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Poetic Song Verse: Blues-Based Popular Music and Poetry, Mattison Mike, Suarez Ernest


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Автор: Mattison Mike, Suarez Ernest
Название:  Poetic Song Verse: Blues-Based Popular Music and Poetry
ISBN: 9781496837271
Издательство: Mare Nostrum (Eurospan)
Классификация:



ISBN-10: 1496837274
Обложка/Формат: Hardback
Страницы: 212
Вес: 0.54 кг.
Дата издания: 30.11.2021
Язык: English
Иллюстрации: 2 b&w illustrations
Размер: 22.86 x 15.24 x 1.47 cm
Ключевые слова: Literary studies: poetry & poets,Music reviews & criticism,Musical scores, lyrics & libretti,Popular culture, LITERARY CRITICISM / Poetry,MUSIC / History & Criticism,MUSIC / Lyrics,SOCIAL SCIENCE / Popular Culture
Подзаголовок: Blues-based popular music and poetry
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Поставляется из: Англии
Описание: Poetic Song Verse: Blues-Based Popular Music and Poetry invokes and critiques the relationship between blues-based popular music and poetry in the twentieth and twenty-first centuries. The volume is anchored in music from the 1960s, when a concentration of artists transformed modes of popular music from entertainment to art-that-entertains. Musician Mike Mattison and literary historian Ernest Suarez synthesize a wide range of writing about blues and rock—biographies, histories, articles in popular magazines, personal reminiscences, and a selective smattering of academic studies—to examine the development of a relatively new literary genre dubbed by the authors as poetic song verse. They argue that poetic song verse was nurtured in the fifties and early sixties by the blues and in Beat coffee houses, and matured in the mid-to-late sixties in the art of Bob Dylan, the Beatles, the Rolling Stones, the Doors, Jimi Hendrix, Joni Mitchell, Leonard Cohen, Gil Scott-Heron, Van Morrison, and others who used voice, instrumentation, arrangement, and production to foreground semantically textured, often allusive, and evocative lyrics that resembled and engaged poetry.Among the questions asked in Poetic Song Verse are: What, exactly, is this new genre? What were its origins? And how has it developed? How do we study and assess it? To answer these questions, Mattison and Suarez engage in an extended discussion of the roots of the relationship between blues-based music and poetry and address how it developed into a distinct literary genre. Unlocking the combination of richly textured lyrics wedded to recorded music reveals a dynamism at the core of poetic song verse that can often go unrealized in what often has been considered merely popular entertainment. This volume balances historical details and analysis of particular songs with accessibility to create a lively, intelligent, and cohesive narrative that provides scholars, teachers, students, music influencers, and devoted fans with an overarching perspective on the poetic power and blues roots of this new literary genre.
Дополнительное описание: Literary studies: poetry and poets|Musical scores, lyrics and libretti|Music reviews and criticism|Popular culture


Poetic Edda

Автор: Crawford Jackson
Название: Poetic Edda
ISBN: 1624663567 ISBN-13(EAN): 9781624663567
Издательство: Gazelle Book Services
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Цена: 25730.00 T
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Описание: "The poems of the Poetic Edda have waited a long time for a Modern English translation that would do them justice. Here it is at last (Odin be praised!) and well worth the wait. These amazing texts from a 13th-century Icelandic manuscript are of huge historical, mythological and literary importance, containing the lions share of information that survives today about the gods and heroes of pre-Christian Scandinavians, their unique vision of the beginning and end of the world, etc. Jackson Crawfords modern versions of these poems are authoritative and fluent and often very gripping. With their individual headnotes and complementary general introduction, they supply todays readers with most of what they need to know in order to understand and appreciate the beliefs, motivations, and values of the Vikings." --Dick Ringler, Professor Emeritus of English and Scandinavian Studies at the University of Wisconsin--Madison

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870

Автор: David Kunzle
Название: Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870
ISBN: 1496833996 ISBN-13(EAN): 9781496833990
Издательство: Mare Nostrum (Eurospan)
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Цена: 75240.00 T
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Описание: Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a ""rebirth"" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-T?pffer comic strip sparks to life in Britain,, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once, in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist.

