Silence and Subject in Modern Literature: Spoken Violence, Olsson U.
Автор: Nabokov Vladimir Название: Lectures on Russian Literature ISBN: 0156027763 ISBN-13(EAN): 9780156027762 Издательство: Hachette Book Group Цена: 12530.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The acclaimed author presents his unique insights into the works of great Russian authors including Tolstoy, Dostoevsky, Gogol, Gorky, and Chekhov.
In the 1940s, when Vladimir Nabokov first embarked on his academic career in the United States, he brought with him hundreds of original lectures on the authors he most admired. For two decades those lectures served as the basis for Nabokov's teaching, first at Wellesley and then at Cornell, as he introduced undergraduates to the delights of great fiction.
This volume collects Nabokov's famous lectures on nineteenth-century Russian literature, with analysis and commentary on Nikolay Gogol's Dead Souls and "The Overcoat"; Ivan Turgenev's Fathers and Sons; Maxim Gorky's "On the Rafts"; Leo Tolstoy's Anna Karenina and The Death of Ivan Ilych; two short stories and a play by Anton Chekhov; and several works by Fyodor Dostoevsky, including Crime and Punishment, The Idiot, and The Possessed.
This volume also includes Nabokov's lectures on the art of translation, the nature of Russian censorship, and other topics. Featured throughout the volume are photographic reproductions of Nabokov's original notes.
"This volume . . . never once fails to instruct and stimulate. This is a great Russian talking of great Russians."--Anthony Burgess Introduction by Fredson Bowers
Автор: Olsson Ulf Название: Silence and Subject in Modern Literature ISBN: 1137350989 ISBN-13(EAN): 9781137350985 Издательство: Springer Рейтинг: Цена: 83850.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Why does interrogation silence its object and not make it speak? Silence vs speech is a central issue in classical and modern literary works. This book studies literary representations of the power relations in which we are forced to speak using a range of texts ranging from the modern crime novel, via classics, to avant-garde plays.
Автор: Lelekis Debbie Название: American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence ISBN: 1498506356 ISBN-13(EAN): 9781498506359 Издательство: Неизвестно Рейтинг: Цена: 157870.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: American Literature, Lynching, and the Spectator in the Crowd: Spectacular Violence examines spectatorship in American literature at the turn of the twentieth century, focusing on texts by Theodore Dreiser, Miriam Michelson, Irvin S. Cobb, and Paul Laurence Dunbar. The spectator functions as a lens through which we view the relationship between violence and social change as depicted in the politically-charged crowds of fictional lynch mob scenes that expose the central tension of American democracy--the struggle for balance between the rights of the individual and the demands of the community. This has played out in American fiction through clashes between crowds and the primarily rural images that have so often been used to describe America. While this pastoral vision of America has dominated the study of American literature, this book argues for a reassessment of fiction that takes into consideration that the way the country defines itself collectively is as significant as the way its people define themselves individually. This study distinguishes itself from others by bringing together journalism, crowds, lynching, spectatorship, and literature in new and innovative ways that uncover how American literature at the turn of the twentieth century confronted and pushed beyond passive observation and static visual performances, which are traditionally associated with the terms "spectator" and "spectacle." The crowds in fictional lynch mob scenes clash with the idea of positive collective action because the crowd's vigilantism defies legitimate legal and democratic processes. Lynch mobs, in contrast to other crowds like strikes or political rallies, do not reclaim the democratic process from the control of the powerful and wealthy, but rather oppose those practices violently without regard to justice. As a figure who is simultaneously within and outside the crowd, the spectator (often in the form of a reporter character) is in a unique position to express the fractures occurring between the individual and the collective in American society. Racial conflicts are a key aspect of the crowd scenes examined. American writers contended with these issues by using the spectator to observe, question, and challenge readers to consider the impact on the structure of American society.
