Sublime Surrender: Male Masochism at the Fin-de-Si Cle, Stewart Suzanne R.

Автор: Sonnier Suzanne
Название: Martha Stewart: In Her Own Words
ISBN: 1572842881 ISBN-13(EAN): 9781572842885
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Цена: 11910.00 T
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Описание: A collection of more than 300 quotes from Martha Stewart, businesswoman, writer, and lifestyle guru. Part of the In Their Own Words series.

Автор: Dickson, Bryan Groarke, Carmody Duffy, Patrick Hardingham, Samantha Houston, Mel Nys, Rik Olcayto, Rory Reid, Suzanne Stewart, Sally
Название: Carmody groarke / charles rennie mackintosh
ISBN: 3960989938 ISBN-13(EAN): 9783960989936
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An affordable introduction to a Scottish modern masterpiece of residential design

Charles Rennie Mackintosh's (1868-1928) residential masterpiece, Hill House was designed and built for the publisher Walter Blackie between 1902 and 1904. Mackintosh and his wife Margaret created everything from the building itself to the furniture and textiles within.
A prominent example of the Modern Style (British Art Nouveau), this iconic building was suffering prolonged decay from more than a century of weather damage. London-based architectural practice Carmody Groarke has built an innovative stainless steel chainmail mesh known as "The Box," to temporarily encase Hill House. This structure is intended to halt the decay of Hill House while maintaining access for visitors and providing time for the restoration of this gem in Scotland's architectural heritage.

Автор: Stewart Suzanne R.
Название: Sublime Surrender: Male Masochism at the Fin-de-Si Cle
ISBN: 0801484502 ISBN-13(EAN): 9780801484506
Издательство: Wiley EDC
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When Heinrich Heine left his sick bed in 1848 and stumbled to the Louvre to fall before a statue of the goddess of beauty and lie in the pitying, cold glance she seemed to cast on his prostrate body, he defined a recurring motif of the second half of the nineteenth century, according to Suzanne R. Stewart. Directing her attention to the voice of the shriveled male body at beauty's feet, she investigates the discourse by and about men that took hold in the German-speaking world between 1870 and 1940 and that articulated masculinity as and through its own marginalization. Male masochism, she suggests, was a rhetorical strategy through which men asserted their cultural and political authority paradoxically by embracing the notion that they were (and always had been) wounded and suffering.

Stewart demonstrates and develops her contentions through close readings of the work of Leopold von Sacher-Masoch, Richard Wagner, and Sigmund Freud, in each case showing that the very act through which men sacrificed themselves to women comprised the essence of the new male subject "deeply penetrated by relations of political and sexual power." Masochistic scenarios, whether in literature, music, the visual arts, or medicalized diagnoses of the fin-de-si?cle malaise, stage the male as one who submits, as Stewart explains, "to an aestheticized and eroticized gaze and voice."