Robert Brain traces the origins of artistic modernism to specific technologies of perception developed in late-nineteenth-century laboratories. Brain argues that the thriving fin-de-siecle field of "physiological aesthetics," which sought physiological explanations for the capacity to appreciate beauty and art, changed the way poets, artists, and musicians worked and brought a dramatic transformation to the idea of art itself.
Автор: Martins Ana Lъcia, Ferreira Joгo C., Kocian Alexander Название: Intelligent Transport Systems, from Research and Development to the Market Uptake: 4th Eai International Conference, Intsys 2020, Virtual Event, Decem ISBN: 3030714535 ISBN-13(EAN): 9783030714536 Издательство: Springer Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book constitutes the proceedings of the 4th International Conference on Intelligent Transport Systems, INTSYS 2020, which was held in December 2020. Intelligent Transport Systems make transport safer, more efficient, and more sustainable by applying information and communication technologies to all transportation modes.
Автор: Charlotte Ashby Название: Modernism in Scandinavia: Art, Architecture and Design ISBN: 1350099562 ISBN-13(EAN): 9781350099562 Издательство: Bloomsbury Academic Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Scandinavia is a region associated with modernity: modern design, modern living and a modern welfare state. This new history of modernism in Scandinavia offers a picture of the complex reality that lies behind the label: a modernism made up of many different figures, impulses and visions. It places the individuals who have achieved international fame, such as Edvard Munch and Alvar Aalto in a wider context, and through a series of case studies, provides a rich analysis of the art, architecture and design history of the Nordic region, and of modernism as a concept and mode of practice.
Modernism in Scandinavia addresses the decades between 1890 and 1970 and presents an intertwined history of modernism across the region. Charlotte Ashby gives a rationale for her focus on those countries which share an interrelated history and colonial past, but also stresses influences from outside the region, such as the English Arts and Crafts movement and the impact of emergent American modernism. Her richly illustrated account guides the reader through key historical periods and cultural movements, with case studies illuminating key art works, buildings, designed products and exhibitions.
Автор: Jenny Anger Название: Four Metaphors of Modernism: From Der Sturm to the Societe Anonyme ISBN: 1517903211 ISBN-13(EAN): 9781517903213 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 100320.00 T Наличие на складе: Невозможна поставка. Описание: Exploring the significance of metaphor in modern art “Where do the roots of art lie?” asked Der Sturm founder Herwarth Walden. “In the people? Behind the mountains? Behind the planets. He who has eyes to hear, feels.” Walden’s Der Sturm-the journal, gallery, performance venue, press, theater, bookstore, and art school in Berlin (1910–1932)-has never before been the subject of a book-length study in English. Four Metaphors of Modernism positions Der Sturm at the center of the avant-garde and as an integral part of Euro-American modern art, theory, and practice.Jenny Anger traces Walden’s aesthetic and intellectual roots to Franz Liszt and Friedrich Nietzsche-forebears who led him to embrace a literal and figurative mixing of the arts. She then places Der Sturm in conversation with New York’s Soci?t? Anonyme (1920–1950), an American avant-garde group modeled on Der Sturm and founded by Katherine Sophie Dreier, Marcel Duchamp, and Man Ray. Working against the tendency to examine artworks and artist groups in isolation, Anger underscores the significance of both organizations to the development and circulation of international modernism. Focusing on the recurring metaphors of piano, glass, water, and home, Four Metaphors of Modernism interweaves a historical analysis of these two prominent organizations with an aesthetic analysis of the metaphors that shaped their practices, reconceiving modernism itself. Presented here is a modernism that is embodied, gendered, multisensory, and deeply committed to metaphor and a restoration of abstraction’s connection with the real.
Автор: Peris-Ortiz Marta, Ferreira Joгo J., Farinha Luнs Название: Multiple Helix Ecosystems for Sustainable Competitiveness ISBN: 3319806238 ISBN-13(EAN): 9783319806235 Издательство: Springer Рейтинг: Цена: 137200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: It embeds the Triple and the Quadruple Helix models byadding a fifth helix, the "natural environment." The Triple Helix model focuseson the university-industry-government triad, while the Quadruple adds civilsociety (the media- and culture-driven public) as a fourth helix.
Автор: Ferreira Joгo Carlos Oliveira Название: Hands-On Microsoft Teams: A practical guide to enhancing enterprise collaboration with Microsoft Teams and Office 365 ISBN: 1839213981 ISBN-13(EAN): 9781839213984 Издательство: Неизвестно Рейтинг: Цена: 67430.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Microsoft Teams is your entry point to the Modern Workplace. This beginner`s guide is complete with hands-on tutorials and examples to teach you how to use or implement Microsoft Teams in your organization for unified communication. The book helps you to be a Microsoft Teams advocate and to improve the way people collaborate in your organization.
During the early twentieth century, Shanghai was the center of China's new media culture. Described by the modernist writer Mu Shiying as "transplanted from Europe" and “paved with shadows,” for many of its residents Shanghai was a city without a past paradoxically haunted by the absent past’s traces. In Shadow Modernism William Schaefer traces how photographic practices in Shanghai provided a forum within which to debate culture, ethnicity, history, and the very nature of images. The central modernist form in China, photography was neither understood nor practiced as primarily a medium for realist representation; rather, photo layouts, shadow photography, and photomontage rearranged and recomposed time and space, cutting apart and stitching places, people, and periods together in novel and surreal ways. Analyzing unknown and overlooked photographs, photomontages, cartoons, paintings, and experimental fiction and poetry, Schaefer shows how artists and writers used such fragmentation and juxtaposition to make visible the shadows of modernity in Shanghai: the violence, the past, the ethnic and cultural multiplicity excluded and repressed by the prevailing cultural politics of the era and yet hidden in plain sight.
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