Автор: Wood Claire Название: Dickens and the Business of Death ISBN: 110749155X ISBN-13(EAN): 9781107491557 Издательство: Cambridge Academ Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: In this fascinating, full-length study surveying the diverse ways in which a living was made from death, Claire Wood examines Dickens`s creative works, including The Old Curiosity Shop and Our Mutual Friend, within the context of his attitude towards the Victorian commodification of death.
Автор: Hughes Linda K., Lund Michael Название: The Victorian Serial ISBN: 0813929385 ISBN-13(EAN): 9780813929385 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Linda K. Hughes and Michael Lund provide a new approach to the study of installment literature by showing how it embodied a view of life intrinsic to Victorian culture. They examine how the serial format affected the ways Victorian audiences interpreted sixteen major works of poetry and fiction. Their findings show that Victorian interpretations were different from those of twentieth century single-volume readings.
Hughes and Lund conclude that in order to understand Victorian literature, we must understand serialization, since it was the vehicle for the best literature of the age. Further, they assert we must understand serialization as a literary form attuned to the fundamental spirit of the age.
Автор: David G. Riede Название: Matthew Arnold and the Betrayal of Language ISBN: 0813911494 ISBN-13(EAN): 9780813911496 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 65610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Matthew Arnold was one of the nineteenth century's greatest spokesmen for the saving power of culture, especially of poetry, to substitute for a vanishing religion. Yet he was persistently troubled throughout his career by the difficulty of finding adequate authority in language. Matthew Arnold and the Betrayal of Language explores Arnold's attempts to find an authoritative language, and argues that his occasional claims for such a language reveal more uneasiness than confidence in the value of ""letters."" It examines Arnold's poetry within this context and demonstrates that his various experiments - to speak in oracular voice, to use classic forms, to achieve a grand style - and their failures, reflect the inevitable difficulties facing any poet in an age of intellectual and cultural upheaval. Riede argues that Arnold's determined efforts to write with authority, combined with his deep-seated suspicion of his medium, result in an exciting if often agonized tension in his poetic language - a language that strains against its inevitable but generally unacknowledged limitations.
Автор: Daniel Albright Название: Tennyson: The Muses` Tug of War ISBN: 0813911001 ISBN-13(EAN): 9780813911007 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 65610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: "Albright contends that Tennyson`s "aesthetic goals were... in conflict" and that his poetry attempts to "unite two incompatible poetics`,` one governed by a heavenly muse, the other by an earthly muse suspicious of the idealizations and abstractions held dear by the first. The result is a poetry of "myopia and astigmatism".
Автор: Frost Ginger S. Название: Promises Broken: Courtship, Class, and Gender in Victorian England ISBN: 0813929342 ISBN-13(EAN): 9780813929347 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38040.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
In the nineteenth century, a woman who could prove a man had broken his promise to marry her was legally entitled to compensation for damages. Bridging the gap between history and literature, Ginger S. Frost offers an in-depth examination of these breaches of promise and compares actual with fictional cases. Althought the most important factor in determining the outcome of such trials was gender, class was also vital in assessing the suitability of mates. Promises Broken highlights the courtship practices of lower- and middle- class Victorians, a group much neglected in previous scholarship.
Автор: Seaton Beverly Название: The Language of Flowers: A History ISBN: 0813929423 ISBN-13(EAN): 9780813929422 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The author traces the phenomenon of ascribing sentimental meaning to floral imagery from its beginnings in Napoleonic France through its later transformations in England and America. At the heart of the book is a depiction of what the three most important flower books from each of the countries divulge about the period and the respective cultures. Seaton shows that the language of flowers was not a single and universally understood correlation of flowers to meanings that men and women used to communicate in matters of love and romance. The language differs from book to book, country to country. To place the language of flowers in social and literary perspective, the author examines the nineteenth-century uses of flowers in everyday life and in ceremonies and rituals and provides a brief history of floral symbolism. She also discusses the sentimental flower book, a genre especially intended for female readers. Two especially valuable features of the book are its table of correlations of flowers and their meanings from different sourcebooks and its complete bibliography of language of flower titles. This book will appeal not only to scholars in Victorian studies and women's studies but also to art historians, book collectors, museum curators, historians of horticulture, and anyone interested in nineteenth-century popular culture.
Автор: Dooley Allan C. Название: Author and Printer in Victorian England ISBN: 0813929318 ISBN-13(EAN): 9780813929316 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Author and Printer in Victorian England demonstrates that printing technology shapes texts. The technology involved was a nineteenth-century revolution in printing methods; the texts were classic literary works by Victorian authors. What was at stake was textual control: who would decide how the text would read-author, compositor, printer's reader, or publisher? In a unique fusion of literary history and printing history, Allan C. Dooley explores the interactions between individual authors and their publishers and printers. He takes the reader through each stage of a work's development, illustrating how authors attempted to perfect and protect their writings from compositional manuscript through stereotyped reprints. His analysis includes details of a wide range of technical innovations and changes in practices in the printing of books between the development of printing machines in the 1830s and 1840s and the introduction of the Linotype in the 1890s. Drawing on the experiences of leading Victorian authors, he shows how nineteenth-century printing practices both enhanced and diminished writers' abilities to control texts. He reveals that much more was under their control than has commonly been believed and that many authors took advantage of printing technologies in order to gain and maintain control over the texts of their works. But new kinds of errors and new sources of inaccuracy were introduced by the technology as well.
