Theorizing Criminality and Policing in the Digital Media Age, Julie B. Wiest
Автор: Bonger Willem Adriaan, Horton Henry Pomeroy Название: Criminality and Economic Conditions ISBN: 1298678943 ISBN-13(EAN): 9781298678942 Издательство: Неизвестно Цена: 55250.00 T Наличие на складе: Невозможна поставка. Описание: This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.
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Автор: Bollmer, Grant David Название: Theorizing digital cultures ISBN: 1473966922 ISBN-13(EAN): 9781473966925 Издательство: Sage Publications Рейтинг: Цена: 136230.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explaining how digital media affect identities, bodies, social relations, artistic practices and the environment, this book helps students understand the key theoretical approaches in the field.
Автор: Rico Isaacs , Alessandro Frigerio (Editos) Название: Theorizing central asian politics ISBN: 3319973541 ISBN-13(EAN): 9783319973548 Издательство: Springer Рейтинг: Цена: 79190.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: This book brings together a series of innovative contributions which provide an eclectic view of how theorizing politics plays out in Central Asia.
Автор: David Andrews Название: Theorizing Art Cinemas: Foreign, Cult, Avant-Garde, and Beyond ISBN: 1477302050 ISBN-13(EAN): 9781477302057 Издательство: Wiley EDC Рейтинг: Цена: 26300.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
The term “art cinema” has been applied to many cinematic projects, including the film d’art movement, the postwar avant-gardes, various Asian new waves, the New Hollywood, and American indie films, but until now no one has actually defined what “art cinema” is. Turning the traditional, highbrow notion of art cinema on its head, Theorizing Art Cinemas takes a flexible, inclusive approach that views art cinema as a predictable way of valuing movies as “art” movies—an activity that has occurred across film history and across film subcultures—rather than as a traditional genre in the sense of a distinct set of forms or a closed historical period or movement.
David Andrews opens with a history of the art cinema “super-genre” from the early days of silent movies to the postwar European invasion that brought Italian Neorealism, the French New Wave, and the New German Cinema to the forefront and led to the development of auteur theory. He then discusses the mechanics of art cinema, from art houses, film festivals, and the academic discipline of film studies, to the audiences and distribution systems for art cinema as a whole. This wide-ranging approach allows Andrews to develop a theory that encompasses both the high and low ends of art cinema in all of its different aspects, including world cinema, avant-garde films, experimental films, and cult cinema. All of these art cinemas, according to Andrews, share an emphasis on quality, authorship, and anticommercialism, whether the film in question is film festival favorite or a midnight movie.
Автор: Elliott, Kamilla Название: Theorizing adaptation ISBN: 019751118X ISBN-13(EAN): 9780197511183 Издательство: Oxford Academ Рейтинг: Цена: 37480.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: The first cross-disciplinary history of theorizing adaptation, Theorizing Adaptation covers the full history of the topic and finds shared ground upon which adaptation scholars can dialogue and debate productively across disciplinary, cultural, and theoretical borders.
Автор: Bollmer Grant Название: Theorizing Digital Cultures ISBN: 1473966930 ISBN-13(EAN): 9781473966932 Издательство: Sage Publications Рейтинг: Цена: 43290.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Explaining how digital media affect identities, bodies, social relations, artistic practices and the environment, this book helps students understand the key theoretical approaches in the field.
Автор: Bryan J. McCann Название: The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era ISBN: 0817319484 ISBN-13(EAN): 9780817319489 Издательство: Mare Nostrum (Eurospan) Цена: 55440.00 T Наличие на складе: Невозможна поставка. Описание: The Mark of Criminality illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop. In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.
Автор: Bryan J. McCann Название: The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era ISBN: 0817359486 ISBN-13(EAN): 9780817359485 Издательство: Mare Nostrum (Eurospan) Рейтинг: Цена: 23100.00 T Наличие на складе: Невозможна поставка. Описание: Positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable.
