Ein reiches Programm mit Konzerten und Gottesdiensten, Referaten und Diskussionen pr?gte den 5. Internationalen Kirchenmusikkongress, der Ende Oktober 2015 in Bern stattfand. Dabei wurde das Verh?ltnis von Religion, Kirche und Liturgie zur Musik aus musikwissenschaftlicher, historischer und theologischer Sicht betrachtet. Der Kongressband enth?lt die Hauptreferate, aber auch Beitr?ge zu einigen der Workshops, die zwischen Reflexion und Praxis vermittelten – von Perspektiven des zuk?nftigen Orgelbaus bis zu M?glichkeiten des Zusammenwirkens von Musik und Liturgie. Aufgenommen wurde auch eine Auswahl von Einblicken in die Arbeitsgebiete von Doktorandinnen und Doktoranden, die diese im Rahmen eines Forschungskolloquiums pr?sentiert hatten; zudem wird der Schlussgottesdienst des Kongresses im Berner M?nster dokumentiert – mit der Predigt, Beitr?gen zur Zusammenarbeit und zum Entstehungsprozess der Neukomposition von Lukas Langlotz und Gedanken von Teilnehmenden. Erg?nzt wird der Band durch eine ?bersicht ?ber alle Veranstaltungen und einen Bericht zu den vorhergehenden Kongressen.
Автор: Solveig McIntosh Название: Rivers of Sacred Sound: Chant ISBN: 178874439X ISBN-13(EAN): 9781788744393 Издательство: Peter Lang Рейтинг: Цена: 63930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Rivers of Sacred Sound traces the flow of influences from East to West, from
BC to AD and from wordless jubilations to the setting of texts. It takes the
discussion about western chant beyond a European perspective.
The text of this book, preceded by an introduction, is presented in seven
chapters and covers a period of approximately five thousand years. There are
many references all over the world to praising the divine with sound. Thus
the starting point is the praise song, a fundamental impulse in mankind. The
Rg-Veda requests that our loudest-sounding hymn be accepted, as food most
delightful to the Gods. The Psalms request us to make a joyful noise unto God
and to sing forth the honour of His name. Spontaneous songs became ritual
events. In an aural culture what was the role of gesture and what is its role
now? There are many doors to open in pursuing these and other questions.
This book opens some of them.
Автор: Smither Howard E Название: History of the Oratorio ISBN: 0807836605 ISBN-13(EAN): 9780807836606 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 86850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: <i>The Oratorio in the classical Era</i> is the third volume of Howard Smither's monumental <i>History of the Oratorio</i>, continuing his synthesis and critical appraisal of the oratorio. His comprehensive study surpasses in scope and treatment all previous works on the subject. A fourth and final volume, on the oratorio in the nineteenth and twentieth centuries, is forthcoming.<BR><BR>In this volume Smither discusses the Italian oratorio from the 1720s to the early nineteenth century and oratorios from other parts of Europe from the 1750s to the nineteenth century. Drawing on works that represent various types, languages, and geographical areas, Smither treats the general characteristics of oratorio libretto and music and analyzes twenty-two oratorios from Italy, England, Germany, France, and Russia. He synthesizes the results of specialized studies and contributes new material based on firsthand study of eighteenth-century music manuscripts and printed librettos. <BR><BR>Emphasizing the large number of social contexts within which oratorios were heard, Smither discussed examples in Italy such as the Congregation of the Oratory, lay contrafraternities, and educational institutions. He examines oratorio performances in German courts, London theaters and English provincial festivals, and the Parisian Concert spirituel. Though the volume concentrates primarily on eighteenth-century oratorio from the early to the late Classical styles, Smither includes such transitional works as the oratorios of Jean-Francios le Seur in Paris and Stepan Anikievich Degtiarev in Moscow.<BR><BR><i>A History of the Oratorio</i> is the first full-length history of the genre since Arnold Schering's 1911 study. In addition to synthesizing current thought about the oratorio, this volume contributes new information on relationships between oratorio librettos and contemporary literary and religious thought, and on the musical differences among oratorios from different geographical-cultural regions.<BR><BR>A UNC Press Enduring Edition -- UNC Press Enduring Editions use the latest in digital technology to make available again books from our distinguished backlist that were previously out of print. These editions are published unaltered from the original, and are presented in affordable paperback formats, bringing readers both historical and cultural value.
