The Modernity of Chinese Postmodern Literature: A Step Beyond Ideology, Alberto Castelli
Автор: Garcia Название: Space and the Postmodern Fantastic in Contemporary Literature ISBN: 113854776X ISBN-13(EAN): 9781138547766 Издательство: Taylor&Francis Рейтинг: Цена: 50010.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Arising from the philosophical conviction that our sense of space plays a direct role in our apprehension and construction of reality (both factual and fictional), this book investigates how conceptions of postmodern space have transformed the history of the impossible in literature. Deeply influenced by the work of Jorge Luis Borges and Julio Cortбzar, there has been an unprecedented rise in the number of fantastic texts in which the impossible is bound to space -- space not as scene of action but as impossible element performing a fantastic transgression within the storyworld. This book conceptualizes and contextualizes this postmodern, fantastic use of space that disrupts the reader's comfortable notion of space as objective reality in favor of the concept of space as socially mediated, constructed, and conventional. In an illustration of the transnational nature of this phenomenon, Garcнa analyzes a varied corpus of the Fantastic in the past four decades from different cultures and languages, merging literary analysis with classical questions of space related to the fields of philosophy, urban studies, and anthropology. Texts include authors such as Julio Cortбzar (Argentina), John Barth (USA), J.G. Ballard (UK), Jacques Sternberg (Belgium), Fernando Iwasaki (Perъ), Juan Josй Millбs (Spain, ) and Йric Faye (France). This book contributes to Literary Theory and Comparative Literature in the areas of the Fantastic, narratology, and Geocriticism and informs the continuing interdisciplinary debate on how human beings make sense of space.
Автор: Joel Evans Название: Conceptualising the Global in the Wake of the Postmodern: Literature, Culture, Theory ISBN: 1108497012 ISBN-13(EAN): 9781108497015 Издательство: Cambridge Academ Рейтинг: Цена: 99270.00 T Наличие на складе: Невозможна поставка. Описание: This book offers an original insight into ways in which the global is being conceptualised in contemporary culture, providing a fresh approach to the field of cultural studies of globalisation. It focuses on contemporary literature, film and theory, arguing that here we can see a resurgence in figurations of totality.
Автор: Gordon E. Slethaug Название: Adaptation Theory and Criticism: Postmodern Literature and Cinema in the USA ISBN: 1623564409 ISBN-13(EAN): 9781623564407 Издательство: Bloomsbury Academic Рейтинг: Цена: 36950.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Traditional critics of film adaptation generally assumed a) that the written text is better than the film adaptation because the plot is more intricate and the language richer when pictorial images do not intrude; b) that films are better when particularly faithful to the original; c) that authors do not make good script writers and should not sully their imagination by writing film scripts; d) and often that American films lack the complexity of authored texts because they are sourced out of Hollywood. The 'faithfulness' view has by and large disappeared, and intertextuality is now a generally received notion, but the field still lacks studies with a postmodern methodology and lens.Exploring Hollywood feature films as well as small studio productions, Adaptation Theory and Criticism explores the intertextuality of a dozen films through a series of case studies introduced through discussions of postmodern methodology and practice. Providing the reader with informative background on theories of film adaptation as well as carefully articulated postmodern methodology and issues, Gordon Slethaug includes several case studies of major Hollywood productions and small studio films, some of which have been discussed before (Age of Innocence, Gangs of New York, and Do the Right Thing) and some that have received lesser consideration (Six Degrees of Separation, Smoke, Smoke Signals, Broken Flowers, and various Snow White narratives including Enchanted, Mirror Mirror, and Snow White and the Huntsman). Useful for both film and literary studies students, Adaptation Theory and Criticism cogently combines the existing scholarship and uses previous theories to engage readers to think about the current state of American literature and film.
