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Modernists and the Theatre: The Drama of W.B. Yeats, Ezra Pound, D.H. Lawrence, James Joyce, T.S. Eliot and Virginia Woolf, Moran James


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Автор: Moran James
Название:  Modernists and the Theatre: The Drama of W.B. Yeats, Ezra Pound, D.H. Lawrence, James Joyce, T.S. Eliot and Virginia Woolf
ISBN: 9781350145498
Издательство: Bloomsbury Academic
Издательство: Methuen Drama
Классификация:

ISBN-10: 1350145491
Обложка/Формат: Hardback
Страницы: 256
Вес: 0.44 кг.
Дата издания: 13.01.2022
Серия: Literature/Literary Studies
Язык: English
Размер: 139 x 216 x 24
Читательская аудитория: Professional and scholarly
Ключевые слова: Literary studies: plays & playwrights,Theatre studies, LITERARY CRITICISM / Drama,PERFORMING ARTS / Theater / History & Criticism
Подзаголовок: The drama of w.b. yeats, ezra pound, d.h. lawrence, james joyce, t.s. eliot and virginia woolf
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Поставляется из: США
Описание:

Modernists and the Theatre is the first study to examine how theories of modernism intersect with those of the theatre within the works, philosophies and literary lives of six key modernist writers. Drawing on a wealth of unfamiliar archive material and fresh readings of neglected documents, James Moran reveals how these literary figures interacted with the theatre through playwriting, by engaging in philosophical debates and participating in theatrical performances. Chapters assess W.B. Yeatss very earliest playwriting, Ezra Pounds onstage acting, the interconnections between James Joyces and D.H. Lawrences sense of drama, Eliots thinking about theatre in Dublin, and the feminist politics of Virginia Woolfs small-scale theatrical experiments.

While these writers valued coterie production and often made hostile comments about drama, this volume highlights the paradoxical fact that, despite their harsh words, the theatrically large-scale also attracted each of these writers. The theatre event of restricted production offered modernists a satisfying mode of sharing their work amongst the like-minded, and the book discloses a set of unfamiliar events of this sort that allowed these writers to act as agents of legitimation in granting cultural value.

The book explores their engagements with popular drama, as well as the long-forgotten acting performances in which each of these writers personally participated. Moran uncovers how the playhouse became a key geographical space where the high-modernists could explore a tension that fascinated them, and which motivated much of their wider thinking and literary work.



The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator

Автор: James Moran
Название: The Theatre of D.H. Lawrence: Dramatic Modernist and Theatrical Innovator
ISBN: 1472570383 ISBN-13(EAN): 9781472570383
Издательство: Bloomsbury Academic
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Цена: 116160.00 T
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Описание: This is the first major book-length study for four decades to examine the plays written by D. H. Lawrence, and the first ever book to give an in-depth analysis of Lawrence's interaction with the theatre industry during the early twentieth century. It connects and examines his performance texts, and explores his reaction to a wide-range of theatre (from the sensation dramas of working-class Eastwood to the ritual performances of the Pueblo people) in order to explain Lawrence's contribution to modern drama.

F. R. Leavis influentially labelled the writer 'D. H. Lawrence: Novelist'. But this book foregrounds Lawrence's career as a playwright, exploring unfamiliar contexts and manuscripts, and drawing particular attention to his three most successful works: The Widowing of Mrs Holroyd, The Daughter-in-Law, and A Collier's Friday Night. It examines how Lawrence's novels are suffused with theatrical thinking, revealing how Lawrence's fictions - from his first published work to the last story that he wrote before his death - continually take inspiration from the playhouse.

The book also argues that, although Lawrence has sometimes been dismissed as a restrictively naturalistic stage writer, his overall oeuvre shows a consistent concern with theatrical experiment, and manifests affinities with the dramatic thinking of modernist figures including Brecht, Artaud, and Joyce. In a final section, the book includes contributions from influential theatre-makers who have taken their own cue from Lawrence's work, and who have created original work that consciously follows Lawrence in making working-class life central to the public forum of the theatre stage.


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