Diasporic Generations: Memory, Politics, and Nation Among Cubans in Spain, Berg Mette Louise
Автор: Sherry S. Yu Название: Diasporic Media beyond the Diaspora: Korean Media in Vancouver and Los Angeles ISBN: 0774835788 ISBN-13(EAN): 9780774835787 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 62700.00 T Наличие на складе: Невозможна поставка. Описание: Media for diasporic communities have emerged in major cities and reflect a multicultural, multiethnic, and multilingual reality. But do these media serve their respective communities exclusively, or are they available and accessible to members of greater society at large? Diasporic Media beyond the Diaspora explores structural and institutional challenges and opportunities for these media and suggests policy directions with the aim of fostering broader intercultural dialogue. Using case studies of Korean media in Vancouver and Los Angeles, Sherry Yu examines the potential of an intercultural media system for culturally, ethnically, and linguistically diverse societies.
Автор: Hг(c)Lг(c)Non V., Hйlйnon Vйronique Название: French Caribbeans in Africa: Diasporic Connections and Colonial Administration, 1880-1939 ISBN: 1349289914 ISBN-13(EAN): 9781349289912 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is the first book-length study of the French Caribbean presence in Africa, and serves as a unique contribution to the field of African Diaspora and Colonial studies. By using administrative records, newspapers, and interviews, it explores the French Caribbean presence in the colonial administration in Africa before World War II.
Автор: Gray Dulce Mar Название: Meanderings on the Making of a Diasporic Hybrid Identity ISBN: 0761860223 ISBN-13(EAN): 9780761860228 Издательство: Неизвестно Рейтинг: Цена: 119550.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: After the United States invaded the Dominican Republic in 1965, over a million Dominicans immigrated to America. Their cultural notions clashed with American ideals, creating problems for the Dominican community. This book examines one Dominican American`s experiences leaving the Dominican Republic and living in an often-hostile American society.
In The Pursuit of Happiness Bianca C. Williams traces the experiences of African American women as they travel to Jamaica, where they address the perils and disappointments of American racism by looking for intimacy, happiness, and a connection to their racial identities. Through their encounters with Jamaican online communities and their participation in trips organized by Girlfriend Tours International, the women construct notions of racial, sexual, and emotional belonging by forming relationships with Jamaican men and other "girlfriends." These relationships allow the women to exercise agency and find happiness in ways that resist the damaging intersections of racism and patriarchy in the United States. However, while the women require a spiritual and virtual connection to Jamaica in order to live happily in the United States, their notion of happiness relies on travel, which requires leveraging their national privilege as American citizens. Williams's theorization of "emotional transnationalism" and the construction of affect across diasporic distance attends to the connections between race, gender, and affect while highlighting how affective relationships mark nationalized and gendered power differentials within the African diaspora.
In The Pursuit of Happiness Bianca C. Williams traces the experiences of African American women as they travel to Jamaica, where they address the perils and disappointments of American racism by looking for intimacy, happiness, and a connection to their racial identities. Through their encounters with Jamaican online communities and their participation in trips organized by Girlfriend Tours International, the women construct notions of racial, sexual, and emotional belonging by forming relationships with Jamaican men and other "girlfriends." These relationships allow the women to exercise agency and find happiness in ways that resist the damaging intersections of racism and patriarchy in the United States. However, while the women require a spiritual and virtual connection to Jamaica in order to live happily in the United States, their notion of happiness relies on travel, which requires leveraging their national privilege as American citizens. Williams's theorization of "emotional transnationalism" and the construction of affect across diasporic distance attends to the connections between race, gender, and affect while highlighting how affective relationships mark nationalized and gendered power differentials within the African diaspora.
In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.
In Jamaican dancehalls competition for the video camera's light is stiff, so much so that dancers sometimes bleach their skin to enhance their visibility. In the Bahamas, tuxedoed students roll into prom in tricked-out sedans, staging grand red-carpet entrances that are designed to ensure they are seen being photographed. Throughout the United States and Jamaica friends pose in front of hand-painted backgrounds of Tupac, flashy cars, or brand-name products popularized in hip-hop culture in countless makeshift roadside photography studios. And visual artists such as Kehinde Wiley remix the aesthetic of Western artists with hip-hop culture in their portraiture. In Shine, Krista Thompson examines these and other photographic practices in the Caribbean and United States, arguing that performing for the camera is more important than the final image itself. For the members of these African diasporic communities, seeking out the camera's light—whether from a cell phone, Polaroid, or video camera—provides a means with which to represent themselves in the public sphere. The resulting images, Thompson argues, become their own forms of memory, modernity, value, and social status that allow for cultural formation within and between African diasporic communities.
A Party for Lazarus is the story of a Cuban family, six generations removed from slavery, struggling to honor their ancestors amid changing fortunes and a crumbling state. It is an intimate portrait of an intergenerational family saga involving the future of an annual feast to celebrate ancestors and oris s--the life-changing spirits at the center of Black Atlantic religious life. Based on twenty years of fieldwork, Todd Ram n Ochoa's masterful ethnography shows how oris praise and everyday life have changed in revolutionary Cuba over two decades of economic hardship.
Название: Miami`s forgotten cubans ISBN: 1137575239 ISBN-13(EAN): 9781137575234 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Introduction: "What if Eliбn was black?".- 1 "It's Like Cubans Could Only Be White," Divided Arrival: Origins of a Racially Bifurcated Migration.- 2 Beyond El Ajiaco: Eviction from el Exilio (1959-1979).- 3 "You ain't black, you Cuban!"- Mariels, Stigmatization and the Politics of De-Racialization (1980-1989).- 4 "They would have tossed him back into the sea," Balseros, Eliбn and Race-Gender Matters in the Miami Latinx Millennium.- 5 From la Cuba de Ayer to el Miami De Ayer: The Cuban "Ethnic" Myth in Contemporary Context.- 6 Between "Laws and Practice," Blacks, Latinxs, Afro-Cubans/Latinxs and Public Policy.
A Party for Lazarus is the story of a Cuban family, six generations removed from slavery, struggling to honor their ancestors amid changing fortunes and a crumbling state. It is an intimate portrait of an intergenerational family saga involving the future of an annual feast to celebrate ancestors and oris s--the life-changing spirits at the center of Black Atlantic religious life. Based on twenty years of fieldwork, Todd Ram n Ochoa's masterful ethnography shows how oris praise and everyday life have changed in revolutionary Cuba over two decades of economic hardship.
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