Автор: David Cowart Название: The Tribe of Pyn: Library Generations in the Postmodern Period ISBN: 0472072889 ISBN-13(EAN): 9780472072880 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 70230.00 T Наличие на складе: Невозможна поставка. Описание: Offers illuminating readings of several important novelists now at the height of their powers, whose work has received fairly limited scholarly attention thus far. Wrestling with the challenges inherent to distinguishing generational character, Cowart teases out interactions and entanglements that help illuminate the work of the younger writers at the centre of this study.
Автор: Helene Carol Weldt-Basson Название: Postmodern Parody in Latin American Literature ISBN: 3030080129 ISBN-13(EAN): 9783030080129 Издательство: Springer Рейтинг: Цена: 93160.00 T Наличие на складе: Поставка под заказ. Описание: This book examines postmodern parody in Latin American literature as the intersection between ideology construction and deconstruction. Parody’s chief task is to deconstruct and criticize the ideologies behind previous texts. During this process, new ideologies are inevitably constructed. However, postmodernism simultaneously recognizes the partiality of all ideologies and rejects their enthronement as absolute truth. This raises the question of how postmodern parody deals with the paradox inherent in its own existence on the threshold between ideology construction/deconstruction and the rejection of ideology. This book explores the relationship between parody and ideology, as well as this paradox of postmodern parody in works written by writers ranging from early twentieth-century poets to the most recent novel by the Nobel Prize-winning Mario Vargas Llosa. The analyses include such authors as Cristina Peri Rossi, Manuel Puig, Luisa Valenzuela, Enrique S?nchez, Roberto Bola?o, Claudia Pi?eiro, Margarita Mateo Palmer, Boris Salazar and Rosario Ferr?.
Автор: Casey Michael Henry Название: New Media and the Transformation of Postmodern American Literature: From Cage to Connection ISBN: 1350178691 ISBN-13(EAN): 9781350178694 Издательство: Bloomsbury Academic Рейтинг: Цена: 30610.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: How has American literature after postmodernism responded to the digital age? Drawing on insights from contemporary media theory, this is the first book to explore the explosion of new media technologies as an animating context for contemporary American literature. Casey Michael Henry examines the intertwining histories of new media forms since the 1970s and literary postmodernism and its aftermath, from William Gaddis’s J R and Bret Easton Ellis’s American Psycho through to David Foster Wallace’s Infinite Jest. Through these histories, the book charts the ways in which print-based postmodern writing at first resisted new mass media forms and ultimately came to respond to them.
Richard McCormick examines the concepts of postmodernity and postmodernism as they apply to West Germany, discussing them against the background of cultural and political upheaval in that country since the 1960s, rather than exclusively in the more familiar setting of intellectual history. Considering six literary and cinematic texts that are marked by a preoccupation with the self and subjectivity, he underscores the crucial influence of feminism on writers and filmmakers--and on the "postmodern." In a broad international context he describes the conflicting forces that affected the West German student movementthe rationalistic tradition of the Weimar Left and more "irrational" influences such as French existentialism and surrealism (as well as the American "Beat" movement and rock & roll)--and shows how these forces played themselves out so that dogmatic Marxist Leninism was repudiated in favor of a "New Subjectivity.".
At the center of the discussion are the novels Lenz by Peter Schneider, Class Love (Klassenliebe) by Karin Struck, and Devotion by Botho Strauss, and the films Wrong Move written by Peter Handke and directed by Wim Wenders, Germany, Pale Mother by Helma Sanders-Brahms, and The Subjective Factor by Helke Sander. The author shows how ongoing attempts to attack the separation of emotion from reason, life from art, the private from the public, and the personal from the political brought about changes in outlook, from the 1960s to the early 1980s, that are related to the rise of new political movements--ecology, nuclear disarmament, and feminism. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Автор: Prieto E. Название: Literature, Geography, and the Postmodern Poetics of Place ISBN: 1349440701 ISBN-13(EAN): 9781349440702 Издательство: Springer Рейтинг: Цена: 46570.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Using contemporary literary representations of place, this study focuses on works that have participated in the emergence of new conceptions of place and new place-based identities. The analyses draw on research in cultural geography, cognitive science, urban sociology, and globalization studies.