Автор: Julie B. Wiest Название: Mass Mediated Representations of Crime and Criminality ISBN: 1800437595 ISBN-13(EAN): 9781800437593 Издательство: Emerald Рейтинг: Цена: 107050.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание: Sponsored by the Communication, Information Technologies, and Media Sociology section of the American Sociological Association (CITAMS), this volume of Studies in Media and Communications features social science research that examines the practices, patterns, and messages related to representations of crime in mass media around the world. Chapters focus on a wide range of fact-based and fictional accounts of criminality as depicted in print and broadcast news, documentary and video-on-demand films, and television programs.
Stories about crime and criminality have long been the mainstay of news and entertainment media content, and the intersection of crime and media is a common topic in scholarly research. Moreover, substantial evidence indicates that these media depictions are highly influential as people in economically advanced societies - who tend to have little personal experience with crime-form perceptions about criminality, crime rates, characteristics of criminals, and even their own likelihood of victimization. Thus, ongoing examination of crime images within various types of mass media aids in understanding the associated messages and meanings that are disseminated to consumers. This volume will enhance the knowledge of junior and senior scholars in criminology, sociology, journalism, and communication/media studies, particularly because of its inclusion of crime stories in a variety of formats and that represent media content from nations spanning five continents.
Название: Theorizing digital divides ISBN: 0367890259 ISBN-13(EAN): 9780367890254 Издательство: Taylor&Francis Рейтинг: Цена: 44910.00 T Наличие на складе: Невозможна поставка. Описание: This volume examines and explains the phenomenon of digital divides and digital inequalities from a theoretical perspective. Theorizing Digital Divides explores theories from diverse perspectives within the social sciences and presents clear examples of how each theory is applied in digital divide research.
Название: Theorizing digital rhetoric ISBN: 1138702390 ISBN-13(EAN): 9781138702394 Издательство: Taylor&Francis Рейтинг: Цена: 47970.00 T Наличие на складе: Есть у поставщика Поставка под заказ. Описание:
Theorizing Digital Rhetoric takes up the intersection of rhetorical theory and digital technology to explore the ways in which rhetoric is challenged by new technologies and how rhetorical theory can illuminate discursive expression in digital contexts. The volume combines complex rhetorical theory with personal anecdotes about the use of technologies to create a larger philosophical and rhetorical account of how theorists approach the examinations of new and future digital technologies. This collection of essays emphasizes the ways that digital technology intrudes upon rhetorical theory and how readers can be everyday rhetorical critics within an era of ever-increasing use of digital technology.
Each chapter effectively blends theorizing between rhetoric and digital technology, informing readers of the potentiality between the two ideas. The theoretical perspectives informed by digital media studies, rhetorical theory, and personal/professional use provide a robust accounting of digital rhetoric that is timely, personable, and useful.
By accessing penal history through the mediator of individual memory authors can be seen to depict the cumulative dialogue between the English common law and its cultural representations across historical time. Offering legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding and Sir Walter Scott; this book explores this literary phenomenon and its legal significance during the eighteenth and nineteenth centuries. In doing so it argues that the importance of precedent in Anglo-American common law creates a unique discourse of historical legitimacy that shapes both the cultural and official conceptions of criminality itself during this period. Within a Foucauldian framework, the book illustrates how the cultural memory of crime and punishment contribute to the development of formal and informal penal institutions.
Key Features:
*Generates a new framework for analysing the relationship between individual and cultural narratives, literary texts, and the cumulative "truth" created by the common law
*Provides three case studies of adultery, child criminality, and rape testimony that demonstrate the impact of cultural narrative on legal development in the eighteenth and nineteenth centuries.
*Legal readings of works by authors including Thomas Hardy, Charles Brockden Brown, Charles Dickens, Samuel Richardson, George MacDonald, Charles Kingsley, Alfred Tennyson, Charlotte Bronte, Robert Browning, Henry Fielding, Sir Walter Scott
*Transformative readings of widely read works including Charles Brockden Brown’s Wieland and Ormond, Thomas Hardy’s Tess of the d’Urbervilles, Charles Kingsley’s The Water-Babies, Alfred Tennyson’s Idylls of the King, Charlotte Bronte’s Jayne Eyre, Henry Fielding’s The Modern Husband and Sir Walter Scott ‘s Heart of Midlothian
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