Steampunk: Gender, Subculture and the Neo-Victorian, Claire Nally
Автор: Brummett Barry Название: Clockwork Rhetoric: The Language and Style of Steampunk ISBN: 1496809750 ISBN-13(EAN): 9781496809759 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 29260.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This unique book explores how the aesthetic and cultural movement ""Steampunk"" persuades audiences and wins new acolytes. Steampunk is an aesthetic style grounded in the Victorian era, in clothing and accoutrements modeled on a heightened and hyper-extended age of steam. In addition to its modeling of attire and other symbolic trappings, what is most distinctive is its adherents' use of a machined aesthetic based on steam engines and early electrical machinery - gears, pistons, shafts, wheels, induction motors, clockwork and so forth.Precursors to steampunk can be found in the works of Jules Verne and H. G. Wells. The imagery of the American West contributed to the aesthetic - revolvers, locomotives, and rifles of the late nineteenth century. Among young people, steampunk has found common aesthetic cause with Goth style. Examples from literature and popular culture include William Gibson's fiction, China Mi?ville's novels, the classic film Metropolis, and the BBC series Doctor Who. This volume recognizes that steampunk, a unique popular culture phenomenon, presents a prime opportunity for rhetorical criticism.Steampunk's art, style, and narratives convey complex social and political meanings. Chapters in Clockwork Rhetoric explore topics ranging from jewelry to Japanese anime to contemporary imperialism to fashion. Throughout, the book demonstrates how language influences consumers of steampunk to hold certain social and political attitudes and commitments.
Автор: Whitson, Roger Название: Steampunk and Nineteenth-Century Digital Humanities ISBN: 0367872714 ISBN-13(EAN): 9780367872717 Издательство: Taylor&Francis Рейтинг: Цена: 45930.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Showing how nineteenth-century literary history works when confronted by technological repurposing, electronic-based object work, alternate history, and non-human temporalities, this book theorizes steampunk`s histories and technologies. It examines how the development of steampunk parallels developments in the digital humanities, arguing for a
Автор: Nally, Claire Название: Steampunk ISBN: 1350113182 ISBN-13(EAN): 9781350113183 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What is steampunk? Fashion craze, literary genre, lifestyle - or all of the above? Playing with the scientific innovations and aesthetics of the Victorian era, steampunk creatively warps history and presents an alternative future, imagined from a nineteenth-century perspective. In her interdisciplinary book, Claire Nally delves into this contemporary subculture, explaining how the fashion, music, visual culture, literature and politics of steampunk intersect with theories of gender and sexuality. Exploring and occasionally critiquing the ways in which gender functions in the movement, she addresses a range of different issues, including the controversial trope of the Victorian asylum; gender and the graphic novel; the legacies of colonialism; science and the role of Ada Lovelace as a feminist steampunk icon. Drawing upon interviews, theoretical readings and textual analysis, Nally asks: why are steampunks fascinated by our Victorian heritage, and what strategies do they use to reinvent history in the present?
Автор: Mcallister, Robbie (staffordshire University, Uk) Название: Steampunk film ISBN: 1501368605 ISBN-13(EAN): 9781501368608 Издательство: Bloomsbury Academic Рейтинг: Цена: 34840.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk's indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema.
As the first monograph to consider cinema's unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement's remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk's proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.
Автор: Robbie McAllister Название: Steampunk Film: A Critical Introduction ISBN: 1501331213 ISBN-13(EAN): 9781501331213 Издательство: Bloomsbury Academic Рейтинг: Цена: 126720.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Steampunk Film: A Critical Introduction is a concise and accessible overview of steampunk’s indelible impact within film, and acts as a case study for examining the ways with which genres hybridize and coalesce into new forms. Since the beginning of the 21st century, a series of high-profile and big-budget films have adopted steampunk identities to re-imagine periods of industrial development into fantastical histories where future meets past. By calling this growing mass-cultural fetishism for anachronistic machines into question, this book examines how a retro-futuristic romanticism for technology powered by cogs, pistons and steam-engines has taken center stage in blockbuster cinema. As the first monograph to consider cinema’s unique relationship with steampunk, it places this burgeoning genre in the context of ongoing debates within film theory: each of which reflecting the movement’s remarkable interest in reengineering historical technologies. Rather than acting as a niche subculture, Robbie McAllister argues that steampunk’s proliferation in mainstream filmmaking reflects a desire to reassess contemporary relationships with technology and navigate the intense changes that the medium itself is experiencing in the 21st century.
Автор: Sabry Tarik Название: Arab subcultures ISBN: 1780769024 ISBN-13(EAN): 9781780769028 Издательство: Bloomsbury Academic Рейтинг: Цена: 116160.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Radical new thinking about Arab subcultures from live art to music making
Автор: Barrett Rusty Название: From Drag Queens to Leathermen: Language, Gender, and Gay Male Subcultures ISBN: 0195390172 ISBN-13(EAN): 9780195390179 Издательство: Oxford Academ Рейтинг: Цена: 182010.00 T Наличие на складе: Нет в наличии. Описание: From Drag Queens to Leathermen examines gendered language in six gay male subcultures: drag queens, radical faeries, bears, circuit boys, barebackers, and leathermen. The chapters include ethnographic-based studies of language use in each of these subcultures, with special attention to the ways in which linguistic patterns challenge normative assumptions about gender and sexuality.