Автор: Bobby Susan Redington Название: Beyond His Dark Materials: Innocence and Experience in the Fiction of Philip Pullman ISBN: 0786465085 ISBN-13(EAN): 9780786465088 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 33270.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Beyond the His Dark Materials series lies a vast fictional realm populated by the many diverse character creations of Philip Pullman. During a more than 30-year career, Pullman has created worlds filled with quests, trials, tragedies and triumphs, and this book explores those worlds. The picture books, novellas and novels written for children, adolescents and adults are analyzed through the themes of innocence and experience, and the journeys Pullman sets his characters on, journeys through which they learn that one must embrace change, loss and suffering to grow in wisdom and grace.
Experimentation with the speech of characters has been hailed by G?rard Genette as “one of the main paths of emancipation in the modern novel.” Dialogue as a stylistic and narrative device is a key feature in the development of the novel as a genre, yet it is also a phenomenon little acknowledged or explored in the critical literature. Fictional Dialogue demonstrates the richness and versatility of dialogue as a narrative technique in twentieth- and twenty-first-century novels by focusing on extended extracts and sequences of utterances. It also examines how different versions of dialogue may help to normalize or idealize certain patterns and practices, thereby excluding alternative possibilities or eliding “unevenness” and differences.
Bronwen Thomas, by bringing together theories and models of fictional dialogue from a wide range of disciplines and intellectual traditions, shows how the subject raises profound questions concerning our understanding of narrative and human communication. The first study of its kind to combine literary and narratological analysis with reference to linguistic terms and models, Bakhtinian theory, cultural history, media theory, and cognitive approaches, this book is also the first to focus in depth on the dialogue novel in the twentieth and twenty-first centuries and to bring together examples of dialogue from literature, popular fiction, and nonlinear narratives. Beyond critiquing existing methods of analysis, it outlines a promising new method for analyzing fictional dialogue.
This book examines Chinese culture under the age of market reforms. Beginning in the early 1990s and on into the new century, fields such as literature and film have been fundamentally transformed by the forces of the market as China is integrated ever more closely into the world economic system. As a result, the formerly unified revolutionary culture has been changed into a pluralized state that reflects the diversity of individual experience in the reform era. New autonomous forms of culture that have arisen include avant-garde as well as commercial literature, and independent film as well as a new entertainment cinema. Chinese people find their experiences of postsocialist modernity reflected in all kinds of new cultural forms as well as critical debates that often question the direction of Chinese society in the midst of comprehensive and rapid change.
This is the first work in English to explore Manchukuo literature in its entirety. It provides comprehensive, in-depth, and thought-provoking research by placing the literary history of Manchukuo from 1937 to 1941 in specific cultural lineages and socio-political contexts and focusing on four major literary groups of that period—the Mansh? r?manha, the Sakubun writers, the Yiwenzhi intellectuals, and the Wenxuan School—to illuminate its underlying intellectual dynamics. As it turns out, Manchukuo literature notably featured multiplicity, ambiguity, and self-reflexivity, which enabled it to transcend the dichotomy of romanticism and realism and that of the colonizers and the colonized. Not unlike a coordinate system, it took modernity and national identity as its horizontal and vertical axes. The Mansh? r?manha and the Sakubun writers respectively adopted an anti-modern or a modernist perspective and unanimously headed towards the intellectual stance of denying their own national identity and merging into the indigenous society of the colony; in comparison, Manchurian intellectuals, as epitomized by the Yiwenzhi School and the Wenxuan School, started from the same purpose of promoting national consciousness, but at last embarked on a bifurcated path to either modernization or cultural regression. Moreover, although the literary writings of these four groups differed much from each other in topics, stylistic features, and narrative modes, they all showed a deep concern for the sufferings of the Manchurian people brought by colonialism, coincidentally directed their criticism or sarcasm against the colonial rule, and thereupon endowed Manchukuo literature with a keynote of darkness.
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