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Face Me: a declaration, Olivia Keenan


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Цена: 21380.00T
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в Мои желания

Автор: Olivia Keenan
Название:  Face Me: a declaration
ISBN: 9781736545201
Издательство: Gazelle Book Services
Классификация:
ISBN-10: 1736545205
Обложка/Формат: Paperback
Страницы: 134
Вес: 0.16 кг.
Дата издания: 06.04.2021
Серия: Literature/Literary Studies
Язык: English
Размер: 21.59 x 13.97 x 0.74 cm
Читательская аудитория: General (us: trade)
Ключевые слова: Poetry
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Поставляется из: Англии
Описание: Face Me: a declaration reveals the complexities of a mixed race identity through religion, sex, American history, and colorism. The poems in Face Me reject any white supremacy that dictates Biblical interpretations, historical truths, and beauty standards. This collection of poems follows a journey that begins in uncertainty, but concludes in celebration. Within its pages, declarations are unwaveringly signed and spoken. Black bodies are praised and exalted. Faith is reexamined and reclaimed. And Face Me exists not as a question, but as a command.

Volition`s Face: Personification and the Will in Renaissance Literature

Автор: Escobedo Andrew
Название: Volition`s Face: Personification and the Will in Renaissance Literature
ISBN: 0268101663 ISBN-13(EAN): 9780268101664
Издательство: Mare Nostrum (Eurospan)
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Цена: 104500.00 T
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Описание: Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost. These examples demonstrate that literary personification did not amount to a dim reflection of “realistic” fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in medieval studies and Renaissance literature.

Volition`s Face: Personification and the Will in Renaissance Literature

Автор: Escobedo Andrew
Название: Volition`s Face: Personification and the Will in Renaissance Literature
ISBN: 0268101671 ISBN-13(EAN): 9780268101671
Издательство: Mare Nostrum (Eurospan)
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Цена: 33440.00 T
Наличие на складе: Есть у поставщика Поставка под заказ.
Описание: Modern readers and writers find it natural to contrast the agency of realistic fictional characters to the constrained range of action typical of literary personifications. Yet no commentator before the eighteenth century suggests that prosopopoeia signals a form of reduced agency. Andrew Escobedo argues that premodern writers, including Spenser, Marlowe, and Milton, understood personification as a literary expression of will, an essentially energetic figure that depicted passion or concept transforming into action. As the will emerged as an isolatable faculty in the Christian Middle Ages, it was seen not only as the instrument of human agency but also as perversely independent of other human capacities, for example, intellect and moral character. Renaissance accounts of the will conceived of volition both as the means to self-creation and the faculty by which we lose control of ourselves. After offering a brief history of the will that isolates the distinctive features of the faculty in medieval and Renaissance thought, Escobedo makes his case through an examination of several personified figures in Renaissance literature: Conscience in the Tudor interludes, Despair in Doctor Faustus and book I of The Faerie Queen, Love in books III and IV of The Faerie Queen, and Sin in Paradise Lost.These examples demonstrate that literary personification did not amount to a dim reflection of “realistic” fictional character, but rather that it provided a literary means to explore the numerous conundrums posed by the premodern notion of the human will. This book will be of great interest to faculty and graduate students interested in Medieval studies and Renaissance literature. “This exhilarating and brilliant book will be a most welcome and timely addition to the ReFormations series, to which it will add distinction. . . . It is also a book that can be relished sentence by sentence, as Escobedo is a writer of intellectual verve and boldness, making hard-won claims look obvious once made.” —Sarah Beckwith, Duke University

The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Negritude

Автор: Badiane Mamadou
Название: The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Negritude
ISBN: 0739125540 ISBN-13(EAN): 9780739125540
Издательство: Bloomsbury
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Цена: 43560.00 T
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Описание: The Changing Face of Afro-Caribbean Cultural Identity: Negrismo and Negritude looks primarily at Negrismo and Negritude through the eyes of the poetry of Nicolas Guillen, Manuel del Cabral, and Pales Matos as well as Leopold Senghor, Leon-Gontran Damas, and Aime Cesaire. The book shows Caribbean cultural identity as a slippery and fluctuating zone.


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