New female antihero - the disruptive women of twenty-first-century us television, Hagelin, Sarah Silverman, Gillian
Автор: Boyle Kirk, Mrozowski Daniel Название: The Great Recession in Fiction, Film, and Television: Twenty-First-Century Bust Culture ISBN: 0739180630 ISBN-13(EAN): 9780739180631 Издательство: Неизвестно Рейтинг: Цена: 219170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This DVD-Rom covers the Great War away from the Western Front, it is a follow-on to our successful DVD-Rom, which provided the official record of the fighting in which British troops were involved in France and Flanders during the Great War 1914-1918 the Western Front. It contains the official record of all the other campaigns in which British troops took part Gallipoli, Mesopotamia, East Africa, Macedonia, Italy, Egypt and Palestine, Persia, Togoland and the Cameroons. Also included is Brig-Gen Sir J.E.Edmondss account of the Occupation of Constantinople in 1919 and that of Brig JJ Collier, former Chief of the General Staff of
Автор: Melissa Ames Название: Time in Television Narrative: Exploring Temporality in Twenty-First-Century Programming ISBN: 161703293X ISBN-13(EAN): 9781617032936 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 61910.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The ethics of virtue predominated in the ancient world, and recent moral philosophy has seen a revival of interest in virtue ethics as a rival to contemporary views such as utilitarianism. This latest addition to the successful Oxford Readings in Philosophy series brings together some of the most interesting and influential work undertaken in the field of virtue ethics over the last four decades.
Автор: Cynthia Chris Название: The Indecent Screen: Regulating Television in the Twenty-First Century ISBN: 0813594073 ISBN-13(EAN): 9780813594071 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 125400.00 T Наличие на складе: Невозможна поставка. Описание: The Indecent Screen explores clashes over indecency in broadcast television among U.S.-based media advocates, television professionals, the Federal Communications Commission, and TV audiences. Cynthia Chris focuses on the decency debates during an approximately twenty-year period since the Telecommunications Act of 1996, which in many ways restructured the media environment. Simultaneously, ever increasing channel capacity, new forms of distribution, and time-shifting (in the form of streaming and on-demand viewing options) radically changed how, when, and what we watch. But instead of these innovations quelling concerns that TV networks were too often transmitting indecent material that was accessible to children, complaints about indecency skyrocketed soon after the turn of the century. Chris demonstrates that these clashes are significant battles over the role of family, the role of government, and the value of free speech in our lives, arguing that an uncensored media is so imperative to the public good that we can, and must, endure the occasional indecent screen.
For nine years, Stephen Colbert’s persona “Colbert”—a Republican superhero and parody of conservative political pundits—informed audiences on current events, politics, social issues, and religion while lampooning conservative political policy, biblical literalism, and religious hypocrisy. To devout, vocal, and authoritative lay Catholics, religion is central to both the actor and his most famous character. Yet many viewers wonder, “Is Colbert a practicing Catholic in real life or is this part of his act?” America’s Most Famous Catholic (According to Himself) examines the ways in which Colbert challenges perceptions of Catholicism and Catholic mores through his faith and comedy. Religion and the foibles of religious institutions have served as rich fodder for scores of comedians over the years. What set “Colbert” apart on his Comedy Central show, The Colbert Report, was that his critical observations were made more powerful and harder to ignore because he approached religious material not from the predictable stance of the irreverent secular comedian but from his position as one of the faithful. He is a Catholic celebrity who can bridge critical outsider and participating insider, neither fully reverent nor fully irreverent. Providing a digital media ethnography and rhetorical analysis of Stephen Colbert and his character from 2005 to 2014, author Stephanie N. Brehm examines the intersection between lived religion and mass media, moving from an exploration of how Catholicism shapes Colbert’s life and world towards a conversation about how “Colbert” shapes Catholicism. Brehm provides historical context by discovering how “Colbert” compares to other Catholic figures, such Don Novello, George Carlin, Louis C.K., and Jim Gaffigan, who have each presented their views of Catholicism to Americans through radio, film, and television. The last chapter provides a current glimpse of Colbert on The Late Show, where he continues to be voice for Catholicism on late night, now to an even broader audience. America’s Most Famous Catholic (According to Himself) also explores how Colbert carved space for Americans who currently define their religious lives through absence, ambivalence, and alternatives. Brehm reflects on the complexity of contemporary American Catholicism as it is lived today in the often-ignored form of Catholic multiplicity: thinking Catholics, cultural Catholics, cafeteria Catholics, and lukewarm Catholics, or what others have called Colbert Catholicism, an emphasis on the joy of religion in concert with the suffering. By examining the humor in religion, Brehm allows us to see clearly the religious elements in the work and life of comedian Stephen Colbert.