The Origins of Comics: From William Hogarth to Winsor McCay

Автор: Smolderen Thierry
Название: The Origins of Comics: From William Hogarth to Winsor McCay
ISBN: 1617031496 ISBN-13(EAN): 9781617031496
Издательство: Mare Nostrum (Eurospan)
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Цена: 51750.00 T
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Описание: Thierry Smolderen presents a cultural landscape whose narrative differs in many ways from those presented by other historians of the comic strip. Rather than beginning his inquiry with the popularly accepted "sequential art" definition of the comic strip, Smolderen instead wishes to engage with the historical dimensions that inform that definition.

Evolution and Victorian Culture

Автор: Lightman Bernard V
Название: Evolution and Victorian Culture
ISBN: 1316646785 ISBN-13(EAN): 9781316646786
Издательство: Cambridge Academ
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Цена: 33790.00 T
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Описание: This is the first collection of essays to assess the dynamic interplay between evolution and Victorian culture, mapping new relationships between the arts and sciences. Interdisciplinary and broad-ranging, it explores the relationship of evolution to painting, sculpture, dance, music, fiction, poetry, cinema, architecture, theatre, photography, museums, exhibitions and popular culture.

Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities

Автор: Javon Johnson
Название: Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities
ISBN: 0813580021 ISBN-13(EAN): 9780813580029
Издательство: Mare Nostrum (Eurospan)
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Цена: 125400.00 T
Наличие на складе: Невозможна поставка.
Описание: Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.   In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.  Killing Poetry-at times autobiographical, poetic, and journalistic-analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve. 

Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities

Автор: Javon Johnson
Название: Killing Poetry: Blackness and the Making of Slam and Spoken Word Communities
ISBN: 0813580013 ISBN-13(EAN): 9780813580012
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 25040.00 T
Наличие на складе: Невозможна поставка.
Описание: Winner of the 2019 Lilla A. Heston Award Co-winner of the 2018 Ethnography Division’s Best Book from the NCA In recent decades, poetry slams and the spoken word artists who compete in them have sparked a resurgent fascination with the world of poetry. However, there is little critical dialogue that fully engages with the cultural complexities present in slam and spoken word poetry communities, as well as their ramifications.   In Killing Poetry, renowned slam poet, Javon Johnson unpacks some of the complicated issues that comprise performance poetry spaces. He argues that the truly radical potential in slam and spoken word communities lies not just in proving literary worth, speaking back to power, or even in altering power structures, but instead in imagining and working towards altogether different social relationships. His illuminating ethnography provides a critical history of the slam, contextualizes contemporary black poets in larger black literary traditions, and does away with the notion that poetry slams are inherently radically democratic and utopic.  Killing Poetry-at times autobiographical, poetic, and journalistic-analyzes the masculine posturing in the Southern California community in particular, the sexual assault in the national community, and the ways in which related social media inadvertently replicate many of the same white supremacist, patriarchal, and mainstream logics so many spoken word poets seem to be working against. Throughout, Johnson examines the promises and problems within slam and spoken word, while illustrating how community is made and remade in hopes of eventually creating the radical spaces so many of these poets strive to achieve. 

How Did Poetry Survive?: The Making of Modern American Verse

Автор: John Timberman Newcomb
Название: How Did Poetry Survive?: The Making of Modern American Verse
ISBN: 025207968X ISBN-13(EAN): 9780252079689
Издательство: Wiley EDC
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Цена: 33170.00 T
Наличие на складе: Невозможна поставка.
Описание:

This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.

