Music and Belonging Between Revolution and Restoration, Waltham-Smith Naomi
Автор: Lei X. Ouyang Название: Music as Mao`s Weapon: Remembering the Cultural Revolution ISBN: 0252044177 ISBN-13(EAN): 9780252044175 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Нет в наличии. Описание: A Choice Outstanding Academic Title for 2022
China's Cultural Revolution (1966-1976) produced propaganda music that still stirs unease and, at times, evokes nostalgia. Lei X. Ouyang uses selections from revolutionary songbooks to untangle the complex interactions between memory, trauma, and generational imprinting among those who survived the period of extremes. Interviews combine with ethnographic fieldwork and surveys to explore both the Cultural Revolution's effect on those who lived through it as children and contemporary remembrance of the music created to serve the Maoist regime. As Ouyang shows, the weaponization of music served an ideological revolution but also revolutionized the senses. She examines essential questions raised by this phenomenon, including: What did the revolutionization look, sound, and feel like? What does it take for individuals and groups to engage with such music? And what is the impact of such an experience over time?
Perceptive and provocative, Music as Mao's Weapon is an insightful look at the exploitation and manipulation of the arts under authoritarianism.
Автор: Christopher J. Smith Название: Dancing Revolution: Bodies, Space, and Sound in American Cultural History ISBN: 0252042395 ISBN-13(EAN): 9780252042393 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 91960.00 T Наличие на складе: Невозможна поставка. Описание: Throughout American history, patterns of political intent and impact have linked the wide range of dance movements performed in public places. Groups diverse in their cultural or political identities, or in both, long ago seized on street dancing, marches, open-air revival meetings, and theaters, as well as in dance halls and nightclubs, as a tool for contesting, constructing, or reinventing the social order.
Dancing Revolution presents richly diverse case studies to illuminate these patterns of movement and influence in movement and sound in the history of American public life. Christopher J. Smith spans centuries, geographies, and cultural identities as he delves into a wide range of historical moments. These include the God-intoxicated public demonstrations of Shakers and Ghost Dancers in the First and Second Great Awakenings; creolized antebellum dance in cities from New Orleans to Bristol; the modernism and racial integration that imbued twentieth-century African American popular dance; the revolutionary connotations behind images of dance from Josephine Baker to the Marx Brothers; and public movement's contributions to hip hop, antihegemonic protest, and other contemporary transgressive communities' physical expressions of dissent and solidarity.
Multidisciplinary and wide-ranging, Dancing Revolution examines how Americans turned the rhythms of history into the movement behind the movements.
Автор: Skinner, Frederick W. Название: Beethoven in russia ISBN: 0253063043 ISBN-13(EAN): 9780253063045 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 66880.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Автор: Joshua H. Howard Название: Composing for the Revolution: Nie Er and China`s Sonic Nationalism ISBN: 0824892593 ISBN-13(EAN): 9780824892593 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31410.00 T Наличие на складе: Нет в наличии. Описание: Explores the role the songwriter Nie Er played in the 1930s proletarian arts movement and the process by which he became a nationalist icon. Traversing the life and legacy of Nie Er, Joshua Howard offers readers a profound insight into the meanings of nationalism and memory in contemporary China.
Автор: Hallman Diana R., Leal Cйsar A. Название: America in the French Imaginary, 1789-1914: Music, Revolution and Race ISBN: 1783277009 ISBN-13(EAN): 9781783277001 Издательство: Boydell & Brewer Рейтинг: Цена: 232970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Just as America was observed in French literary and political commentary, we find representations of America in French music, dance, and theatre which serve as the focus of this volume.
Автор: Merrick Название: Revolution and Religion in the Music of Liszt ISBN: 0521083516 ISBN-13(EAN): 9780521083515 Издательство: Cambridge Academ Рейтинг: Цена: 49630.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This study of a hitherto neglected aspect of Liszt and his music aims to restore a balanced view of both man and artist. In contrast to the familiar portrayal of the virtuoso pianist, Liszt is considered here as a serious man of ideas.
Автор: Skinner, Frederick W. Название: Beethoven in russia ISBN: 0253063051 ISBN-13(EAN): 9780253063052 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 31770.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How did Ludwig van Beethoven help overthrow a tsarist regime? With the establishment of the Russian Musical Society and its affiliated branches throughout the empire, Beethoven's music reached substantially larger audiences at a time of increasing political instability. In addition, leading music critics of the regime began hearing Beethoven's dramatic works as nothing less than a call to revolution. Beethoven in Russia deftly explores the interface between music and politics in Russia by examining the reception of Beethoven's works from the late 18th century to the present. In part 1, Frederick W. Skinner's clear and sweeping review examines the role of Beethoven's more dramatic works in the revolutionary struggle that culminated in the Revolution of 1917. In part 2, Skinner reveals how this same power was again harnessed to promote Stalin's campaign of rapid industrialization. The appropriation of Beethoven and his music to serve the interests of the state remained the hallmark of Soviet Beethoven reception until the end of communist rule. With interdisciplinary appeal in the areas of history, music, literature, and political thought, Beethoven in Russia shows how Beethoven's music served as a call to action for citizens and weaponized state propaganda in the great political struggles that shaped modern Russian history.