Автор: Smither Howard E Название: History of the Oratorio ISBN: 0807837776 ISBN-13(EAN): 9780807837771 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 86850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: With this volume, Howard Smither completes his monumental History of the Oratorio. Here, Smither surveys the history of nineteenth- and twentieth-century oratorio, stressing the main geographic areas of oratorio composition and performance: Germany, Britain, America, and France.
Автор: Jasinski, Tomasz Название: Musical rhetoric of the polish baroque ISBN: 3631627602 ISBN-13(EAN): 9783631627600 Издательство: Peter Lang Рейтинг: Цена: 99100.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book looks at the rich means of text interpretation in seventeenth and eighteenth century Polish music, a relatively unknown phenomenon. The works of old Polish masters exhibit many ingenious and beautiful solutions in musical oration, which will appeal to wide circles of lovers and experts of old music. One of the fundamental components of baroque musical poetics was music-rhetorical figures, which were the main means of shaping expression – the base and quintessence of musical rhetoric. It was by means of figures that composers built the musical interpretation of a verbal text, developing pictorial, emphatic, onomatopoeic, symbolic, and allegorical structures that rendered emotions and meanings carried by the verbal level of a musical piece.
Автор: Sawicki, Bernard Название: Music of chopin and the rule of st benedict ISBN: 3631650655 ISBN-13(EAN): 9783631650653 Издательство: Peter Lang Рейтинг: Цена: 39330.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The book defines and describes the relationships between Chopin’s music and one of the oldest but still used monastic rules, the Rule of Saint Benedict. Its goal is to construct bridges between music and spirituality. Since these two realms both refer to human life, the chapters of the book deal with current and existential issues such as beginnings, authority, weakness, interactions, emotions and others. The Rule of Saint Benedict and Chopin’s music appear to belong to the same stylistic category of human culture, characterized by nobleness, moderation and high sensibility. In this way two seemingly incompatible realities reveal their affinity to each other, and the one may explain the other. The book is situated at the boundary of musicology and theology. Its discourse is illustrated by many examples, carefully chosen from Chopin’s music.
Автор: Smithers, Don L. Название: Trumpets, horns, and bach abschriften at the time of christian friedrich penzel: probing the pedigree of bwv 143 ISBN: 3631663226 ISBN-13(EAN): 9783631663226 Издательство: Peter Lang Рейтинг: Цена: 46140.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: There can be no doubt as to the authenticity of BWV 143 as a genuine cantata by Johann Sebastian Bach. While the originals are lost, there are second and third «generation» copies. This study considers all known facts since the work’s composition in the 18th century and discusses in detail the criteria for judging the authenticity of the work.
Автор: Myers, Gregory Название: Music and ritual in medieval slavia orthodoxa ISBN: 3034328192 ISBN-13(EAN): 9783034328197 Издательство: Peter Lang Рейтинг: Цена: 82870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
This project fills a void in medieval musical scholarship in the West by addressing an area that is virtually terra incognita. Based on newly-accessed primary source material and grounded in the most current scholarship, the English-language monograph-length study, Music and Ritual in Medieval Slavia Orthodoxa: The Exaltation of the Holy Crossinvestigates the sacred music traditions of the Orthodox Slavs (Bulgaria, Serbia and Russia) during a critical period in the cultural history of the region. The approach taken is interdisciplinary, drawing on recent scholarship in liturgical studies, Byzantine and medieval Slavic history, linguistics and musicology. The study traces the dissemination of liturgical and musical performance practices through the disparate centers of the Eastern Christian world (from Southern Italy, Balkan Peninsula to Kiev and Novgorod). It takes into account the physical locus of the chanting practices, whether urban cathedral or monastery. The medieval Slavs are treated as an autonomous cultural body within the Commonwealth of the Eastern Church.
