The Cambridge Companion to Seventeenth-Century Opera, Edited by Jacqueline Waeber
Название: The Cambridge Companion to Seventeenth-Century Opera ISBN: 0521530466 ISBN-13(EAN): 9780521530460 Издательство: Cambridge Academ Рейтинг: Цена: 25350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This Companion offers an in-depth introduction to the early history of opera by focusing on its foundational century. From opera`s Italian origins to its growth through Europe and the Americas, the volume charts the changing landscape - on stage and beyond - which shaped the way early opera was produced and received.
Название: The Cambridge Companion to Operetta ISBN: 1316633349 ISBN-13(EAN): 9781316633342 Издательство: Cambridge Academ Рейтинг: Цена: 29570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Автор: Anastasia Belina, Derek B. Scott Название: The Cambridge Companion to Operetta ISBN: 1107182166 ISBN-13(EAN): 9781107182165 Издательство: Cambridge Academ Рейтинг: Цена: 104550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The subject of musical theatre usually brings to mind the Broadway musical, but this collection of essays reveals that operetta was the pre-eminent musical-theatrical entertainment on the urban stage from the 1850s to the early 1930s. The authors explore operetta`s production and reception in more than a dozen countries.
Название: German Operetta on Broadway and in the West End, 1900 - 1940(Derek B. Scott) ISBN: 1108484581 ISBN-13(EAN): 9781108484589 Издательство: Cambridge Academ Рейтинг: Цена: 111930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A study of a neglected but crucial part of the history of the West End and Broadway. The stage works presented here connect to major topics of the twentieth century including modernity, cosmopolitanism and media technology. This book is also available as Open Access on Cambridge Core.
Автор: Harper-Scott J. P. E. Название: Music since 1900 ISBN: 1108416365 ISBN-13(EAN): 9781108416368 Издательство: Cambridge Academ Рейтинг: Цена: 99270.00 T Наличие на складе: Невозможна поставка. Описание: This thematic examination of Britten`s operas focuses on the way that ideology is presented on stage. As well as being a record of the ideological world of mid-twentieth-century Britain, these operas continue to diagnose problems in our own time. This book argues that it is timely - if uncomfortable - for current audiences to re-address his music.
Автор: Maguire, Simon Название: Vincenzo Bellini and the Aesthetics of Early Nineteenth-Century Italian Opera ISBN: 1138366013 ISBN-13(EAN): 9781138366015 Издательство: Taylor&Francis Рейтинг: Цена: 34700.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: First published in 1989. This study explores Italian attitudes to opera while Vincenzo Bellini was studying and composing. It draws mainly on Italian critical and aesthetic writing dating from the end of an era that was still dominated by the Italian bel canto.
Название: Saint-Sa?ns and the Stage: Operas, Plays, Pageants, a Ballet and a Film ISBN: 1108426387 ISBN-13(EAN): 9781108426381 Издательство: Cambridge Academ Рейтинг: Цена: 111930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Designed as a resource for opera lovers, opera professionals, and music students, this book provides a guide to Saint-Saens`s twelve operas and a variety of other stage works for those who are curious to know more. It will enhance listeners` experience of recordings of Saint-Saens, which are enjoying increased popularity as his centenary approaches.
Автор: Wyndham Thomas Название: Robert Saxton: Caritas ISBN: 0754666018 ISBN-13(EAN): 9780754666011 Издательство: Taylor&Francis Рейтинг: Цена: 148010.00 T Наличие на складе: Невозможна поставка. Описание: Caritas - first performed in 1991 - occupies an important position in Robert Saxton`s output and in British opera during the closing decades of the 20th century. Thomas provides a detailed contextual setting in which to evaluate Caritas, as well as presenting an analytical commentary on the structure, musical language, instrumentation, staging and
Автор: Esse Melina Название: Singing Sappho: Improvisation and Authority in Nineteenth-Century Italian Opera ISBN: 022674177X ISBN-13(EAN): 9780226741772 Издательство: Wiley Рейтинг: Цена: 42240.00 T Наличие на складе: Поставка под заказ. Описание: This book is a comprehensive practical guide for music eductors who work with students with autism. This second edition offers fully up-to-date information on diagnosis, advocacy, and a collegial team-approach, as well as communication, cognition, behavior, sensory, and socialization challenges. Many `real-life` vignettes and classroom snapshots are included to transfer theory to practice.
Автор: Anthony R. DelDonna Название: Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples ISBN: 140942278X ISBN-13(EAN): 9781409422785 Издательство: Taylor&Francis Рейтинг: Цена: 153120.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The operatic culture of late eighteenth-century Naples represents the fullest expression of a matrix of creators, practitioners, theorists, patrons, and entrepreneurs linking aristocratic, public and religious spheres of contemporary society. This title provides a study of operatic culture from 1775-1800.
Автор: Limansky Nicholas E. Название: Pirates of the High Cs: Opera Bootlegging in the 20th Century ISBN: 1936411628 ISBN-13(EAN): 9781936411627 Издательство: Неизвестно Рейтинг: Цена: 25700.00 T Наличие на складе: Невозможна поставка. Описание: Practiced internationally between 1960 and 2000, opera piracy (the illegal practice of recording live operatic performances in the opera house) was rampant. How fortunate! Through this we are provided documentation of famous voices as they sounded in real life, not as they were altered in the sound chambers of recording companies.
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