Автор: Abigail Gardner Название: Listening, Belonging, and Memory ISBN: 1501376802 ISBN-13(EAN): 9781501376801 Издательство: Bloomsbury Academic Рейтинг: Цена: 95040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Listening, Belonging, and Memory puts connected listening at the center of current debates around whose voices might be listened to, who by, and why. Arguing that listening has to be understood in relation to the self, nation, age, witnessing, and memory, it uses examples from digital storytelling, listening projects, and critical media analysis to highlight connections between listening and power. It centers on voices, stories, and silence, how they interweave, and are activated, maneuvered, reconfigured, and denied. It focuses on the small, microengagementsthat crouch within the superstructures of violent border control and the censorious policing of sonic citizenry, identifying cracks in the reshuffling of histories and hierarchies that connected listening affords.
Автор: Matt Brennan Название: When Genres Collide: Down Beat, Rolling Stone, and the Struggle between Jazz and Rock ISBN: 1501319027 ISBN-13(EAN): 9781501319020 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In an essay on the future of jazz penned in 1955, Duke Ellington suggested that the new music called rock ‘n’ roll “is the most raucous form of jazz, beyond a doubt.” So why did jazz and rock become separate genres when they shared so many similar musical and cultural characteristics? The rift between jazz and rock - and jazz and rock scholarship - is based on a set of received assumptions as to why jazz and rock are different. In When Genres Collide, Matt Brennan argues that there are other ways popular music history could have been written (and has been written) that call the oppositional representation of jazz and rock into question. The book challenges the traditional divide between jazz and rock by going back to how they were first covered in the two oldest surviving and most influential jazz and rock periodicals: Down Beat and Rolling Stone. It examines afresh the critical moments in history when the trajectories and meanings of jazz and rock intersected, overlapped, or collided in dramatic ways. Ultimately, the book shows how music critics gradually constructed a divide between the two genres that would be replicated for decades to come in both music journalism and music scholarship. This book will be valuable to the fields of both popular music studies and jazz studies, and in fact aims to bridge a gap between these two musical worlds.
Автор: Higgins Kathleen Marie Название: The Music Between Us: Is Music a Universal Language? ISBN: 022614285X ISBN-13(EAN): 9780226142852 Издательство: Wiley Рейтинг: Цена: 26400.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Music plays an important role in our lives, bringing us closer to one another. The author investigates this role, examining the features of human perception that enable music`s uncanny ability to provoke, despite its myriad forms across continents and throughout centuries, the sense of a shared human experience.
Автор: Raba, Boguslaw Название: Between romanticism and modernism ISBN: 3631662157 ISBN-13(EAN): 9783631662151 Издательство: Peter Lang Рейтинг: Цена: 81430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first monograph on the Polish composer Ignacy Jan Paderewski (1860–1941). It aspires to be part of the process of restoring his compositional legacy to European musical culture. Reinterpreting the legend surrounding the great Pole, the study is based on Paderewskis works that are listed in the Paderewski catalogue, but also includes sketches, unfinished pieces and student exercises. Raba’s analysis and interpretation of the composer’s work is carried out in formal-structural, stylistic-critical and aesthetic contexts, revising the image of the composer, that has been distorted in the historical reception of his ?uvre.
Автор: Fifield, Christopher Название: German symphony between beethoven and brahms ISBN: 1409452883 ISBN-13(EAN): 9781409452881 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: It was Carl Dahlhaus who coined the phrase 'dead time' to describe the state of the symphony between Schumann and Brahms. Christopher Fifield argues that many of the symphonies dismissed by Dahlhaus made worthy contributions to the genre. He traces the root of the problem further back to Beethoven's ninth symphony, a work which then proceeded to intimidate symphonists who followed in its composer's footsteps, including Schubert, Mendelssohn and Schumann. In 1824 Beethoven set a standard that then had to rise in response to more demanding expectations from both audiences and the musical press. Christopher Fifield, who has a conductor's intimacy with the repertory, looks in turn at the five decades between the mid-1820s and mid-1870s. He deals only with non-programmatic works, leaving the programme symphony to travel its own route to the symphonic poem. Composers who lead to Brahms (himself a reluctant symphonist until the age of 43 in 1876) are frequently dismissed as epigones of Beethoven, Mendelssohn and Schumann but by investigating their symphonies, Fifield reveals their respective brands of originality, even their own possible influence upon Brahms himself and in so doing, shines a light into a half-century of neglected nineteenth century German symphonic music.
Казахстан, 010000 г. Астана, проспект Туран 43/5, НП2 (офис 2) ТОО "Логобук" Тел:+7 707 857-29-98 ,+7(7172) 65-23-70 www.logobook.kz
