Comic Theaters: Studies in Performance and Audience Response, Gruber William E.

Автор: Bernadette Meyler
Название: Theaters of Pardoning
ISBN: 1501739336 ISBN-13(EAN): 9781501739330
Издательство: Mare Nostrum (Eurospan)
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Цена: 108680.00 T
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From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.

Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.

Автор: Meyler, Bernadette
Название: Theaters of pardoning
ISBN: 1501739344 ISBN-13(EAN): 9781501739347
Издательство: Mare Nostrum (Eurospan)
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Цена: 30890.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

From Gerald Ford's preemptive pardon of Richard Nixon and Donald Trump's claims that as president he could pardon himself to the posthumous royal pardon of Alan Turing, the power of the pardon has a powerful hold on the political and cultural imagination. In Theaters of Pardoning, Bernadette Meyler traces the roots of contemporary understandings of pardoning to tragicomic "theaters of pardoning" in the drama and politics of seventeenth-century England. Shifts in how pardoning was represented on the stage and discussed in political tracts and in Parliament reflected the transition from a more monarchical and judgment-focused form of the concept to an increasingly parliamentary and legislative vision of sovereignty.

Meyler shows that on the English stage, individual pardons of revenge subtly transformed into more sweeping pardons of revolution, from Shakespeare's Measure for Measure, where a series of final pardons interrupts what might otherwise have been a cycle of revenge, to later works like John Ford's The Laws of Candy and Philip Massinger's The Bondman, in which the exercise of mercy prevents the overturn of the state itself. In the political arena, the pardon as a right of kingship evolved into a legal concept, culminating in the idea of a general amnesty, the "Act of Oblivion," for actions taken during the English Civil War. Reconceiving pardoning as law-giving effectively displaced sovereignty from king to legislature, a shift that continues to attract suspicion about the exercise of pardoning. Only by breaking the connection between pardoning and sovereignty that was cemented in seventeenth-century England, Meyler concludes, can we reinvigorate the pardon as a democratic practice.

Автор: P. Sieber
Название: Theaters of Desire: Authors, Readers, and the Reproduction of Early Chinese Song-Drama, 1300–2000
ISBN: 1403961948 ISBN-13(EAN): 9781403961945
Издательство: Springer
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Цена: 97820.00 T
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Описание: Blending a flair for textual nuance with theoretical engagement, Theaters of Desire not only contributes to our understanding of the most influential form of early Chinese song-drama in local and international cultural contexts, but adds a Chinese perspective to the scholarship on print culture, authorship, and the regulatory discourses of desire.

Автор: Lopez
Название: Theatrical Convention and Audience Response in Early Modern Drama
ISBN: 0521820065 ISBN-13(EAN): 9780521820066
Издательство: Cambridge Academ
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Цена: 95040.00 T
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Описание: In this comprehensive survey of the diverse, theatrically vital formal conventions of the drama of Shakespeare and his contemporaries, Lopez proposes that understanding the potential for theatrical failure - the way playwrights anticipated it and audiences responded to it - is crucial for understanding how the drama succeeded on the stage.

Автор: Roland Krebs
Название: De Gottsched a Goethe- Von Gottsched bis Goethe: 24 etudes sur le theatre allemand- 24 Untersuchungen zur Geschichte des deutschen Theaters
ISBN: 3034310676 ISBN-13(EAN): 9783034310673
Издательство: Peter Lang
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Цена: 107780.00 T
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Описание: Ce volume regroupe 24 etudes en francais et en allemand qui traitent de la naissance et du developpement du theatre national allemand au cours du XVIIIe siecle. Publiees a l’origine dans des revues ou des ouvrages collectifs, elles deviennent aujourd’hui pour la premiere fois aisement accessibles au lecteur sous une forme revisee. La premiere partie est centree sur des questions d’histoire theatrale. Elle presente d’abord le sens et l’enjeu de la reforme de Gottsched, puis traite de la recherche d’un nouveau public, de la creation de la critique theatrale, de la relation entre Eglise et theatre, comediens et spectateurs. La seconde examine plus particulierement la relation entre l’aire culturelle francaise et allemande dans le domaine de la theorie dramatique et de l’art de l’acteur ainsi que l’effet de la guerre de Sept Ans sur la production dramatique. La troisieme partie analyse un certain nombre d’oeuvres representatives de la periode qui va de Lessing a Schiller et a Goethe qui ont jete les bases du premier repertoire litterairement exigeant du theatre professionnel de langue allemande nouvellement cree. Vorliegender Band enthalt 24 Untersuchungen in franzosischer und deutscher Sprache, die von der Entstehung und der Entwicklung des deutschen Nationaltheaters im 18. Jahrhundert handeln. Sie wurden ursprunglich in verschiedenen Zeitschriften oder Sammelbanden publiziert und sind heute zum ersten Mal dem Leser in uberarbeiteter Form zuganglich. Der erste Teil ist theatergeschichtlich orientiert. Er erhellt zunachst Sinn und Anliegen von Gottscheds Theaterreform. Behandelt werden auch die Suche nach einem neuen Publikum, das Entstehen der Theaterkritik, das Verhaltnis zwischen Kirche und Theater, sowie zwischen Schauspielern und Zuschauern. Der zweite Teil behandelt insbesondere die Beziehungen zwischen dem franzosischen und dem deutschen Kulturraum auf dem Gebiet der Dramentheorie und der Schauspielkunst und untersucht die Wirkung des Siebenjahrigen Kriegs auf die Dramenproduktion. Im dritten Teil werden reprasentative dramatische Werke aus der Zeit von Lessing bis zu Schiller und Goethe interpretiert, die die Grundlage fur das erste literarisch anspruchsvolle Repertoire des neugegrundeten deutschsprachigen Berufstheaters schufen.