Sport and the Emancipation of European Women: the Struggle for Self-fulfilment explores the contributions of European women to the emancipation of women worldwide. It expands understanding of the need for their attitudes and actions and celebrates their achievements in freeing the female body from unwarranted political, cultural and social restraint in the courageous pursuit of the Enlightenment 's ' secular value system: 'the unity of mankind and basic personal freedoms and {a} world of tolerance, knowledge, education and opportunity' (from Roy Porter, Enlightenment: Britain and the Creation of the Modern World, 2004).
The Collection records the pulling down of European barriers via sport to women's realisation of ability and release of talent and their conquest of crushing inhibitions, inexcusable irrationality, intolerable prejudice and denial of opportunity: no barriers came down without confrontation.
The struggle to overthrow prejudice set for the first time in the context of recent European history and the recent evolution of European sport, is described in this pioneering Collection. It is the firstpublication to focus specifically on European women and their struggle for emancipation via sport.
This book was published as a special issue of the International Journal of the History of Sport.
Автор: Mazierska, Ewa Название: From Self-Fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present ISBN: 1782384863 ISBN-13(EAN): 9781782384861 Издательство: Berghahn Рейтинг: Цена: 113250.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Contrary to the assumption that Western and Eastern European economies and cinemas were very different from each other, they actually had much in common. After the Second World War both the East and the West adopted a mixed system, containing elements of both socialism and capitalism, and from the 1980s on the whole of Europe, albeit at an uneven speed, followed the neoliberal agenda. This book examines how the economic systems of the East and West impacted labor by focusing on the representation of work in European cinema. Using a Marxist perspective, it compares the situation of workers in Western and Eastern Europe as represented in both auteurist and popular films, including those of Tony Richardson, Lindsay Anderson, Jean-Luc Godard, Andrzej Wajda, DušanMakavejev, Jerzy Skolimowski, the Dardenne Brothers, Ulrich Seidl and many others.
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