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The Dancing God: Staging Hindu Dance in Australia, Sarwal Amit


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Автор: Sarwal Amit
Название:  The Dancing God: Staging Hindu Dance in Australia
ISBN: 9781032085975
Издательство: Taylor&Francis
Классификация:




ISBN-10: 1032085975
Обложка/Формат: Paperback
Страницы: 168
Вес: 0.31 кг.
Дата издания: 30.06.2021
Язык: English
Иллюстрации: 41 illustrations, black and white
Размер: 21.59 x 13.97 x 0.91 cm
Читательская аудитория: General (us: trade)
Подзаголовок: Staging hindu dance in australia
Ссылка на Издательство: Link
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Поставляется из: Европейский союз
Описание: The Dancing God charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. Ideal for anyone with an interest in global dance, this is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

Shaping the Landscape: Celebrating Dance in Australia

Автор: Burridge Stephanie, Dyson Julie
Название: Shaping the Landscape: Celebrating Dance in Australia
ISBN: 1138660086 ISBN-13(EAN): 9781138660083
Издательство: Taylor&Francis
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Цена: 51030.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book explores the current dance scene in Australia from a wide perspective that mirrors the creative engagement of artists with Australian culture and landscape.

Labor and Aesthetics in European Contemporary Dance: Dancing Precarity

Автор: Van Assche Annelies
Название: Labor and Aesthetics in European Contemporary Dance: Dancing Precarity
ISBN: 303040692X ISBN-13(EAN): 9783030406929
Издательство: Springer
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Цена: 93160.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This transdisciplinary study scientifically reports the way the established contemporary dance sector in Europe operates from a micro-perspective.

Dancing god

Автор: Sarwal, Amit
Название: Dancing god
ISBN: 0367266008 ISBN-13(EAN): 9780367266004
Издательство: Taylor&Francis
Рейтинг:
Цена: 53070.00 T
Наличие на складе: Невозможна поставка.
Описание: The Dancing God charts the sensational and historic journey of de-provincialising and popularising Hindu dance in Australia. Ideal for anyone with an interest in global dance, this is an in-depth study of how a unique dance form evolved in the meeting of travellers and cultures.

Cultural Dance in Australia

Автор: Mollenhauer
Название: Cultural Dance in Australia
ISBN: 9811958998 ISBN-13(EAN): 9789811958991
Издательство: Springer
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Цена: 121110.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book draws on theories of aesthetics, post-colonialism, multiculturalism and transnationalism to explore salient aspects of perpetuating traditional dance customs in diaspora.

Improvised dance

Автор: Wait, Nalina (australian College Of Physical Education, Australia)
Название: Improvised dance
ISBN: 1032438282 ISBN-13(EAN): 9781032438283
Издательство: Taylor&Francis
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Цена: 37760.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: This book elucidates the technical aspects of improvised dance performance and reframes the notion of labour in the practice from one that is either based on compositionally formal logic or a mysterious impulse, to one that addresses the (in)corporeal dimensions of practice.

Shaping the Landscape

Автор: Burridge
Название: Shaping the Landscape
ISBN: 0415699843 ISBN-13(EAN): 9780415699846
Издательство: Taylor&Francis
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Цена: 148010.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: The book explores the current dance scene in Australia from a wide perspective that mirrors the creative engagement of artists with Australian culture and landscape.

Dancing with the Revolution: Power, Politics, and Privilege in Cuba

Автор: Elizabeth B. Schwall
Название: Dancing with the Revolution: Power, Politics, and Privilege in Cuba
ISBN: 1469662973 ISBN-13(EAN): 9781469662978
Издательство: Mare Nostrum (Eurospan)
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Цена: 29220.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.

As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.

Dancing with the Revolution: Power, Politics, and Privilege in Cuba

Автор: Elizabeth B. Schwall
Название: Dancing with the Revolution: Power, Politics, and Privilege in Cuba
ISBN: 1469662965 ISBN-13(EAN): 9781469662961
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 79420.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Elizabeth B. Schwall aligns culture and politics by focusing on an art form that became a darling of the Cuban revolution: dance. In this history of staged performance in ballet, modern dance, and folkloric dance, Schwall analyzes how and why dance artists interacted with republican and, later, revolutionary politics. Drawing on written and visual archives, including intriguing exchanges between dancers and bureaucrats, Schwall argues that Cubans dancers used their bodies and ephemeral, nonverbal choreography to support and critique political regimes and cultural biases.

As esteemed artists, Cuban dancers exercised considerable power and influence. They often used their art to posit more radical notions of social justice than political leaders were able or willing to implement. After 1959, while generally promoting revolutionary projects like mass education and internationalist solidarity, they also took risks by challenging racial prejudice, gender norms, and censorship, all of which could affect dancers personally. On a broader level, Schwall shows that dance, too often overlooked in histories of Latin America and the Caribbean, provides fresh perspectives on what it means for people, and nations, to move through the world.

Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance

Автор: Stanger Arabella
Название: Dancing on Violent Ground: Utopia as Dispossession in Euro-American Theater Dance
ISBN: 0810144085 ISBN-13(EAN): 9780810144088
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 31770.00 T
Наличие на складе: Невозможна поставка.
Описание: The politics of theater dance is commonly theorized in relation to bodily freedom, resistance, agitation, or repair. This book questions those utopian imaginaries, arguing that the visions and sensations of canonical Euro-American choreographies carry hidden forms of racial violence, not in the sense of the physical or psychological traumas arising in the practice of these arts, but through the histories of social domination that materially underwrite them.Developing a new theory of choreographic space, Arabella Stanger shows how embodied forms of hope promised in ballet and progressive dance modernisms conceal and depend on spatial operations of imperial, colonial, and racial subjection. Stanger unearths dance’s violent ground by interrogating the expansionist fantasies of Marius Petipa’s imperial ballet, settler colonial and corporate land practices in the modern dance of Martha Graham and George Balanchine, reactionary discourses of the human in Rudolf von Laban’s and Oskar Schlemmer’s movement geometries; Merce Cunningham’s experimentalism as a white settler fantasy of the land of the free, and the imperial amnesia of Boris Charmatz’s interventions into metropolitan museums. Drawing on materialist thought, critical race theory, and indigenous studies, Stanger ultimately advocates for dance studies to adopt a position of “critical negativity,” an analytical attitude attuned to how dance’s exuberant modeling of certain forms of life might provide cover for life negating practices. Bold in its arguments and rigorous in its critique, Dancing on Violent Ground asks how performance scholars can develop a practice of thinking hopefully, without expunging history from their site of analysis.

Choreographing Mexico: Festive Performances and Dancing Histories of a Nation

Автор: Manuel R. Cuellar
Название: Choreographing Mexico: Festive Performances and Dancing Histories of a Nation
ISBN: 1477325166 ISBN-13(EAN): 9781477325162
Издательство: Mare Nostrum (Eurospan)
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Цена: 37620.00 T
Наличие на складе: Нет в наличии.
Описание:

The years between 1910 and 1940 were formative for Mexico, with the ouster of Porfirio Díaz, the subsequent revolution, and the creation of the new state. Amid the upheaval, Mexican dance emerged as a key arena of contestation regarding what it meant to be Mexican. Through an analysis of written, photographic, choreographic, and cinematographic renderings of a festive Mexico, Choreographing Mexico examines how bodies in motion both performed and critiqued the nation.

Manuel Cuellar details the integration of Indigenous and regional dance styles into centennial celebrations, civic festivals, and popular films. Much of the time, this was a top-down affair, with cultural elites seeking to legitimate a hegemonic national character by incorporating traces of indigeneity. Yet dancers also used their moving bodies to challenge the official image of a Mexico full of manly vigor and free from racial and ethnic divisions. At home and abroad, dancers made nuanced articulations of female, Indigenous, Black, and even queer renditions of the nation. Cuellar reminds us of the ongoing political significance of movement and embodied experience, as folklórico maintains an important and still-contested place in Mexican and Mexican American identity today.


Dancing Spirit, Love, and War: Performing the Translocal Realities of Contemporary Fiji

Автор: Evadne Kelly
Название: Dancing Spirit, Love, and War: Performing the Translocal Realities of Contemporary Fiji
ISBN: 0299322041 ISBN-13(EAN): 9780299322045
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 22530.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Meke, a traditional rhythmic dance accompanied by singing, signifies an important piece of identity for Fijians. Despite its complicated history of colonialism, racism, censorship, and religious conflict, meke remained a vital part of artistic expression and culture. Evadne Kelly performs close readings of the dance in relation to an evolving landscape, following the postcolonial reclamation that provided dancers with political agency and a strong sense of community that connected and fractured Fijians worldwide.Through extensive archival and ethnographic fieldwork in both Fiji and Canada, Kelly offers key insights into an underrepresented dance form, region, and culture. Her perceptive analysis of meke will be of interest in dance studies, postcolonial and Indigenous studies, anthropology and performance ethnography, and Pacific Island studies.

Dancing on Violent Ground: Utopia As Dispossession in Euro-American Theater Dance

Автор: Arabella Stanger
Название: Dancing on Violent Ground: Utopia As Dispossession in Euro-American Theater Dance
ISBN: 0810144093 ISBN-13(EAN): 9780810144095
Издательство: Mare Nostrum (Eurospan)
Рейтинг:
Цена: 83560.00 T
Наличие на складе: Нет в наличии.
Описание: The politics of theater dance is commonly theorized in relation to bodily freedom, resistance, agitation, or repair. This book questions those utopian imaginaries, arguing that the visions and sensations of canonical Euro-American choreographies carry hidden forms of racial violence, not in the sense of the physical or psychological traumas arising in the practice of these arts, but through the histories of social domination that materially underwrite them.

Developing a new theory of choreographic space, Arabella Stanger shows how embodied forms of hope promised in ballet and progressive dance modernisms conceal and depend on spatial operations of imperial, colonial, and racial subjection. Stanger unearths dance’s violent ground by interrogating the expansionist fantasies of Marius Petipa’s imperial ballet, settler colonial and corporate land practices in the modern dance of Martha Graham and George Balanchine, reactionary discourses of the human in Rudolf von Laban’s and Oskar Schlemmer’s movement geometries; Merce Cunningham’s experimentalism as a white settler fantasy of the land of the free, and the imperial amnesia of Boris Charmatz’s interventions into metropolitan museums. Drawing on materialist thought, critical race theory, and indigenous studies, Stanger ultimately advocates for dance studies to adopt a position of “critical negativity,” an analytical attitude attuned to how dance’s exuberant modeling of certain forms of life might provide cover for life negating practices. Bold in its arguments and rigorous in its critique, Dancing on Violent Ground asks how performance scholars can develop a practice of thinking hopefully, without expunging history from their site of analysis.


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