Автор: De Cominges, John Crawford Richards, Tim Название: Brazilian piano collection ISBN: 1847613373 ISBN-13(EAN): 9781847613370 Издательство: Неизвестно Рейтинг: Цена: 21170.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: * Everything you need to know about Jewish food, whether planning an elaborate dinner party or a simple brunch with friends * Packed with beautifully illustrated recipes - from appetisers to desserts - with step-by-step instructions for perfect results * Highly informative reference section covers all aspects of Jewish food and cooking, including the laws of Kashrut
Автор: De Cominges, John Crawford Richards, Tim Название: Exploring latin piano ISBN: 1847611354 ISBN-13(EAN): 9781847611352 Издательство: Неизвестно Рейтинг: Цена: 34310.00 T Наличие на складе: Невозможна поставка. Описание: Boeing 727 pilot Scott McKay discovers a strange crate in the cargo hold little suspecting that it carries a thermo-nuclear bomb. Who is responsible? Can it be disposed of before it detonates? The clock has started ticking...From the author of `Pandora`s Clock` a gripping thriller, of the Tom Clancy genre. Previously announced in March `98 Guide. Publisher has raised the stakes on this one and will promote heavily.
Автор: Richards, Tim Название: Exploring jazz piano book 1 online ISBN: 1847615066 ISBN-13(EAN): 9781847615060 Издательство: Неизвестно Рейтинг: Цена: 45970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The Wilton House sculptures constituted one of the largest and most celebrated collections of ancient art in Europe, formed around the late 1710s and 1720s by Thomas Herbert, the eccentric 8th Earl of Pembroke. Lavishly illustrated with specially commissioned photographs, this catalogue offers the first comprehensive publication of the collection.
Автор: Richards, Tim Название: Beginning jazz piano 1 ISBN: 3795722829 ISBN-13(EAN): 9783795722821 Издательство: Неизвестно Рейтинг: Цена: 25740.00 T Наличие на складе: Невозможна поставка. Описание: The book discusses the political dramas of Samuel Beckett, Harold Pinter and Tom Stoppard regarding their employment of the two critical terms used in its title. It provides a new look at the output of the artists in reference to the employment of the grotesque, justifying their classification together with the East European absurdist playwrights.
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