Idol Anxiety, Ellenbogen Josh, Tugendhaft Aaron

Автор: Ellenbogen Josh, Tugendhaft Aaron
Название: Idol Anxiety
ISBN: 0804760438 ISBN-13(EAN): 9780804760430
Издательство: Wiley EDC
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Цена: 24010.00 T
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Описание:

This interdisciplinary collection of essays addresses idolatry, a contested issue that has given rise to both religious accusations and heated scholarly disputes. Idol Anxiety brings together insightful new statements from scholars in religious studies, art history, philosophy, and musicology to show that idolatry is a concept that can be helpful in articulating the ways in which human beings interact with and conceive of the things around them. It includes both case studies that provide examples of how the concept of idolatry can be used to study material objects and more theoretical interventions. Among the book's highlights are a foundational treatment of the second commandment by Jan Assmann; an essay by W.J.T. Mitchell on Nicolas Poussin that will be a model for future discussions of art objects; a groundbreaking consideration of the Islamic ban on images by Mika Natif; and a lucid description by Jean-Luc Marion of his cutting-edge phenomenology of the visible.

Автор: Tugendhaft, Aaron
Название: Baal and the politics of poetry
ISBN: 036761782X ISBN-13(EAN): 9780367617820
Издательство: Taylor&Francis
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Цена: 43890.00 T
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Описание: This book provides a new interpretation of the Ugaritic Baal Cycle, an innovative approach to studying ancient Near Eastern literature within its political context.

Автор: Tugendhaft Aaron
Название: The Idols of Isis: From Assyria to the Internet
ISBN: 022673756X ISBN-13(EAN): 9780226737560
Издательство: Wiley
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Цена: 19010.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: In 2015, the Islamic State released a video of men smashing sculptures in Iraq's Mosul Museum as part of a mission to cleanse the world of idolatry. This book unpacks three key facets of that event: the status and power of images, the political importance of museums, and the efficacy of videos in furthering an ideological agenda through the internet.

Beginning with the Islamic State's claim that the smashed objects were idols of the "age of ignorance," Aaron Tugendhaft questions whether there can be any political life without idolatry. He then explores the various roles Mesopotamian sculpture has played in European imperial competition, the development of artistic modernism, and the formation of Iraqi national identity, showing how this history reverberates in the choice of the Mosul Museum as performance stage. Finally, he compares the Islamic State's production of images to the ways in which images circulated in ancient Assyria and asks how digitization has transformed politics in the age of social media. An elegant and accessibly written introduction to the complexities of such events, The Idols of ISIS is ideal for students and readers seeking a richer cultural perspective than the media usually provides.