Автор: Cieślak Magdalena Название: Screening Gender in Shakespeare`s Comedies: Film and Television Adaptations in the Twenty-First Century ISBN: 1498563767 ISBN-13(EAN): 9781498563765 Издательство: Bloomsbury Рейтинг: Цена: 34650.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book analyzes how twenty-first century film adaptations of Shakespeare`s comedies interpret gender-related concepts of their source texts. Examining the negotiations between early modern and contemporary gender politics, Cieslak identifies the main strategies of accommodating early modern gender constructs for today`s audiences.
Автор: Lawrence Amy Название: Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America ISBN: 1496838114 ISBN-13(EAN): 9781496838117 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Through American history, often in times of crisis, there have been periodic outbreaks of obsession with the paranormal. Between 2004 and 2019, over six dozen documentary-style series dealing with paranormal subject matter premiered on television in the United States. Combining the stylistic traits of horror with earnest accounts of what are claimed to be actual events, "paranormal reality" incorporates subject matter formerly characterized as occult or supernatural into the established category of reality TV. Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, including such shows as Ghost Hunters, Celebrity Ghost Stories, and Long Island Medium, author Amy Lawrence suggests these programs reveal much about Americans’ contemporary fears. Through her close readings, Lawrence asks, "What are these shows trying to tell us?" and "What do they communicate about contemporary culture if we take them seriously and watch them closely?" Ridiculed by nearly everyone, paranormal reality TV shows—with their psychics, ghost hunters, and haunted houses—provide unique insights into contemporary American culture. Half-horror, half-documentary realism, these shows expose deep-seated questions about class, race, gender, the value of technology, the failure of institutions, and what it means to be American in the twenty-first century.
Автор: Lawrence Amy Название: Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America ISBN: 1496838106 ISBN-13(EAN): 9781496838100 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Through American history, often in times of crisis, there have been periodic outbreaks of obsession with the paranormal. Between 2004 and 2019, over six dozen documentary-style series dealing with paranormal subject matter premiered on television in the United States. Combining the stylistic traits of horror with earnest accounts of what are claimed to be actual events, "paranormal reality" incorporates subject matter formerly characterized as occult or supernatural into the established category of reality TV. Despite the high number of programs and their evident popularity, paranormal reality television has to date received little critical attention. Ghost Channels: Paranormal Reality Television and the Haunting of Twenty-First-Century America provides an overview of the paranormal reality television genre, its development, and its place in television history. Conducting in-depth analyses of over thirty paranormal television series, including such shows as Ghost Hunters, Celebrity Ghost Stories, and Long Island Medium, author Amy Lawrence suggests these programs reveal much about Americans’ contemporary fears. Through her close readings, Lawrence asks, "What are these shows trying to tell us?" and "What do they communicate about contemporary culture if we take them seriously and watch them closely?" Ridiculed by nearly everyone, paranormal reality TV shows—with their psychics, ghost hunters, and haunted houses—provide unique insights into contemporary American culture. Half-horror, half-documentary realism, these shows expose deep-seated questions about class, race, gender, the value of technology, the failure of institutions, and what it means to be American in the twenty-first century.
