Winner, Premio Flora Tristán Al Mejor Libro, Peru Section, Latin American Studies Association, 2019
After the Spanish victories over the Inca claimed Tawantinsuyu for Charles V in the 1530s, native Andeans undertook a series of perilous trips from Peru to the royal court in Spain. Ranging from an indigenous commoner entrusted with delivering birds of prey for courtly entertainment to an Inca prince who spent his days amid titles, pensions, and other royal favors, these sojourners were both exceptional and paradigmatic. Together, they shared a conviction that the sovereign’s absolute authority would guarantee that justice would be done and service would receive its due reward. As they negotiated their claims with imperial officials, Amerindian peoples helped forge the connections that sustained the expanding Habsburg realm’s imaginary and gave the modern global age its defining character.
Andean Cosmopolitans recovers these travelers’ dramatic experiences, while simultaneously highlighting their profound influences on the making and remaking of the colonial world. While Spain’s American possessions became Spanish in many ways, the Andean travelers (in their cosmopolitan lives and journeys) also helped to shape Spain in the image and likeness of Peru. De la Puente brings remarkable insights to a narrative showing how previously unknown peoples and ideas created new power structures and institutions, as well as novel ways of being urban, Indian, elite, and subject. As indigenous people articulated and defended their own views regarding the legal and political character of the “Republic of the Indians,” they became state-builders of a special kind, cocreating the colonial order.
Автор: Mills Kenneth Название: Idolatry and Its Enemies: Colonial Andean Religion and Extirpation, 1640-1750 ISBN: 0691155488 ISBN-13(EAN): 9780691155487 Издательство: Wiley Рейтинг: Цена: 33790.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Provides material and interpretation for understanding native Andeans and Spanish Christians as participants in a common, if not harmonious, history. This title explores the notions of reformation and correction that fueled the extirpating process in the central Andes, as elsewhere.
Автор: Covey R. Alan Название: Inca Apocalypse: The Spanish Conquest and the Transformation of the Andean World ISBN: 0190299126 ISBN-13(EAN): 9780190299125 Издательство: Oxford Academ Рейтинг: Цена: 32200.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This is a major new history of the Spanish conquest of the Inca empire, set in a larger global context than previous accounts, made possible by new archaeological and archival research. Although based on solid scholarly foundations, Inca Apocalypse will be accessible to non-academic readers.
Автор: Rachel Corr Название: Interwoven: Andean Lives in Colonial Ecuador`s Textile Economy ISBN: 0816537739 ISBN-13(EAN): 9780816537730 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 60990.00 T Наличие на складе: Невозможна поставка. Описание: In the 1600s, Marcos Cunamasi, an Indigenous man in Pelileo, Ecuador, hid his child to protect him from officials who would put the boy to work in the textile mill. Cunamasi was forced to turn him over. Because his young son couldn’t keep up with spinning his quota of wool per day, Cunamasi helped so the child wouldn’t be whipped. After working a year, Cunamasi was paid a shirt and a hat.Interwoven is the untold story of Indigenous people’s historical experience in colonial Ecuador’s textile economy. It focuses on the lives of Native Andean families in Pelileo, a town dominated by one of Quito’s largest and longest-lasting textile mills. Quito’s textile industry developed as a secondary market to supply cloth to mining centers in the Andes; thus, the experience of Indigenous people in Pelileo is linked to the history of mining in Bolivia and Peru.Although much has been written about colonial Quito’s textile economy, Rachel Corr provides a unique perspective by putting Indigenous voices at the center of that history. Telling the stories of Andean families of Pelileo, she traces their varied responses to historical pressures over three hundred years; the responses range from everyday acts to the historical transformation of culture through ethnogenesis. These stories of ordinary Andean men and women provide insight into the lived experience of the people who formed the backbone of Quito’s textile industry.
The Andean Hybrid Baroque is the first comprehensive study of the architecture and architectural sculpture of Southern Peru in the late colonial period (1660s-1820s), an enduring and polemical subject in Latin American art history. In the southern Andes during the last century and a half of colonial rule, when the Spanish crown was losing its grip on the Americas and Amerindian groups began organizing into activist and increasingly violent political movements, a style of architectural sculpture emerged that remains one of the most vigorous and creative outcomes of the meeting of two cultures. The Andean Hybrid Baroque (also known as "Mestizo Style"), was a flourishing school of carving distinguished by its virtuoso combination of European late Renaissance and Baroque forms with Andean sacred and profane symbolism, some of it originating in the pre-Hispanic era. The Andean Hybrid Baroque found its genesis and most comprehensive iconographical expression in the architecture of Catholic churches, chapels, cloisters, and conventual buildings.
Drawing on hundreds of primary documents and on ethno-historical and anthropological literature that has rarely been applied to an art-historical subject, Gauvin Alexander Bailey provides the most substantial study of colonial Peruvian architecture in decades. The product of five years of photographic surveys in Peru, Bolivia, and Argentina, as well as research in governmental and ecclesiastical archives in Latin America and Europe, Bailey's richly illustrated study examines the construction history and decoration of forty-four churches. It offers a fundamentally new understanding of the chronology, regional variations, and diffusion of the Andean Hybrid Baroque style, as well as a fresh interpretation of its relationship to indigenous Andean culture.
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