Music and Musicians in the Medieval Islamicate World: A Social History, Lisa Nielson
Автор: Thibaut d`Hubert, Alexandre Papas Название: Jami in Regional Contexts: The Reception of ?Abd al-Ra?man Jami`s Works in the Islamicate World, ca. 9th/15th-14th/20th Century ISBN: 9004385606 ISBN-13(EAN): 9789004385603 Издательство: Brill Цена: 264320.00 T Наличие на складе: Невозможна поставка. Описание: Jami in Regional Contexts: The Reception of ?Abd Al-Ra?man Jami’s Works in the Islamicate World is the first attempt to present in a comprehensive manner how ?Abd al-Ra?man Jami (d. 898/1492), a most influential figure in the Persian-speaking world, reshaped the canons of Islamic mysticism, literature and poetry and how, in turn, this new canon prompted the formation of regional traditions. As a result, a renewed geography of intellectual practices emerges as well as questions surrounding authorship and authority in the making of vernacular cultures. Specialists of Persian, Arabic, Chinese, Georgian, Malay, Pashto, Sanskrit, Urdu, Turkish, and Bengali thus provide a unique connected account of the conception and reception of Jami’s works throughout the Eurasian continent and maritime Southeast Asia.
Based on extensive research in India and Pakistan, this new study examines the ways drumming and voices interconnect over vast areas of South Asia and considers what it means for instruments to be voice-like and carry textual messages in particular contexts. Richard K. Wolf employs a hybrid, novelistic form of presentation in which the fictional protagonist Muharram Ali, a man obsessed with finding music he believes will dissolve religious and political barriers, interacts with Wolf's field consultants, to communicate ethnographic and historical realities that transcend the local details of any one person's life. The result is a daring narrative that follows Muharram Ali on a journey that explores how the themes of South Asian Muslims and their neighbors coming together, moving apart, and relating to God and spiritual intermediaries resonate across ritual and expressive forms such as drumming and dancing.
How is hostage space constructed? In this age-long procedure found in conflicts around the world, strange forms of terror and intimacy arise, particularly in the contemporary Islamic cultures of Chechnya, Albania, and Bosnia. This book investigates the modes of desire and politics found in kidnapping, in order to reveal the voices of victims and kidnappers that often remain closed up. Dejan Lukic explores the spaces where hostages and hostage takers come into contact - spaces of accident, sacrifice, hope, and catastrophe - or, in other words, the spaces that announce utopias bound to fail. In this book, the figures of the victim, the terrorist, the sovereign, the resistance fighter and the witness - among others - emerge with a new face; one that will contribute to our understandings of what it means to act politically and ethically today.
Hamid Naficy is one of the world’s leading authorities on Iranian film, and A Social History of Iranian Cinema is his magnum opus. Covering the late nineteenth century to the early twenty-first and addressing documentaries, popular genres, and art films, it explains Iran’s peculiar cinematic production modes, as well as the role of cinema and media in shaping modernity and a modern national identity in Iran. This comprehensive social history unfolds across four volumes, each of which can be appreciated on its own.
In Volume 3, Naficy assesses the profound effects of the Islamic Revolution on Iran's cinema and film industry. Throughout the book, he uses the term Islamicate, rather than Islamic, to indicate that the values of the postrevolutionary state, culture, and cinema were informed not only by Islam but also by Persian traditions. Naficy examines documentary films made to record events prior to, during, and in the immediate aftermath of the revolution. He describes how certain institutions and individuals, including prerevolutionary cinema and filmmakers, were associated with the Pahlavi regime, the West, and modernity and therefore perceived as corrupt and immoral. Many of the nation's moviehouses were burned down. Prerevolutionary films were subject to strict review and often banned, to be replaced with films commensurate with Islamicate values. Filmmakers and entertainers were thrown out of the industry, exiled, imprisoned, and even executed. Yet, out of this revolutionary turmoil, an extraordinary Islamicate cinema and film culture emerged. Naficy traces its development and explains how Iran's long war with Iraq, the gendered segregation of space, and the imposition of the veil on women encouraged certain ideological and aesthetic trends in film and related media. Finally, he discusses the structural, administrative, and regulatory measures that helped to institutionalize the new evolving cinema.
A Social History of Iranian Cinema Volume 1: The Artisanal Era, 1897–1941 Volume 2: The Industrializing Years, 1941–1978 Volume 3: The Islamicate Period, 1978–1984 Volume 4: The Globalizing Era, 1984–2010
Название: Islamicate sexualities ISBN: 0674032047 ISBN-13(EAN): 9780674032040 Издательство: Wiley Рейтинг: Цена: 17900.00 T Наличие на складе: Невозможна поставка. Описание: In 1962, amidst the Cuban Revolution, Third World decolonization, and the African American freedom movement, Jamaica and Trinidad and Tobago became the first British West Indian colonies to gain independence. This book is an international history of Anglo-American-Caribbean relations, including the role of the transnational African diaspora, during the long decolonization of the British Caribbean.
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