Автор: Bentley Название: Youth Subcultures in Fiction, Film and Other Media ISBN: 3319731882 ISBN-13(EAN): 9783319731889 Издательство: Springer Рейтинг: Цена: 102480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Chapter 1. Introduction. Part One. 'Subcultural Fictions'. Chapter 2: Girls on the Rampage: 'Bad Girl' Fiction in 1950s America; Bill Osgerby. Chapter 3: Queering the Grammar School Boy: Class, Sexuality and Authenticity in the works of Colin MacInnes and Ray Gosling; Lucy Robinson and Ben Jones. Chapter 4. Punk Fiction: Punk in Fiction; Nick Bentley. Chapter 5. Styles, 'Codes and Violence': Subcultural Identities in Contemporary Black Writing of Britain; Dave Ellis.- Part Two. Subcultures in Film, TV and Screen Studies. Chapter 6. You're all partied out, dude!: The mainstreaming of heavy metal subcultural tropes, from Bill & Ted to Wayne's World; Andy R. Brown. Chapter 7: The Narrative Nightclub; Matthew Cheeseman and David Forrest. Chapter 8. Don't Look Back in Anger: Manchester, Supersonic and Made of Stone; Beth Johnson. Chapter 9. Mod at the Movies: 'face' and 'ticket' representations of a British subculture; Stephen Glynn.- Part Three. 'Theoretical and Critical Perspectives' in Other Media. Chapter 10. Figures in black: Heavy Metal and the mourning of the working class; Scott Wilson. Chapter 11. Shock Rock Horror! The representation and reception of heavy metal horror films in the 1980s; Nedim Hassan. Chapter 12. Youth, Hysteria and Control in Peter Watkins' Privilege; Rehan Hyder. Chapter 13. Representing Subcultural Identity: A photo-essay of Spanish Graffiti and Street Art; Andrzej Zieleniec. Chapter 14. From Wayward Youth to Teenage Dreamer: Between the Bedroom and the Street; Jo Croft. Chapter 15. From Exaltation to Abjection: depictions of subculture in Quadrophenia and Ill Manors; Keely Hughes. Index
This book offers a theoretically sophisticated and empirically rich study of the intersections of contemporary Christianity and youth culture, focusing on evangelical engagements with punk, hip hop, surfing, and skateboarding. Ibrahim Abraham draws on interviews and fieldwork with dozens of musicians and sports enthusiasts in the USA, UK, Australia, and South Africa, and the analysis of evangelical subcultural media including music, film, and extreme sports Bibles.
Evangelical Youth Culture: Alternative Music and Extreme Sports Subcultures makes innovative use of multiple theories of youth cultures and subcultures from sociology and cultural studies, and introduces the "serious leisure perspective" to the study of religion, youth, and popular culture. Engaging with the experiences of Pentecostal punks, surfing missionaries, township rappers, and skateboarding youth pastors, this book makes an original contribution to the sociology of religion, youth studies, and the study of religion and popular culture.
A series of movies that share images, characters, settings, plots, or themes, film cycles have been an industrial strategy since the beginning of cinema. While some have viewed them as "subgenres," mini-genres, or nascent film genres, Amanda Ann Klein argues that film cycles are an entity in their own right and a subject worthy of their own study. She posits that film cycles retain the marks of their historical, economic, and generic contexts and therefore can reveal much about the state of contemporary politics, prevalent social ideologies, aesthetic trends, popular desires, and anxieties.
American Film Cycles presents a series of case studies of successful film cycles, including the melodramatic gangster films of the 1920s, the 1930s Dead End Kids cycle, the 1950s juvenile delinquent teenpic cycle, and the 1990s ghetto action cycle. Klein situates these films in several historical trajectories—the Progressive movement of the 1910s and 1920s, the beginnings of America's involvement in World War II, the "birth" of the teenager in the 1950s, and the drug and gangbanger crises of the early 1990s. She shows how filmmakers, audiences, film reviewers, advertisements, and cultural discourses interact with and have an impact on the film texts. Her findings illustrate the utility of the film cycle in broadening our understanding of established film genres, articulating and building upon beliefs about contemporary social problems, shaping and disseminating deviant subcultures, and exploiting and reflecting upon racial and political upheaval.
Автор: LeBlanc Lauraine Название: Pretty in Punk: Girls` Gender Resistance in a Boys` Subculture ISBN: 0813526515 ISBN-13(EAN): 9780813526515 Издательство: Mare Nostrum (Eurospan) Цена: 26710.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: What attracts girls to male-dominated youth subcultures like the punk movement? How do girls reconcile a subcultural identity that is deliberately coded masculine with the demands of femininity? This work is an insider`s view of the ways punk girls resist gender roles and create strong identities.
Dangerous. Sexy. All-American—or rather All-World—Girl. Pin Up! The Subculture is the first book to explore the contemporary international subculture of pin up, women (and men) who embrace vintage style, but not vintage values.
Award-winning filmmaker and author Kathleen M. Ryan spent more than five years in the subculture. It’s a world of cat eye makeup, carefully constructed hairstyles, and retro-inspired fashions. But it’s also a world that embraces the ideals of feminism. Beauty, according to the pin up, is found not in body type or skin color, but in the confidence and sexual agency of the individual. Pin ups see their subculture as a way to exert empowerment and control of their own sexual and social identities—something that is part of the pin up’s historical legacy.
This lavishly illustrated book includes interviews with more than fifty international pin ups and helps readers to understand how they use social media and personal interactions to navigate thorny issues such as racism, sexism, homophobia, sizeism, and other difficult topics. Ryan demonstrates how even within subcultures, identity is far from homogeneous. Pin ups use the safety of their shared subcultural values to advocate for social and political change.
A fascinating combination of cultural history, media studies, and oral history, Pin Up! The Subculture is the story about how a subculture is subverting and reviving an historic aesthetic for the twenty-first century.
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