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Online Music Distribution - How Much Exclusivity Is Needed?: A Study of International, European, German and U.S. Copyright Systems and Their Objective, Malevanny Nikita


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Цена: 139750.00T
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Автор: Malevanny Nikita
Название:  Online Music Distribution - How Much Exclusivity Is Needed?: A Study of International, European, German and U.S. Copyright Systems and Their Objective
ISBN: 9783662597019
Издательство: Springer
Классификация:


ISBN-10: 3662597012
Обложка/Формат: Paperback
Страницы: 423
Вес: 0.63 кг.
Дата издания: 16.09.2020
Серия: Munich studies on innovation and competition
Язык: English
Издание: 1st ed. 2019
Иллюстрации: 8 illustrations, color; 6 illustrations, black and white; xxix, 423 p. 14 illus., 8 illus. in color.
Размер: 23.39 x 15.60 x 2.34 cm
Читательская аудитория: Professional & vocational
Подзаголовок: A study of international, european, german and u.s. copyright systems and their objectives
Ссылка на Издательство: Link
Рейтинг:
Поставляется из: Германии
Описание: This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In turn, Part II will above all appeal to scholars interested in law and economics and in the theoretical foundations of online music copyright.

Online Music Distribution - How Much Exclusivity Is Needed?

Автор: Nikita Malevanny
Название: Online Music Distribution - How Much Exclusivity Is Needed?
ISBN: 3662596989 ISBN-13(EAN): 9783662596982
Издательство: Springer
Рейтинг:
Цена: 139750.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание:

This book analyzes regulatory models established in the field of online music distribution, and examines their consistency with the overarching objectives of copyright law. In order to do so, the book takes a deep dive into the provisions of international treaties, EU Directives as well as the German and US copyright systems and case law. It subsequently scrutinizes the identified regulatory models from the standpoint of the copyright’s objectives with regard to incentives, rewards, a level playing field, and dissemination. Lastly, it endorses the improved market-based statutory license as a preferable instrument in the online music field.
The book is intended for all readers with an interest in music copyright law. Part I will especially benefit copyright scholars and practitioners seeking in-depth insights into the current legal situation regarding streaming and downloading. In turn, Part II will above all appeal to scholars interested in “law and economics” and in the theoretical foundations of online music copyright. Policy recommendations can be found in Part III.


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