Foucault on the Arts and Letters: Perspectives for the 21st Century, Soussloff Catherine M.
Автор: Soussloff Catherine M. Название: Foucault on the Arts and Letters: Perspectives for the 21st Century ISBN: 1783485744 ISBN-13(EAN): 9781783485741 Издательство: Rowman & Littlefield Publishers Рейтинг: Цена: 60550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A collection of new essays addressing Foucault`s thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.
Автор: Catherine M. Soussloff Название: Foucault on Painting ISBN: 151790241X ISBN-13(EAN): 9781517902414 Издательство: Marston Book Services Рейтинг: Цена: 84480.00 T Наличие на складе: Невозможна поставка. Описание: Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault\u2019s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age.Foucault\u2019s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and \u201870s) as well as five individual artists: Vel\u00e1zquez, Manet, Magritte, Paul Reyberolle, and G\u00e9rard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. Using a comparative approach grounded in art history and aesthetics, Soussloff explores the meaning of painting for Foucault\u2019s philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.
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