Italy Through the Red Lens: Italian Politics and Society in Communist Propaganda Films (1946-79), Fantoni Gianluca
Автор: Joseph Luzzi Название: The Total Art: Italian Cinema from Silent Screen to Digital Image ISBN: 1441174931 ISBN-13(EAN): 9781441174932 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this comprehensive guide, some of the world's leading scholars consider the issues, films, and filmmakers that have given Italian cinema its enduring appeal. Readers will explore the work of such directors as Federico Fellini, Michelangelo Antonioni, and Roberto Rossellini as well as a host of subjects including the Italian silent screen, the political influence of Fascism on the movies, lesser known genres such as the giallo (horror film) and Spaghetti Western, and the role of women in the Italian film industry. Italian Cinema from the Silent Screen to the Digital Image explores recent developments in cinema studies such as digital performance, the role of media and the Internet, neuroscience in film criticism, and the increased role that immigrants are playing in the nation's cinema.
Автор: Fantoni Gianluca Название: Italy through the Red Lens: Italian Politics and Society in Communist Propaganda Films (1946-79) ISBN: 3030691993 ISBN-13(EAN): 9783030691998 Издательство: Springer Рейтинг: Цена: 121110.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: 1. IntroductionPart I The Italian Communist Party between Socialist Realism and Neorealism (1944-1956)2. Togliatti's Partito nuovo and Italian cinema3. Socialist Realism Italian-Style: PCI Cinematic Propaganda in the Stalin EraPart II Dealing with The Modern (1956-1970)4. Peace and Sputnik, the Boom, and Television (1956-1964)5. The First Years of Unitelefilm and the PCI After Togliatti (1964-1967)6. The Workers, the Students, and The Election Campaign of 19687. The Lice and the Whale: Filmmakers, Militant Cinema and the Italian Communist PartyPart III A Decade of Living Dangerously: The Turbulent Peak (and the Seeds of Decline) of the Italian Communist Party (1970-1979)8. The Early 1970s: Unitelefilm, the Fascist Threat, and the 'Historic Compromise'9. Hegemony Within Reach (1974-1976)10. Women's Issues, Feminism, and the PCI11. Hegemony Fades Away (1977-1979)12. Conclusion
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It is not an easy job to draw the border between the history of Italy and the history of Rome. In so many places, the two political and geographical entities collide. They wouldn't be possible without each other, but they each have their own story. Rome's history is only a small fragment of Italy's history. Although it is just a city, Rome was the birthplace of the republic, a great empire, and notable philosophers, poets, and artists. But on a larger scale, Rome expanded its borders, spreading not only through Italy but also through the whole known world. In that context, Rome ceased being only a city; it also became a universal imperial symbol and the pride of Italy.
Italy wasn't a united nation until the 19th century, which means the history of this country is very fragmented. It is the job of historians, archaeologists, anthropologists, linguists, and various scientists to pick up the pieces of the peninsula's past and put them together. Only then will we have a clear picture, a mosaic if you will, of the past of one of the most significant nations of Europe and the world. And after it is pieced together, we need to deconstruct the mosaic and take a look at each fragment to learn about the different peoples, cultures, and religions that were and still are a part of Italy.
In History of Italy: A Captivating Guide to Italian History, Starting from the First Settlements through the Middle Ages to the Modern Period, you will discover topics such as
The Bronze Age in Italy and the Early Settlements
Iron Age and Pre-Roman Italy
Italy in the Roman Period
Barbarian and Byzantine Italy
The Kingdom of the Lombards and the Emergence of the Papal States
Italy's Place in the Holy Roman Empire
Italy's Renaissance
The Modern History of Italy
And much, much more
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Analysing the depiction of African Italian mixed-race subjects from the historical epics of the Italian silent golden era to the contemporary period, Equivocal Subjects engages the history of Italian nationalism and colonialism through theories of subject formation, ideologies of race, and postcolonial theory. Greene's approach also provides a novel interpretation of recent developments surrounding Italy's status as a major passage for immigrants seeking to enter the European Union. This book provides an original theoretical approach to the Italian cinema that speaks to the nation's current political and social climate.
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