Автор: Palmer, R. Barton (clemson University, Usa) Название: Screen adaptations: to kill a mockingbird ISBN: 0713679115 ISBN-13(EAN): 9780713679113 Издательство: Bloomsbury Рейтинг: Цена: 18800.00 T Наличие на складе: Нет в наличии. Описание: A close study of the relationship between text and film versions of To Kill a Mocking Bird. Literature and film studies students will find plenty of material to support their courses and essay writing on how the film versions provide different readings of the original text.
Автор: Dominic Lennard, Murray Pomerance, R. Barton Palmer Название: The Other Hollywood Renaissance ISBN: 147444265X ISBN-13(EAN): 9781474442657 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Нет в наличии. Описание: The collapse of the classic Hollywood studio system in the late 1960s led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema and reflecting a new self-conscious in the US about the national film patrimony. This period is known as the Hollywood Renaissance - but is known largely through its so-called principal auteurs, with the relegation to increasing oblivion of those other creative voices that emerged during a period that both permitted and encouraged an American art cinema. This book provides a revisionist account of this period by discussing (and thus memorialising) 24 directors of note who have not yet been given a proper place in the larger history of the period. As we approach the 50 year anniversary of the advent of the Hollywood Renaissance (which we can conveniently date with the release of Arthur Penn’s Bonnie and Clyde in September 1967 and the evaluative crisis it posed to the critical establishment), this more expansive approach to the auteurism of the period seems not only appropriate, but pressing - a necessary element of the re-evaluation of "Hollywood" with which cinema studies has been preoccupied under the challenge posed by the emergence and flourishing of other media.
Автор: Dominic Lennard, Murray Pomerance, R. Barton Palmer Название: The Other Hollywood Renaissance ISBN: 1474442676 ISBN-13(EAN): 9781474442671 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Нет в наличии. Описание: The collapse of the classic Hollywood studio system in the late 1960s led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema and reflecting a new self-conscious in the US about the national film patrimony. This period is known as the Hollywood Renaissance - but is known largely through its so-called principal auteurs, with the relegation to increasing oblivion of those other creative voices that emerged during a period that both permitted and encouraged an American art cinema. This book provides a revisionist account of this period by discussing (and thus memorialising) 24 directors of note who have not yet been given a proper place in the larger history of the period. As we approach the 50 year anniversary of the advent of the Hollywood Renaissance (which we can conveniently date with the release of Arthur Penn’s Bonnie and Clyde in September 1967 and the evaluative crisis it posed to the critical establishment), this more expansive approach to the auteurism of the period seems not only appropriate, but pressing - a necessary element of the re-evaluation of "Hollywood" with which cinema studies has been preoccupied under the challenge posed by the emergence and flourishing of other media.
Автор: Lennard Dominic, Palmer R. Barton, Pomerance Murray Название: The Other Hollywood Renaissance ISBN: 1474442641 ISBN-13(EAN): 9781474442640 Издательство: Bloomsbury Academic Рейтинг: Цена: 105600.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In the late 1960s, the collapse of the classic Hollywood studio system led in part, and for less than a decade, to a production trend heavily influenced by the international art cinema. Reflecting a new self-consciousness in the US about the national film patrimony, this period is known as the Hollywood Renaissance. However, critical study of the period is generally associated with its so-called principal auteurs, slighting a number of established and emerging directors who were responsible for many of the era’s most innovative and artistically successful releases.
With contributions from leading film scholars, this book provides a revisionist account of this creative resurgence by discussing and memorializing twenty-four directors of note who have not yet been given a proper place in the larger history of the period. Including filmmakers such as Hal Ashby, John Frankenheimer, Mike Nichols, and Joan Micklin Silver, this more expansive approach to the auteurism of the late 1960s and 1970s seems not only appropriate but pressing — a necessary element of the re-evaluation of 'Hollywood' with which cinema studies has been preoccupied under the challenges posed by the emergence and flourishing of new media.
Автор: R. Barton Palmer Название: Adaptation and Literary Cinema: 1959-72 ISBN: 162892487X ISBN-13(EAN): 9781628924879 Издательство: Bloomsbury Academic Рейтинг: Цена: 84480.00 T Наличие на складе: Невозможна поставка. Описание: Since the general entertainment model pioneered during the classic studio failed to continue to attract audiences sufficient to sustain the industry, niche production was the answer. Literary sources, screened in a fashion that emphasized their literariness, constituted one (if not the only) successful response of the industry to these changed conditions. Internationally-acclaimed scholar Barton Palmer illuminates the role played by adaptation in furthering a number of related cycles or more diffuse trends that were of central importance to the national cinemas in each case. During the 1960s, the 'Angry Young Men' movement in literature inspired its cinematic other in the British New Wave, while small-budget productions with adult subjects, as well as films modeled closely on the international art cinema.
Adaptation and Literary Cinema is not on the adaptations themselves, but rather on the ways in which adaptation during this culturally turbulent era served two different but connected cinemas.Offering insights into the complex production histories of more than 40 key, if often underappreciated, texts through the discussion of relevant archival materials that identify the shaping pressures in each project. These films include Night of the Iguana, Who's Afraid of Virginia Woolf?, Toys in the Attic, The Dark at the Top of the Stairs, Nothing but a Man, Mickey, The Hustler, Up the Down Staircase, Life at the Top, Darling, Morgan!, All Fall Down, The Collector, The Hill, The Magus, The Loved One, The Fox, The Sterile Cuckoo, The Spy Who Came in from the Cold, The Ipcress File, Lord Jim, and King Rat.
Автор: R. Barton Palmer Название: Adaptation and Literary Cinema: 1959-72 ISBN: 162892733X ISBN-13(EAN): 9781628927337 Издательство: Bloomsbury Academic Рейтинг: Цена: 21110.00 T Наличие на складе: Невозможна поставка. Описание: Since the general entertainment model pioneered during the classic studio failed to continue to attract audiences sufficient to sustain the industry, niche production was the answer. Literary sources, screened in a fashion that emphasized their literariness, constituted one (if not the only) successful response of the industry to these changed conditions. Internationally-acclaimed scholar Barton Palmer illuminates the role played by adaptation in furthering a number of related cycles or more diffuse trends that were of central importance to the national cinemas in each case. During the 1960s, the 'Angry Young Men' movement in literature inspired its cinematic other in the British New Wave, while small-budget productions with adult subjects, as well as films modeled closely on the international art cinema.
Adaptation and Literary Cinema is not on the adaptations themselves, but rather on the ways in which adaptation during this culturally turbulent era served two different but connected cinemas.Offering insights into the complex production histories of more than 40 key, if often underappreciated, texts through the discussion of relevant archival materials that identify the shaping pressures in each project. These films include Night of the Iguana, Who's Afraid of Virginia Woolf?, Toys in the Attic, The Dark at the Top of the Stairs, Nothing but a Man, Mickey, The Hustler, Up the Down Staircase, Life at the Top, Darling, Morgan!, All Fall Down, The Collector, The Hill, The Magus, The Loved One, The Fox, The Sterile Cuckoo, The Spy Who Came in from the Cold, The Ipcress File, Lord Jim, and King Rat.
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