Автор: Skoblow Jeffrey Название: Paradise Dislocated: Morris, Politics, Art ISBN: 081392944X ISBN-13(EAN): 9780813929446 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Paradise Dislocated offers a radical rereading of William Morris's neglected masterpiece, The Earthly Paradise. While most critics have seen this poem as the antithesis of the radical socialist politics that Morris embraced later in his career, or, at best, as an awkward prelude to that later development, Jeffrey Skoblow proposes that The Earthly Paradise is in fact central to Morris's political vision-indeed, it is the most radical manifestation of that vision. Paradise Dislocated explores the problematic relations between critical thought, art, utopian aspirations, and dystopian realities. It proposes a revaluation of Morris's poem and of his career as a whole, as well as a judgement upon the possibilities (and impossibilities) of imaginative and cultural criticism at Morris's moment-and at our own.
Автор: Peter L. Shillingsburg Название: Pegasus in Harness ISBN: 0813913977 ISBN-13(EAN): 9780813913971 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 49740.00 T Наличие на складе: Невозможна поставка. Описание: In this fresh look at the relationship between an author and his publishers, Peter L. Shillingsburg reassesses W.M. Thackeray's writing within the context of the Victorian marketplace. He explores the forces under which Thackeray wrote, and addresses the broader question of the extent to which authors are free to invent their books given the influences of theoretical trends and the publishing marketplace. Rejecting both the Romantic notion of the autonomous genius and the Marxist concept of social and economic determinism, Shillingsburg presents a concept of the artist as being, simultaneously, bound and free, a ""Pegasus in harness"". In addition to being an intense examination of the contractual relations between Thackeray and several publishers, Pegasus in Harness presents a compendium of information about Victorian book production, publishing and bookselling. Shillingsburg's analysis of book production is an example of original research that goes far beyond anything currently available. His documentation includes extensive quotations from 350 unpublished letters between Thackeray and his publishers and copies of all the surviving contracts for Thackeray's books. Contrary to popular opinion about Thackeray, Shillingsburg portrays him as a thoroughly professional writer. He traces Thackeray's economic progression and unfolds the development of Thackeray's notion of authorship as a dignified trade in which compromises were constantly being struck between the aspirations of the author and the realities of the marketplace. In this assessment, the social and contractual forces that both enabled and limited the writing and publishing of books influenced but did not control the artist. A synthesis of theory, history, biography and sociology, this book looks at the way in which literary texts are created, published and marketed, and explores how they can be shaped by the cultural conditions surrounding their creation.
As London became the first major city of the nineteenth century, new models of representation emerged in the journalism, poetry, fiction, and social commentary of the period. Simon Joyce argues that such writing reflected a persistent worry about the problem of crime but was never able to contain it. Such commentators as Wordsworth, Dickens, Mayhew, Stevenson, Conan Doyle, Booth, and Wilde all struggled with the same questions about how to represent London and the relations among its varied populations, yet their accounts often undermined one another.
Whereas Victorian social science presumed a correlation between criminal activity, geographical residence, and social class, the popular literature of the period often sought just as strenuously to deny the link, giving rise to privileged and pathological offenders like Dorian Gray and Dr. Jekyll. This in turn shifted attention away from the urban slums that had been the setting for the so-called Newgate novels of the 1830s and 1840s. By 1900, crime appears as a distinctively modern problem, requiring large-scale solutions and government intervention in place of an older approach that was rooted in personal morality or philanthropic paternalism.
Illustrating "literary geography" in which physical space is not merely a backdrop for the plot but an integral element in shaping textual meaning Simon Joyce's Capital Offenses reveals how certain geographical patterns can not only give weight to interpretive meanings already suggested in the texts but also enable us to read them in a new and surprising light.
Simon Joyce is Associate Professor of English and Director of Literary and Cultural Studies at the College of William and Mary.
Victorian Literature and Culture Series"
Автор: E. Warwick Slinn Название: The Discourse of Self in Victorian Poetry ISBN: 0813929458 ISBN-13(EAN): 9780813929453 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 38810.00 T Наличие на складе: Невозможна поставка. Описание: Places Victorian poetry within the context of a radical shift over the last 150 years in the key European model for human definition and experience - from the metaphor of self to the metaphor of text. In this innovative approach Warwick Slinn examines the continuities from Hegel to Derrida in order to explain the force and challenge of poetry which disrupts the assumptions of idealist lyricism.
Автор: Riede David G. Название: Matthew Arnold and the Betrayal of Language ISBN: 0813935806 ISBN-13(EAN): 9780813935805 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33860.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Matthew Arnold was one of the nineteenth century's greatest spokesmen for the saving power of culture, especially of poetry, to substitute for a vanishing religion. Yet he was persistently troubled throughout his career by the difficulty of finding adequate authority in language. Matthew Arnold and the Betrayal of Language explores Arnold's attempts to find an authoritative language, and argues that his occasional claims for such a language reveal more uneasiness than confidence in the value of ""letters."" It examines Arnold's poetry within this context and demonstrates that his various experiments - to speak in oracular voice, to use classic forms, to achieve a grand style - and their failures, reflect the inevitable difficulties facing any poet in an age of intellectual and cultural upheaval. Riede argues that Arnold's determined efforts to write with authority, combined with his deep-seated suspicion of his medium, result in an exciting if often agonized tension in his poetic language - a language that strains against its inevitable but generally unacknowledged limitations.
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