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Entrepreneurs of Identity: The Islamic State`s Symbolic Repertoire, Audiovisuality and Socioclasm, Christoph Gunther


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Автор: Christoph Gunther
Название:  Entrepreneurs of Identity: The Islamic State`s Symbolic Repertoire, Audiovisuality and Socioclasm
ISBN: 9781800732667
Издательство: Berghahn
Классификация:

ISBN-10: 180073266X
Обложка/Формат: Hardback
Страницы: 220
Вес: 0.47 кг.
Дата издания: 14.01.2022
Серия: Integration and conflict studies
Язык: English
Размер: 158 x 235 x 22
Ключевые слова: Religious & theocratic ideologies,Social & cultural anthropology, ethnography, RELIGION / Fundamentalism,RELIGION / Religious Intolerance, Persecution & Conflict,SOCIAL SCIENCE / Anthropology / Cultural
Подзаголовок: The islamic stateвђ™s symbolic repertoire
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Поставляется из: Англии
Описание:

Describing the Islamic State’s ideologues as ‘entrepreneurs of identity’, this book explores how the group defined categories of social identity and used them as tools of communicative and cognitive structuring. Based on a wide dossier of original texts, speeches, images, and videos, the book examines how these ideologues have built a symbolic repertoire around the black flag as well as ideas and social practices such as the dictum to command good and forbid wrong, the supervision of public behaviour, and the oath of allegiance to the Caliph.


Дополнительное описание:

List of Figures
Acknowledgements
Notes on Translations and Transliteration

Introduction

Chapter 1. Entrepreneurs of I


Jihadi Audiovisuality and Its Entanglements: Meanings, Aesthetics, Appropriations

Название: Jihadi Audiovisuality and Its Entanglements: Meanings, Aesthetics, Appropriations
ISBN: 1474467512 ISBN-13(EAN): 9781474467513
Издательство: Bloomsbury Academic
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ISIS is often described as a terrorist organisation that uses social media to empower its supporters and reinforce its message. Through 12 case studies, this book examines the different ways in which Jihadi groups and their supporters use visualisation, sound production and aesthetic means to articulate their cause in online as well as offline contexts.

Divided into four thematic sections, the chapters probe Jihadi appropriation of traditional and popular cultural expressions and show how, in turn, political activists appropriate extremist media to oppose and resist the propaganda. By conceptualising militant Islamist audiovisual productions as part of global media aesthetics and practices, the authors shed light on how religious actors, artists, civil society activists, global youth, political forces, security agencies and researchers engage with mediated manifestations of Jihadi ideology to deconstruct, reinforce, defy or oppose the messages.



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