension between what it means to perform and to exhibit. Edited by the projects curator, Hannah Mathews, in conversation with Lasica, this substantial monograph is the first to be published on an Australian choreographer. It provides a comprehensive account of Lasicas performance and exhibition history and uncovers extensive documentation from the artists archive, alongside contributions by writers Erin Brannigan, Justin Clemens, Claudia La Rocco, Robyn McKenzie and Zoe Theodore. Shelley Lasica is a 2021 recipient of an Australia Council Dance Fellowship. WHEN I AM NOT THERE is realised as part of Precarious Movements: Choreography and the Museum, an ARC research project that involves the following partners: the Art Gallery of New South Wales, Sydney; MUMA, Melbourne; the National Gallery of Victoria, Melbourne; Tate, UK; and UNSW Sydney. The exhibition and book provides this overarching project with critical and situated research focused on the curation and practice of choreography in the museum environment.
Автор: Cassie Abate Название: The Art and Practice of Musical Theatre Choreography ISBN: 1350193348 ISBN-13(EAN): 9781350193345 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What does a musical theatre choreographer actually do? They just 'make up the steps', right?
This book firstly debunks the misunderstandings around what musical theatre choreographers actually do, demonstrating their need to have an in-depth understanding of storytelling, music theory, performance practices and plot structure in order to create movement that enhances and enlivens the musical.
Secondly, it equips the musical theatre choreographer with all the tools needed to create nuanced, informed and inspired movement for productions, through structured activities that build specific skills (such as 'notating the script' and 'scoring the score').
Traditionally, this training has been something of a series of secrets, passed from mentor to apprentice. The author demystifies the process to make the previously undisclosed “tricks of the trade” accessible to all choreographers, everywhere.
Covering the entire process of choreographing a musical from the first script reading to the final curtain call, this book makes case for the absolute integrity of the choreographer to any musical theatre production and sets out the theoretical principles of choreography alongside the practical application during every step of the production process.
Автор: Greil Mariella Название: Being in Contact: Encountering a Bare Body ISBN: 3110739399 ISBN-13(EAN): 9783110739398 Издательство: Walter de Gruyter Рейтинг: Цена: 49530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Dieses choreografierte Buch widmet sich dem Ph nomen des blo en K rpers in der zeitgen ssischen Performance. Die k nstlerische Forschung st tzt sich dabei auf einen philosophischen, biopolitischen und ethischen Diskurs, der f r die Erscheinung blo er K rper in der choreografischen Arbeit relevant ist und der einen Rahmen setzt f r eine reflexive Bewegung zwischen Affekt und Ethik, sinnlicher Ansprache und Response.
Entbl ungs- und Verschleierungshandlungen werden dabei kulturell verankert und in ihrer methodischen und nanopolitischen Bedeutung untersucht. Die Konzepte anarchische Verantwortung und Choreo-Ethik f hren zu einer Neubewertung von Kontakt, Beziehung und Solidarit t. Choreografie wird so als komplexes Feld von Offenbarungen verstanden, das auf kologien von Wahrnehmung und Handlungsfreiheit beruht.
Автор: Emilyn Claid Название: Falling Through Dance and Life ISBN: 1350202649 ISBN-13(EAN): 9781350202641 Издательство: Bloomsbury Academic Рейтинг: Цена: 31670.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is a book about falling as a means of reconfiguring our relationship with living and dying. Dancer, choreographer, educator and therapist Emilyn Claid draws inspiration from her personal and professional experiences to explore alternative approaches to being present in the world. Contemporary movement based performers ground their practices in understanding the interplay of gravity and the body. Somatic intentional falling provides them a creative resource for developing both self and environmental support. The physical, metaphorical and psychological impact of these practices informs the theories and perspectives presented in this book.
As falling can be dangerous and painful, encouraging people to do so willingly might be considered a provocative premise. Western culture generally resists falling because it provokes fear and represents failure. Out of this tension a paradox emerges: falling, we are both powerless subjects and agents of change, a dynamic distinction that enlivens discussions throughout the writing.
Emilyn engages with different dance genres, live performance and therapeutic interactions to form her ideas and interlaces her arguments with issues of gender and race. She describes how surrender to gravity can transform our perceptions and facilitate ways of being that are relational and life enhancing. Woven throughout, autobiographical, poetic, philosophical, descriptive and theoretical voices combine to question the fixation of Western culture on uprightness and supremacy. A simple act of falling builds momentum through eclectic discussions, uncovering connections to shame, laughter, trauma, ageing and the thrill of release.
Автор: Brannigan Erin Название: Dancefilm. Choreography and the Moving Image ISBN: 0195367243 ISBN-13(EAN): 9780195367249 Издательство: Oxford Academ Рейтинг: Цена: 45930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Dancefilm: Choreography and the Moving Image examines the choreographic in cinema - the way choreographic elements inform cinematic operations in dancefilm. It examines some of the most significant collaborations between dancers, choreographers, and filmmakers and presents new models of cinematic movement that are historically informed and interdisciplinary in nature.
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