Set against the shifting liturgical backdrop of the 13th century with its pending liturgical reform, the study addresses aspects of chant performance practice in the Slavic-speaking world. Select hymnography for the celebration are sought in the rubrics of liturgical sources describing its placement in the services, singing personnel, the style of the hymnody and the manner of its musical execution (antiphonal, responsorial). The Feasts of the Holy Cross, observed during the week of September 14, the Third Sunday of the Lenten Fast and Holy Week (Holy Tuesday and Good Friday), serve as case studies for which there is an abundance of unexplored material to be brought to light. The current study presents this material to the Western audience for the first time.
Автор: Rankin, Susan (university Of Cambridge) Название: Cambridge studies in palaeography and codicology ISBN: 1108421407 ISBN-13(EAN): 9781108421409 Издательство: Cambridge Academ Рейтинг: Цена: 111930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: A comprehensive examination of the first appearance of detailed musical notations in early medieval Europe. This magisterial study by leading scholar Susan Rankin dates the first appearance of such notations much earlier than has previously been assumed, delivering a crucial new foundational model for the understanding of later Western notations.
Автор: Don Cusic Название: Saved by Song: A History of Gospel and Christian Music ISBN: 1617036412 ISBN-13(EAN): 9781617036415 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 36030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Provides a sweeping overview of the history of gospel music. Powerful and incisive, the book traces contemporary Christianity and Christian music to the sixteenth century and the Protestant Reformation after examining music in the Bible and early church.
Автор: Jonathan Arnold Название: Music and Faith: Conversations in a Post-Secular Age ISBN: 1783272600 ISBN-13(EAN): 9781783272600 Издательство: Boydell & Brewer Цена: 36960.00 T Наличие на складе: Невозможна поставка. Описание: This book explores examples of how the Christian story is still expressed in music and how it is received by those who experience that art form, whether in church or not. Through conversations with a variety of writers, artists, scientists, historians, atheists, church laity and clergy, the term post-secular emerges as an accurate description of the relationship between faith, religion, spirituality, agnosticism and atheism in the west today. In this context, faith does not just mean belief; as the book demonstrates, the temporal, linear, relational and communal process of experiencing faith is closely related to music. Music and Faith is centred on those who, by-and-large, are not professional musicians, philosophers or theologians, but who find that music and faith are bound up with each other and with their own lives. Very often, as the conversations reveal, the results of this 'binding' are transformative, whether it be in outpourings of artistic expression of another kind, or greater involvement with issues of social justice, or becoming ordained to serve within the Church. Even those who do not have a Christian faith find that sacred music has a transformative effect on the mind and the body and even, to use a word deliberately employed by Richard Dawkins, the 'soul'. JONATHAN ARNOLD is Dean of Divinity and Fellow of Magdalen College, Oxford. Before being ordained, he was a professional singer and made numerous recordings with The Sixteen , Polyphony , the Gabrielli Consort and The Tallis Scholars , among others. He has previously published Sacred Music in Secular Society (2014), The Great Humanists: An Introduction (2011) and John Colet of St. Paul's: Humanism and Reform in Pre-Reformation England (2007).
Автор: Sarah Morgan, June Boyce-Tillman Название: A River Rather Than a Road: The Community Choir as Spiritual Experience ISBN: 3034322658 ISBN-13(EAN): 9783034322652 Издательство: Peter Lang Рейтинг: Цена: 69190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book is an auto-ethnographic account of the development of a charismatic community choir leader. It brings together management literature and a survey of the community choir scene with the development of community choir leadership. It provides a useful introduction to the sustaining of community choirs, including the use of English folksong material in this context. Some useful arrangements of folk songs are included. Community singing events are described with helpful advice on setting up and managing these. It presents a useful model of the range of skills necessary for aspiring community choir leaders. This is linked with the formation of a community that contains spiritual elements; this is theorized in relation to the role of the parish church in communal singing. It also discusses the two aesthetics of choral singing and the relationship between oral and literate traditions. The book arises from the engagement of the University of Winchester in partnership with the local community, which is theorized.
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