The Dancing Body in Renaissance Choreography: Kinetic Theatricality and Social Interaction 9781785278013

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Автор: Franko Mark
Название: The Dancing Body in Renaissance Choreography: Kinetic Theatricality and Social Interaction
ISBN: 9781785278013
Издательство: Anthem Press
Классификация:

Танцы

ISBN-10: 1785278010
Обложка/Формат: Hardcover
Страницы: 250
Вес: 0.45 кг.
Дата издания: 02.11.2021
Серия: Anthem studies in theatre and performance
Язык: English
Размер: 22.91 x 15.29 x 2.59 cm
Читательская аудитория: Professional & vocational
Подзаголовок: Kinetic theatricality and social interaction
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Поставляется из: США
Описание:

Renaissance dance treatises claim that the dance is a language but do not explain how or what dancing communicates. Since the body is the instrument of this hypothetical language, The Dancing Body in Renaissance Choreography problematizes the absence of the dancing body in treatises in order to reconstruct it through a series of intertextual readings triggered by Thoinot Arbeaus definition of dance as a mute rhetoric in Orchesographie. This book shows that the oratorical model for Arbeaus definition of the dance is epideictic and that although one cannot equate dance and oratorical action, the ends of oratorical action are those of dance: persuasion through charm and emotion.

The analysis of the rhetorical intertext opens the way to a sociological one. Through a reading of courtesy books as well as a chapter of Tuccaros LArt de Sauter et Voltiger en lair it is shown that dance and social behavior were not discontinuous in the Renaissance. Instructions for the body can be divided into the categories of the pose and movement. They are examined as a model for the most important and widely practiced dance of the Renaissance: the basse danse. The characteristic motion resides in an opposition as well as an interpenetration of stillness and mobility. This is developed through a reading of fifteenth-century dance theorists concept of misura and fantasmata. Stefano Guazzos La Civil Conversazione is used as a textual interpretant to ascertain the strategy of movement and the pose in the interaction between dancer and spectator.

The Dancing Body in Renaissance Choreography: Kinetic Theatricality and Social Interaction, Franko Mark