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Aggressive Fictions: Reading the Contemporary American Novel, Hume Kathryn


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Автор: Hume Kathryn
Название:  Aggressive Fictions: Reading the Contemporary American Novel
ISBN: 9780801450013
Издательство: Wiley EDC
Классификация:
ISBN-10: 0801450012
Обложка/Формат: Hardcover
Страницы: 216
Вес: 0.41 кг.
Дата издания: 15.01.2012
Язык: English
Размер: 22.86 x 15.49 x 2.29 cm
Читательская аудитория: General (us: trade)
Подзаголовок: Reading the contemporary american novel
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Поставляется из: Англии
Описание:

A frequent complaint against contemporary American fiction is that too often it puts off readers in ways they find difficult to fathom. Books such as Bret Easton Elliss American Psycho, Katherine Dunns Geek Love, and Don DeLillos Underworld seem determined to upset, disgust, or annoy their readers—or to disorient them by shunning traditional plot patterns and character development. Kathryn Hume calls such works aggressive fiction. Why would authors risk alienating their readers—and why should readers persevere? Looking beyond the theory-based justifications that critics often provide for such fiction, Hume offers a commonsense guide for the average reader who wants to better understand and appreciate books that might otherwise seem difficult to enjoy.

In her reliable and sympathetic guide, Hume considers roughly forty works of recent American fiction, including books by William Burroughs, Kathy Acker, Chuck Palahniuk, and Cormac McCarthy. Hume gathers attacks on the reader into categories based on narrative structure and content. Writers of some aggressive fictions may wish to frustrate easy interpretation or criticism. Others may try to induce certain responses in readers. Extreme content deployed as a tactic for distancing and alienating can actually produce a contradictory effect: for readers who learn to relax and go with the flow, the result may well be exhilaration rather than revulsion.


Дополнительное описание:

Introduction: The Author-Reader ContractChapter 1. Narrative Speed in Contemporary Fiction
The Terrible Twos, The Terrible Threes, John's Wife, Bombardiers, Oreo, Microserfs, Negrophobia, The Ticket That Exploded, My Cousin, My Gastroenterologist



The Metamorphoses of Myth in Fiction since 1960

Автор: Kathryn Hume
Название: The Metamorphoses of Myth in Fiction since 1960
ISBN: 1501378244 ISBN-13(EAN): 9781501378249
Издательство: Bloomsbury Academic
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Цена: 33780.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa’s west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us? The Metamorphoses of Myth in Fiction since 1960 examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. These artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Kathryn Hume elicits an understanding of the current uses of mythology in fiction.

Metamorphoses of Myth in Fiction since 1960

Автор: Hume Kathryn
Название: Metamorphoses of Myth in Fiction since 1960
ISBN: 1501359878 ISBN-13(EAN): 9781501359873
Издательство: Bloomsbury Academic
Рейтинг:
Цена: 100320.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Why do contemporary writers use myths from ancient Greece and Rome, Pharaonic Egypt, the Viking north, Africa’s west coast, and Hebrew and Christian traditions? What do these stories from premodern cultures have to offer us?The Metamorphoses of Myth in Fiction since 1960 examines how myth has shaped writings by Kathy Acker, Margaret Atwood, William S. Burroughs, A. S. Byatt, Neil Gaiman, Norman Mailer, Toni Morrison, Thomas Pynchon, Kurt Vonnegut, Jeanette Winterson, and others, and contrasts such canonical texts with fantasy, speculative fiction, post-singularity fiction, pornography, horror, and graphic narratives. These artistic practices produce a feeling of meaning that doesn't need to be defined in scientific or materialist terms. Myth provides a sense of rightness, a recognition of matching a pattern, a feeling of something missing, a feeling of connection. It not only allows poetic density but also manipulates our moral judgments, or at least stimulates us to exercise them. Working across genres, populations, and critical perspectives, Kathryn Hume elicits an understanding of the current uses of mythology in fiction.


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