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Sonic Phantoms: Composition with Auditory Phantasmatic Presence, Ellison Barbara, Bailey Thomas Bey William, Lуpez Francisco


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Автор: Ellison Barbara, Bailey Thomas Bey William, Lуpez Francisco
Название:  Sonic Phantoms: Composition with Auditory Phantasmatic Presence
ISBN: 9781501391767
Издательство: Bloomsbury
Классификация:


ISBN-10: 1501391763
Обложка/Формат: Paperback
Страницы: 248
Вес: 0.34 кг.
Дата издания: 30.12.2021
Серия: Arts
Язык: English
Размер: 22.86 x 15.24 x 1.55 cm
Читательская аудитория: College/higher education
Ключевые слова: Acoustic & sound engineering,Music recording & reproduction,Theory of music & musicology, MUSIC / Instruction & Study / Composition,MUSIC / Recording & Reproduction,TECHNOLOGY & ENGINEERING / Acoustics & Sound
Подзаголовок: Composition with auditory phantasmatic presence
Рейтинг:
Поставляется из: Англии
Описание: In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the mystifying and evanescent musical territory of sonic phantoms: auditory illusions within the musical material that convey a phantasmatic presence. Structured around a large body of compositional work developed by Ellison over the past decade, sonic phantoms are revealed and illustrated as they arise through a diverse array of musical sources, materials, techniques, and compositional tools: voices (real and synthetic), field recordings, instrument manipulation, object amplification, improvisation, and recording studio techniques. Somehow inherent in all music--and perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery
and elevation. We just need to conjure them.


Sonic Phantoms: Composition with Auditory Phantasmatic Presence

Автор: Barbara Ellison, Thomas Bey William Bailey
Название: Sonic Phantoms: Composition with Auditory Phantasmatic Presence
ISBN: 1501347020 ISBN-13(EAN): 9781501347023
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 116160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

In this book, Barbara Ellison and Thomas B. W. Bailey lay out and explore the
mystifying and evanescent musical territory of 'sonic phantoms': auditory illusions
within the musical material that convey a 'phantasmatic' presence. Structured
around a large body of compositional work developed by Ellison over the past
decade, sonic phantoms are revealed and illustrated as they arise through a
diverse array of musical sources, materials, techniques, and compositional tools:
voices (real and synthetic), field recordings, instrument manipulation, object
amplification, improvisation, and recording studio techniques. Their larger musical
context is also outlined, as sonic phantoms are indeed present in a considerable
number of disparate musical traditions (Western and non-Western), techno-
historical moments (from ancient/archaic to electronic/computer-age techniques),
cultural frameworks (from 'serious' to 'popular'), and fields of interest/expertise
(from the psychological to the musical). Somehow inherent in all music--and
perhaps in all sound--sonic phantoms lurk and stalk with the promise of mystery
and elevation. We just need to conjure them.



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