Автор: Quinones Ricardo J. Название: The Changes of Cain: Violence and the Lost Brother in Cain and Abel Literature ISBN: 0691605793 ISBN-13(EAN): 9780691605791 Издательство: Wiley Рейтинг: Цена: 44350.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Era by era, from the writings of the classical Christian epoch up to East of Eden and Amadeus, from Philo to Finnegans Wake, Ricardo Quinones examines the contexts of a master metaphor of our culture. This brilliant work is the first comprehensive book on the Cain and Abel story. "Ricardo Quinones takes us on a grand tour of Western civilization i
Автор: Joyce Wexler Название: Violence Without God: The Rhetorical Despair of Twentieth-Century Writers ISBN: 1501325280 ISBN-13(EAN): 9781501325281 Издательство: Bloomsbury Academic Рейтинг: Цена: 26390.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Автор: Joyce Wexler Название: Violence Without God: The Rhetorical Despair of Twentieth-Century Writers ISBN: 1501325299 ISBN-13(EAN): 9781501325298 Издательство: Bloomsbury Academic Рейтинг: Цена: 100320.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler’s investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Doblin, Gunter Grass, Gabriel Garcia Marquez, Salman Rushdie, and W. G. Sebald.
Автор: Marina MacKay Название: Modernism, War, and Violence ISBN: 1472590066 ISBN-13(EAN): 9781472590060 Издательство: Bloomsbury Academic Рейтинг: Цена: 79200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism’s extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.
Автор: Marina MacKay Название: Modernism, War, and Violence ISBN: 1472590074 ISBN-13(EAN): 9781472590077 Издательство: Bloomsbury Academic Рейтинг: Цена: 28500.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The modernist period was an era of world war and violent revolution. Covering a wide range of authors from Joseph Conrad and Thomas Hardy at the beginning of the period to Elizabeth Bowen and Samuel Beckett at the end, this book situates modernism’s extraordinary literary achievements in their contexts of historical violence, while surveying the ways in which the relationships between modernism and conflict have been understood by readers and critics over the past fifty years. Ranging from the colonial conflicts of the late 19th century to the world wars and the civil wars in between, and concluding with the institutionalization of modernism in the Cold War, Modernism, War, and Violence provides a starting point for readers who are new to these topics and offers a comprehensive and up-to-date survey of the field for a more advanced audience.
Автор: Foerster Maxime Название: The Politics of Love: Queer Heterosexuality in Nineteenth-Century French Literature ISBN: 1512601705 ISBN-13(EAN): 9781512601701 Издательство: Turpin Рейтинг: Цена: 41380.00 T Наличие на складе: Невозможна поставка. Описание: Convincingly shows how heterosexual couples as depicted in nineteenth-century French literature challenged traditional norms of both gender and sexuality
Автор: Cristopher Hollingsworth Название: Alice beyond Wonderland: Essays for the Twenty-first Century ISBN: 1609385136 ISBN-13(EAN): 9781609385132 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 30490.00 T Наличие на складе: Невозможна поставка. Описание: Explores the ubiquitous power of Lewis Carroll`s imagined world. Including work by some of the most prominent contemporary scholars in the field of Lewis Carroll studies, Alice beyond Wonderland considers the literary, imaginative, and cultural influences of Carroll`s 19th-century story on the high-tech, postindustrial cultural space of the twenty-first century.
Автор: Yuknavitch Название: Allegories of Violence ISBN: 0415866782 ISBN-13(EAN): 9780415866781 Издательство: Taylor&Francis Рейтинг: Цена: 51030.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Allegories of Violence demilitarizes the concept of war and asks what would happen if we understood war as discursive via late 20th Century novels of war.
Автор: Jonathan Taylor Название: Laughter, Literature, Violence, 1840–1930 ISBN: 3030114120 ISBN-13(EAN): 9783030114121 Издательство: Springer Рейтинг: Цена: 65210.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Laughter, Literature, Violence, 1840-1930 investigates the strange, complex, even paradoxical relationship between laughter, on the one hand, and violence, war, horror, death, on the other. It does so in relation to philosophy, politics, and key nineteenth- and twentieth-century literary texts, by Edgar Allan Poe, Edmund Gosse, Wyndham Lewis and Katherine Mansfield – texts which explore the far reaches of Schadenfreude, and so-called ‘superiority theories’ of laughter, pushing these theories to breaking point. In these literary texts, the violent superiority often ascribed to laughter is seen as radically unstable, co-existing with its opposite: an anarchic sense of equality. Laughter, humour and comedy are slippery, duplicitous, ambivalent, self-contradictory hybrids, fusing apparently discordant elements. Now and then, though, literary and philosophical texts also dream of a different kind of laughter, one which reaches beyond its alloys – a transcendent, ‘perfect’ laughter which exists only in and for itself.
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