 

How Did Poetry Survive?: The Making of Modern American Verse

Автор: John Timberman Newcomb
Название: How Did Poetry Survive?: The Making of Modern American Verse
ISBN: 0252036794 ISBN-13(EAN): 9780252036798
Издательство: Wiley EDC
Рейтинг:
Цена: 117830.00 T
Наличие на складе: Невозможна поставка.
Описание:

This book traces the emergence of modern American poetry at the turn of the nineteenth century. With a particular focus on four "little magazines"--Poetry, The Masses, Others, and The Seven Arts--John Timberman Newcomb shows how each advanced ambitious agendas combining urban subjects, stylistic experimentation, and progressive social ideals. While subsequent literary history has favored the poets whose work made them distinct--individuals singled out usually on the basis of a novel technique--Newcomb provides a denser, richer view of the history that hundreds of poets made.

 

Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality

Автор: Robert J. Patterson
Название: Destructive Desires: Rhythm and Blues Culture and the Politics of Racial Equality
ISBN: 1978803591 ISBN-13(EAN): 9781978803596
Издательство: Mare Nostrum (Eurospan)
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Цена: 86070.00 T
Наличие на складе: Невозможна поставка.
Описание: Despite rhythm and blues culture’s undeniable role in molding, reflecting, and reshaping black cultural production, consciousness, and politics, it has yet to receive the serious scholarly examination it deserves. Destructive Desires corrects this omission by analyzing how post-Civil Rights era rhythm and blues culture articulates competing and conflicting political, social, familial, and economic desires within and for African American communities. As an important form of black cultural production, rhythm and blues music helps us to understand black political and cultural desires and longings in light of neo-liberalism’s increased codification in America’s racial politics and policies since the 1970s. Robert J. Patterson provides a thorough analysis of four artists-Kenneth “Babyface” Edmonds, Adina Howard, Whitney Houston, and Toni Braxton-to examine black cultural longings by demonstrating how our reading of specific moments in their lives, careers, and performances serve as metacommentaries for broader issues in black culture and politics.

Sing to Victory!: Song in Soviet Society During World War II

Автор: Ament Suzanne
Название: Sing to Victory!: Song in Soviet Society During World War II
ISBN: 1618118390 ISBN-13(EAN): 9781618118394
Издательство: Mare Nostrum (Eurospan)
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Цена: 96090.00 T
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Описание: Depicts the relationship between song and society during WWII in the USSR. Chapter topics range from the creation and distribution of the songs to how the public received and shaped them. The body of song that came out of that era created a true cultural legacy.

English Alliterative Verse: Poetic Tradition and Literary History

Автор: Eric Weiskott
Название: English Alliterative Verse: Poetic Tradition and Literary History
ISBN: 1316620700 ISBN-13(EAN): 9781316620700
Издательство: Cambridge Academ
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Цена: 32730.00 T
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Описание: This revisionary account of the 900-year-long history of a major poetic tradition sheds new light on poems from Beowulf to Piers Plowman and Sir Gawain and the Green Knight, and challenges the idea that the alliterative tradition falls into two halves divided by the Norman Conquest.

A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial

Автор: Garabedian Steven P.
Название: A Sound History: Lawrence Gellert, Black Musical Protest, and White Denial
ISBN: 1625345305 ISBN-13(EAN): 9781625345301
Издательство: Mare Nostrum (Eurospan)
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Цена: 27550.00 T
Наличие на складе: Нет в наличии.
Описание: Lawrence Gellert has long been a mysterious figure in American folk and blues studies, gaining prominence in the left-wing folk revival of the 1930s for his fieldwork in the U.S. South. A "lean, straggly-haired New Yorker," as Time magazine called him, Gellert was an independent music collector, without formal training, credentials, or affiliation. At a time of institutionalized suppression, he worked to introduce white audiences to a tradition of black musical protest that had been denied and overlooked by prior white collectors.By the folk and blues revival of the 1960s, however, when his work would again seem apt in the context of the civil rights movement, Gellert and his collection of Negro Songs of Protest were a conspicuous absence. A few leading figures in the revival defamed Gellert as a fraud, dismissing his archive of black vernacular protest as a fabrication -- an example of left-wing propaganda and white interference. A Sound History is the story of an individual life, an excavation of African American musical resistance and dominant white historiography, and a cultural history of radical possibility and reversal in the defining middle decades of the U.S. twentieth century.


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