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Foucault on the Arts and Letters: Perspectives for the 21st Century, Soussloff Catherine M.


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Автор: Soussloff Catherine M.
Название:  Foucault on the Arts and Letters: Perspectives for the 21st Century
ISBN: 9781783485734
Издательство: Bloomsbury
Классификация:


ISBN-10: 1783485736
Обложка/Формат: Hardcover
Страницы: 248
Вес: 0.57 кг.
Дата издания: 13.10.2016
Серия: Global aesthetic research
Язык: English
Размер: 23.11 x 15.49 x 2.29 cm
Читательская аудитория: Professional & vocational
Подзаголовок: Perspectives for the 21st century
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Поставляется из: Англии
Описание: A collection of new essays addressing Foucault`s thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.

Foucault on the Arts and Letters: Perspectives for the 21st Century

Автор: Soussloff Catherine M.
Название: Foucault on the Arts and Letters: Perspectives for the 21st Century
ISBN: 1783485744 ISBN-13(EAN): 9781783485741
Издательство: Rowman & Littlefield Publishers
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Цена: 60550.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: A collection of new essays addressing Foucault`s thought and its impact on thinking about the visual arts, literature and aesthetic discourse in the 21st century.

Foucault on Painting

Автор: Catherine M. Soussloff
Название: Foucault on Painting
ISBN: 151790241X ISBN-13(EAN): 9781517902414
Издательство: Marston Book Services
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Цена: 84480.00 T
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Описание: Michel Foucault had been concerned about painting and the meaning of the image from his earliest publications, yet this aspect of his thought is largely neglected within the disciplines of art history and aesthetic theory. In Foucault on Painting, Catherine M. Soussloff argues that Foucault\u2019s sustained engagement with European art history critically addresses present concerns about the mediated nature of the image in the digital age.Foucault\u2019s writing on painting covers four discrete periods in European art history (seventeenth-century southern Baroque, mid-nineteenth century French painting, Surrealism, and figurative painting in the 1960s and \u201870s) as well as five individual artists: Vel\u00e1zquez, Manet, Magritte, Paul Reyberolle, and G\u00e9rard Fromanger. As Soussloff reveals in this book, Foucault followed a French intellectual tradition dating back to the seventeenth century, which understands painting as a separate area of knowledge. Painting, a practice long considered silent in its operations and effects, afforded Foucault an ideal discipline to think about history and philosophy simultaneously. Using a comparative approach grounded in art history and aesthetics, Soussloff explores the meaning of painting for Foucault\u2019s philosophy, and for contemporary art theory, proposing a new relevance for a Foucauldian view of ethics and the pleasures and predicaments of contemporary existence.


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