Researching secular music and dance in the early united states,
Автор: Patterson, James T. Название: Grand Expectations The United States, 1945-1974 ISBN: 0195117972 ISBN-13(EAN): 9780195117974 Издательство: Oxford Academ Рейтинг: Цена: 25860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: James T. Patterson skilfully weaves together political, social, cultural, and economic history to present a fascinating survey of postwar America.
Автор: Kennedy David M. Название: Freedom from Fear: The American People in Depression and War, 1929-1945 ISBN: 0195144031 ISBN-13(EAN): 9780195144031 Издательство: Oxford Academ Рейтинг: Цена: 23220.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Between 1929 and 1945, two great travails were visited upon the American people: the Great Depression and World War II. Freedom from Fear tells the story of how Americans endured, and eventually prevailed, in the face of those unprecedented calamities.
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Stretching from the years during the Second World War when young couples jitterbugged across the dance floor at the Zenda Ballroom, through the early 1950s when honking tenor saxophones could be heard at the Angelus Hall, to the Spanish-language cosmopolitanism of the late 1950s and 1960s, Mexican American Mojo is a lively account of Mexican American urban culture in wartime and postwar Los Angeles as seen through the evolution of dance styles, nightlife, and, above all, popular music. Revealing the links between a vibrant Chicano music culture and postwar social and geographic mobility, Anthony Macías shows how by participating in jazz, the zoot suit phenomenon, car culture, rhythm and blues, rock and roll, and Latin music, Mexican Americans not only rejected second-class citizenship and demeaning stereotypes, but also transformed Los Angeles.
Macías conducted numerous interviews for Mexican American Mojo, and the voices of little-known artists and fans fill its pages. In addition, more famous musicians such as Ritchie Valens and Lalo Guerrero are considered anew in relation to their contemporaries and the city. Macías examines language, fashion, and subcultures to trace the history of hip and cool in Los Angeles as well as the Chicano influence on urban culture. He argues that a grass-roots “multicultural urban civility” that challenged the attempted containment of Mexican Americans and African Americans emerged in the neighborhoods, schools, nightclubs, dance halls, and auditoriums of mid-twentieth-century Los Angeles. So take a little trip with Macías, via streetcar or freeway, to a time when Los Angeles had advanced public high school music programs, segregated musicians’ union locals, a highbrow municipal Bureau of Music, independent R & B labels, and robust rock and roll and Latin music scenes.
Автор: Frances Eustace Название: Secular Carolling in Late Medieval England ISBN: 1641894024 ISBN-13(EAN): 9781641894029 Издательство: NBN International Рейтинг: Цена: 146430.00 T Наличие на складе: Нет в наличии. Описание:
This study shows the importance of carolling in the celebrations and festivities of medieval Britain and demonstrates its longevity from the eleventh century to the sixteenth. It illustrates the flexibility of the English carole form for adaptation to include content in high and low registers and its suitability for use on all occasions and by different communal peer groups. Although the vast majority of extant texts in carol form from the late medieval period are religious in subject content, secular carolling was far more prevalent than the textual record implies. The dance-song elements of the medieval carole were so strongly woven into the vernacular cultural fabric of the British Isles that their threads can be traced through the folk songs and dances of subsequent centuries. This study contextualizes the written evidence and re-integrates the various components of the activity in order to illuminate our understanding of the universally popular medieval, participatory, pastime of carolling.
Автор: Kristine M. McCusker Название: Lonesome Cowgirls and Honky-Tonk Angels: The Women of Barn Dance Radio ISBN: 0252075242 ISBN-13(EAN): 9780252075247 Издательство: Wiley EDC Рейтинг: Цена: 19430.00 T Наличие на складе: Нет в наличии. Описание: American barn dance radio of the 1920s-1940s evoked comforting images of a nostalgic and stable past for listeners beset by economic problems at home and worried about totalitarian governments abroad. Sentimental images such as the mountain mother and the chaste everybody's-little-sister "girl singer" helped to sell a new consumer culture and move commercial country music from regional fare to national treasure.
Drawing on personal interviews and rich archival material from the Grand Ole Opry, Kristine M. McCusker examines the gendered politics of the images through the lives and careers of six women performers: Linda Parker, the Girls of the Golden West (Milly and Dolly Good), Lily May Ledford, Minnie Pearl, and Rose Lee Maphis.
Автор: Chad Berry Название: The Hayloft Gang: The Story of the National Barn Dance ISBN: 0252075579 ISBN-13(EAN): 9780252075575 Издательство: Wiley EDC Рейтинг: Цена: 24010.00 T Наличие на складе: Нет в наличии. Описание: The National Barn Dance was the nation's most popular country music radio show during the 1930s and 1940s. The pioneering radio program defined country and western entertainment until the Grand Ole Opry and rock 'n' roll supplanted it in the 1950s. Broadcast for more than three decades from Chicago on WLS's powerful 50,000-watt signal, the show reached listeners throughout the Midwest, the East Coast, and South, delivering popular entertainment to both rural and urban areas while celebrating the fading folk traditions of an increasingly urbanized America.