Автор: Hawkesworth Mary Название: Political Worlds of Women: Activism, Advocacy, and Governance in the Twenty-First Century ISBN: 0813344956 ISBN-13(EAN): 9780813344959 Издательство: Taylor&Francis Рейтинг: Цена: 53070.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Political Worlds of Women provides a comprehensive overview of women`s political activism, comparing formal and informal channels of power from official institutions of state to grassroots mobilizations and Internet campaigns.
Автор: Sackeyfio Rose A. Название: African Women Writing Diaspora: Transnational Perspectives in the Twenty-First Century ISBN: 1793642435 ISBN-13(EAN): 9781793642431 Издательство: Bloomsbury Рейтинг: Цена: 76230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: As a woman with a peculiar talent for wielding scalpels in 1800s` London, Ms. Rielly is no stranger to delving into the taboo side of life and death. Determined to find her missing friend, Ms. Rielly steps inside Ainsley Manor and into an investigation involving murder and the strange affliction cast over its lord. She promptly realizes that striking a bargain with him is inevitable and will require all of the skills she has secretly nurtured as a back-alley biologist. Will living with the man possibly responsible for the atrocities she finds yield the answer she sought in the beginning? Or will it plant seeds of doubt about herself? As the city streets gradually become more dangerous and the boundaries between them more indistinguishable, Rielly and Lord Ainsley find the truth may only be released with the blood within their veins. Whether or not by choice...
Автор: Barbara Mennel Название: Women at Work in Twenty-First-Century European Cinema ISBN: 0252042220 ISBN-13(EAN): 9780252042225 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Невозможна поставка. Описание: From hairdressers and caregivers to reproductive workers and power-suited executives, images of women's labor have powered a fascinating new movement within twenty-first-century European cinema. Social realist dramas capture precarious working conditions. Comedies exaggerate the habits of the global managerial class. Stories from countries battered by the global financial crisis emphasize the patriarchal family, debt, and unemployment.
Barbara Mennel delves into the ways these films about female labor capture the tension between feminist advances and their appropriation by capitalism in a time of ongoing transformation. Looking at independent and genre films from a cross-section of European nations, Mennel sees a focus on economics and work adapted to the continent's varied kinds of capitalism and influenced by concepts in second-wave feminism. More than ever, narratives of work put female characters front and center--and female directors behind the camera. Yet her analysis shows that each film remains a complex mix of progressive and retrogressive dynamics as it addresses the changing nature of work in Europe.
Автор: Zychowicz Jessica Название: Superfluous Women: Art, Feminism, and Revolution in Twenty-First-Century Ukraine ISBN: 1487501684 ISBN-13(EAN): 9781487501686 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 77750.00 T Наличие на складе: Нет в наличии. Описание: Using firsthand interviews, archival documents, and visual analysis, Superfluous Women explores the intersections between art, protest, and feminism in today`s Ukraine.
A fascinating look at the changing role of wives in modern America
After a half century of battling for gender equality, women have been freed from the necessity of securing a husband for economic stability, sexual fulfillment, or procreation. Marriage is a choice, and increasingly women (and men) are opting out. Yet despite these changes, the cultural power of marriage has burgeoned. What was once an obligation has become an exclusive club into which heterosexual women with the right amount of self-discipline may win entry. The newly exalted professionalized wife is no longer reliant on her husband's status or money; instead she can wield her own power provided she can successfully manage the business of being a wife.
Wife, Inc. tells a fiercely contemporary story revealing that today's wives do not labor in kitchens or even homes. Instead, the work of wifedom occurs in online dating sites, on reality television, in social media, and on the campaign trail. Dating, marital commitment, and married life have been reconfigured. No longer the stuff of marriage vows, these realms are now controlled by brand management and marketability. To prosper, women must appear confident, empowered, and sexually savvy.
Guiding readers through the stages of the "wife-cycle," Suzanne Leonard follows women as they date, prepare to wed, and toil as wives, using examples from popular television, film, and literature, as well as mass market news, women's magazines, new media, and advice culture. The first major study to focus on this new definition of "working wives," Wife, Inc. reveals how marriage occupies a newly professionalized role in the lives of American women. Being a wife is a business that takes a lot more than a vow to maintain--this book tells that story.
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