The Hayloft Gang draws on the colorful commentary of performers and former listeners to analyze the National Barn Dance, its audience, and its impact. Contributors trace the history of barn dance radio, explore the paradox of a foundational country music program broadcast from a major city, investigate notions of authenticity in the presentation of country music and entertainment, and delve into provocative issues raised by the barn dance phenomenon.
Contributors: Chad Berry, Michael T. Bertrand, Lisa Krissoff Boehm, Don Cusic, Wayne W. Daniel, Loyal Jones, Kristine M. McCusker, Stephen Parry, Susan Smulyan, Paul L. Tyler, and Michael Ann Williams.
Автор: Calamoneri, Tanya Название: Butoh America ISBN: 0367137607 ISBN-13(EAN): 9780367137601 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Butoh America unearths the people and networks that popularized Butoh dance in the Americas, through a focused look at key artists, producers, and festivals in United States and Mexico.
This is the first book to gather these histories into one narrative and look at the development of American Butoh. From its inception in San Francisco in 1976, American Butoh aligned with avant-garde performance art in alternative venues such as galleries and experimental theaters. La MaMa in New York and the Festival Internacional Cervantino in Guanajuato both served to legitimize the form as esteemed experimental performance. A crystalizing moment in each of the three locations--San Francisco, New York, and Mexico City--has been a grand-scale festival featuring prominent Japanese and numerous other international artists, as well as fostering local communities.
This book stitches together the flow of people and ideas, highlights the connections in the Butoh diaspora, and incorporates interviewee perspectives regarding future directions for the genre in the Americas.
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.
As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.
Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.
In this ambitious project, historian Katrina Thompson examines the conceptualization and staging of race through the performance, sometimes coerced, of black dance from the slave ship to the minstrel stage. Drawing on a rich variety of sources, Thompson explicates how black musical performance was used by white Europeans and Americans to justify enslavement, perpetuate the existing racial hierarchy, and mask the brutality of the domestic slave trade. Whether on slave ships, at the auction block, or on plantations, whites often used coerced performances to oppress and demean the enslaved.
As Thompson shows, however, blacks' "backstage" use of musical performance often served quite a different purpose. Through creolization and other means, enslaved people preserved some native musical and dance traditions and invented or adopted new traditions that built community and even aided rebellion.
Thompson shows how these traditions evolved into nineteenth-century minstrelsy and, ultimately, raises the question of whether today's mass media performances and depictions of African Americans are so very far removed from their troublesome roots.
Powerful currents of religious revival and political and social reform swept nineteenth-century America. Many people expressed their radical religious and social ideals by creating or joining self-contained utopian communities. These utopianists challenged the existing social and economic order with alternative notions about religion, marriage, family, sexuality, property ownership, and wage labor.
Between 1787 and 1919, approximately 270 utopian communities existed in the United States. Due to its unique location on the young nation’s frontier, the state of Ohio was the site of much of this activity.
Creating a Perfect World examines Ohio’s utopian movements, both religious and secular. These include the United Society of Believers in Christ’s Second Coming, or Shakers; the Society of Separatists at Zoar; the Mormons, who stopped in the state for several years on their way west; and several societies based on the philosophies of European social reformers Robert Owen and Charles Fourier.
In this detailed account of a unique and fascinating chapter in Ohio’s history, Catherine M. Rokicky profiles these communities and explores their ideals, how and why they were established, their leaders, and their members’ reasons for joining and sometimes leaving. She also examines the roles men and women played, their approaches to communal living and community property, their economic activities, their relations with surrounding communities and the state, and the various reasons for their success or failure.
In Saving Faith, David Mislin chronicles the transformative historical moment when Americans began to reimagine their nation as one strengthened by the diverse faiths of its peoples. Between 1875 and 1925, liberal Protestant leaders abandoned religious exclusivism and leveraged their considerable cultural influence to push others to do the same. This reorientation came about as an ever-growing group of Americans found their religious faith under attack on social, intellectual, and political fronts. A new generation of outspoken agnostics assailed the very foundation of belief, while noted intellectuals embraced novel spiritual practices and claimed that Protestant Christianity had outlived its usefulness.Faced with these grave challenges, Protestant clergy and their allies realized that the successful defense of religion against secularism required a defense of all religious traditions. They affirmed the social value—and ultimately the religious truth—of Catholicism, Judaism, Hinduism, Buddhism, and Islam. They also came to view doubt and uncertainty as expressions of faith. Ultimately, the reexamination of religious difference paved the way for Protestant elites to reconsider ethnic, racial, and cultural difference. Using the manuscript collections and correspondence of leading American Protestants, as well the institutional records of various churches and religious organizations, Mislin offers insight into the historical constructions of faith and doubt, the interconnected relationship of secularism and pluralism, and the enormous influence of liberal Protestant thought on the political, cultural, and spiritual values of the twentieth-century United States.
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